Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
This issue features Hermannsburg pottery, Nicole Kidman, Ken Done, Jessie Street, two gladiators, the Portraits+Architecture exhibition and more.
Penelope Grist explores the United Nations stories in the Gallery’s collection.
Inga Walton on the brief but brilliant life of Hugh Ramsay.
Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.
Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.