Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
Recent research shows that two thirds of all Australians have a sterling interest in the arts and Australian history. This is just one of the promising findings to arise from the National Portrait Gallery’s commissioned snapshot of its national brand awareness, via a nationally representative survey.
The National Portrait Gallery has had its most successful Multimedia and Publication Design Awards (MAPDAs) ever, winning four awards across multiple categories. The awards were presented at a ceremony at the Australian Maritime Museum last Friday night.
The second annual brand-awareness snapshot of the National Portrait Gallery is again positive, with indicators moving in the right direction – for the Gallery and for Australia’s cultural engagement.
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
Commissioned with funds provided by Maliganis Edwards Johnson and Alan Dodge AM 2018
A new commissioned portrait funded by the Gallery’s Foundation will be launched at Murdoch University in Perth tonight, Wednesday 2 September.
More than eighty treasures from the National Portrait Gallery London will travel to Canberra for a once-in-a-lifetime exhibition at the National Portrait Gallery from March 2022.
Rock’s raw potency made it the ideal medium for fomenting protest. The 1970s, 80s and onwards saw calls for social and environmental justice ring out through song.
In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.
One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.