It was a riot of colour in the Gallery as we welcomed Del Kathryn Barton’s portrait of Maggie Beer AO into the collection.
Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Inga Walton on the brief but brilliant life of Hugh Ramsay.
This issue features Del Kathryn Barton, Renaissance Portraiture in New York, Australian impressionists, Nikki Toole’s Skater project, National Photographic Portrait Prize, Andrew Maccoll & Mick Fanning and more.
Del Kathryn Barton discusses ideas of portraiture through two of her own artworks.
Hugh Ramsay, the fashion of Jenny Kee and Linda Jackson, Peter Wegner's centenarian series, John and Elizabeth Gould's family connections, Karen Quinlan's top five portraits and more.
Kim Leutwyler on her portraits of the LGBTQIA+ community, Oliver Giles chats to Polly Borland, Gunggandji artist Simone Arnol, and Andrew Quilty's new book.
Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.
Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.
Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Karina Dias Pires shares the stories behind her portraits of women artists in their creative spaces.