The portrait of Ian Roberts by Ross Watson.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.
An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.
Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?
Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Polly Borland talks to Oliver Giles about the celebrity portraits that made her name and why she’s now making more abstract art.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).