The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
Michael Desmond explores what makes a portrait subject significant.
Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.
Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.
Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.