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The Archduke
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The immediate chain of events that led to the outbreak of the First World War began 100 years ago on June 28.
On the passage and pace of time
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In shock it fluctuates and with age, accelerates. Remembering the First World War and the Easter Rising.
Autumn in Canberra
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In Persuasion (1818), a long walk on a fine autumn day affords Anne Elliot an opportunity to ruminate wistfully and at great length upon declining happiness, youth and hope.
Waterloo and Mrs. Moore
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Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.
Cooey! An Australian Song
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"Coo-ey, Coo-ey, Coo-ey, Coo-ey—Love has caught the strain, Coo-ey, Coo-ey, Coo-ey, Coo-ey—it whispers back again." The “Australian lady” who composed these fruity lyrics was none other than Desda— Jane Davies, sometime Messiter (née Price) of Leddicott, Lavender Bay.
The consolations of religion
A bushranger meets his maker, 6 January 1826
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James McCabe provides proof that hanging wasn’t necessarily a fate reserved for the perpetrators of murder and other deeds of darkest hue.
Dempsey's people
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Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
Very fine and very like
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When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?
Embrace your inner nerd
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The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.
A stitch in time: Participating in portraiture
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Author and embroidery enthusiast Emma Batchelor shares her experience of joining a sewing circle with Portrait23: Identity artist Deborah Kelly.
The play’s the thing
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Penelope Grist charts an immersive path through Stuart Spence’s photography.
Talking heads
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In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
Back track
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Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.
Storied portrait
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Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.
Beyond the bow tie
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Nathan Faiman delves into the rich life story and legacy of Alan Goldberg.
The personal and the historical
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Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.