The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Barry York charts the course from childhood request to autographed celebrity portrait anthology.
Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
Krysia Kitch celebrates Oodgeroo Noonuccal.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
Anne Sanders imbibes Tony Bilson’s gastronomic revolution.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.