Sam Bowker examines Paula Dawson's Mirror, Mirror - a holographic portrait of Graeme Murphy.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.
Christopher Chapman profiles Chris Lilley, actor and creator of Angry Boys.
Andrew Mayo talks to three of Australia’s most prominent and prolific music photographers — Martin Philbey, Kane Hibberd and Daniel Boud — about the challenges and inspiration behind their craft.
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
Phil Manning celebrates a century of Brisbane photographic portraiture.
The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
Tegan McAuley looks at the evolution of video portraiture.
Lucy Quinn compares the approaches of three photographers lured to the action and culture of roller derby.