Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.
Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.
Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.
Dr Sarah Engledow explores the early life and career of John Brack.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Gumbaynggirr artist Aretha Brown talks street art, collaboration and ghost stories with First Nations Curator and Meriam woman, Rebecca Ray.
An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Karl James reflects on soldier portraiture during the Great War.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.