Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.
Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.
Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.
The Huxleys, National Portrait Gallery London’s masterpieces, Jennifer Higgie on portraits of women by women, Tamara Dean, Bangarra, Glynis Jones on fashion photographers, and NPG/NGV collaboration.
Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.
NPG Washington director Kim Sajet on the Obama portraits, Sarah Ball’s Immigrants, judging the NPPP, Frances Hodgkins, and Picnic at Hanging Rock.
To complement the exhibition Australians and the Nobel Prize, Jennifer Gason gives us a sense of the proceedings that occur during the award ceremony.
Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.
Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.
Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.
Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
A photograph of Claudia Karvan that blends actor, character, photographer and captures the creative collaboration of the television series Love my way.
Alistair McGhie writes about the portraits of three of Australia's top professional cyclists: Cadel Evans, Stuart O'Grady and Robbie McEwen painted by Matthys Gerber.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
