Julia Gillard pays poignant tribute to her friend and mentor, the late Joan Kirner, Victoria’s first and only female premier.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
Magda Keaney on entwining the work of Francesca Woodman and Julia Margaret Cameron, two photographers working a century apart.
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
Kim Leutwyler on her portraits of the LGBTQIA+ community, Oliver Giles chats to Polly Borland, Gunggandji artist Simone Arnol, and Andrew Quilty's new book.
This issue of Portrait Magazine features Margaret Cameron, the 'Truth and Likeness' exhibition, Reg Mombassa, Patrick White, George Foxhill and more.
This issue features Julia Gillard on the late Joan Kirner, Julian Opie’s digital portraiture, Nicholas Harding’s Godot gouaches and more.
National Photographic Portrait Prize judge Joanna Gilmour previews the 2012 exhibition.
Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.
In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.
A newly acquired work by Stella Bowen adds to the National Portrait Gallery's growing collection of important Australian self-portraits.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
The National Portrait Gallery has acquired an evocative depiction of soldier Peter Cosgrove by the Victorian-based painter, printmaker and sculptor Rick Amor.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.