Grace Carroll contemplates the curious case of Christian Waller.
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.
Grace Carroll on the gendered world of the Wentworths.
Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.
Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.
The Kylie exhibition celebrated the significant achievements of one of Australia's most internationally recognisable faces and gave the general public a rare glimpse into her glamorous life.
Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.
Penelope Grist finds philanthropy and fashion underpin the story of Susan Wakil AO.
This issue of Portrait Magazine features Grace Cossington Smith, the Fairfax portrait gift and Lewis Morley's photographs.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
Marian Anderson, emerging photographer Charles Dennington, piscatorial portraits, and the poignant path of photographer Polixeni Papapetrou and more.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Peter Brew-Bevan discusses two experiences where his plans for his portraits produced surprising results.
Growing up feeling isolated, ostracised and ornate in the heated homogeny of the suburbs of Perth and the Gold Coast we often longed and dreamed for an escape.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.