Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.
The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.
Stephen Phillips talks to neurosurgeon Charlie Teo about his practice, perspectives and the anatomy of hope.
April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.
Angus and the arbiters talk (photo) shop for the National Photographic Portrait Prize.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Artist David M Thomas lists some of the ideas and influences behind his video portraits.
David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.
I work with portraiture as a way to explore the nuances and complexities of contemporary selfhood and subjectivity.
Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.
Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.