In the one hundred years since Federation, Australia has produced twenty-five Prime Ministers of all shapes, shades and sizes
Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.
This display celebrates 100 years of the Historic Memorials Collection and its role in commissioning portraits of parliamentary and judicial figures in Australia.
Vanity Fair Portraits traces the birth and evolution of photographic portraiture through the archives of Vanity Fair magazine.
'I have just been to my dressing case to take a peep at you.
This is the first major exhibition to examine photographic portraiture in Australia, from its beginnings in the early 1840s to the present day
In this exhibition Sydney based photographer Peter Brew-Bevan brings together an intimate collection of works that highlight his passion for the genre of portraiture over the last 10 years
Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture
First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
The artist's diary profiles six decades of Cassab's work, from the early portrait commissions of the 1950s to later paintings that have helped confirm her eminent place in the canon of Australian portraiture.
Although perceived to be a recent phenomenon, the 'Aussie invasion' of Hollywood can actually be traced as far back as the early 1900s
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present