Dr G Yunupingu (1970-2017), a man of the Gumatj clan of north-east Arnhem Land, learned to play guitar, keyboard, drums and didgeridoo as a child.
Nathalie Latham's exhibition Australia's Creative Diaspora explores Australians, in the arts, who live and work internationally.
Guy Maestri’s portrait of the musician was conceived after the artist saw Gurrumul perform in Sydney on New Year’s Eve 2008.
This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
This issue features Kate Beynon, Philosopher Cynthia Freeland, Geoffrey Gurrumul Yunupingu, John Tsiavis & Chris Lilley, UK's BP Portrait Award, Purchasing power in colonial Sydney and more.
This issue of Portrait Magazine features Grace Cossington Smith, the Fairfax portrait gift and Lewis Morley's photographs.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.
Dr Chistopher Chapman discusses the portrait of Australian author Christos Tsiolkas taken by John Tsiavis.
In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
National Photographic Portrait Prize judge Joanna Gilmour previews the 2012 exhibition.