April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.
A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.
Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture
Grace Carroll contemplates the curious case of Christian Waller.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Giles Auty introduces British painter John Wonnacott who will talk at the National Portrait Gallery on 2 November 2002.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Michael Riley’s early portraits by Amanda Rowell.
Mette Skougaard and Thomas Lyngby bring eloquent context to Ralph Heimans’ portraits of Crown Princess Mary and Crown Prince Frederik of Denmark.
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.
The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.
Meredith Hughes explores a key Portrait Gallery work, emerging into the infinite iterations of identity.
Michael Wardell’s personal insight into Jacques van der Merwe’s New Arrivals.