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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Face of South Sudan, 2012 by Melanie Faith Dove

Melanie Faith Dove

Finalist interviews

I had been watching Agnes with intrigue, her face and profile were so mesmerizing. On our final day together I pulled her aside and convinced her that she had such an amazing face that I needed to get a photograph for myself. It was very spontaneous in that I decided quickly how it would best look and shot it in only two frames.

Portrait of Ingvar Kenne, 2012 by Simon Harsent

Finalist interviews

General content

Interviews with NPPP 2013 finalists Melanie Faith Dove, Simon Harsent, Ahmad Sabra, Sharon Zwi, Katherine Bennett, Krystal Seigerman, Arianne McNaught, Janet Tavener, Louise Whelan, Myles Nelson and Heather Corrigan.

Dark Learning (act 9)

by Jacobus Capone
General content

Finalist, MDPA 2015

Yhonnie and Indiana, 2012 by Janelle Low

NPPP 2013 learning resource

Learning resource archive

Exploring select works from the NPPP 2012. For secondary students.

Caroline Zilinsky and John Feitelson

Caroline Zilinsky and John Feitelson

Vox pops

John is a very unique character so I really wanted to capture that uniqueness.

Still Life (Pieta), 2007 by Sam Jinks

Mortality

More about In the flesh

In Western religious art a Pietà, also called a ‘lamentation’, is an image of the Virgin Mary cradling the dead body of Christ.

Jaq Grantford

Jaq Grantford

Vox pops

A self-portrait from a different time, feels like a different time, even though it's only a couple of years ago or one and a half years, if that, and it was my commentary on COVID and how I was feeling about it at the time.

Face of South Sudan, 2012 by Melanie Faith Dove

NPPP 2013 exhibition essay

General content

Joanna Gilmour, National Photographic Portrait Prize judge and curator, introduces the 2013 Prize.

The uncertain recovery, 2012 by Arianne McNaught

Arianne McNaught

Finalist interviews

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

Graeme Drendel, 2016 by Mark Mohell

Graeme Drendel

Explore The Popular Pet Show

I like talking about Drendel’s pictures as if they expressed dreams of my own.

Terms and conditions

Darling Portrait Prize 2024
Darling Portrait Prize

These terms and conditions govern entries to the National Portrait Gallery’s Darling Portrait Prize 2024.

© National Portrait Gallery 2024
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency