A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.
Beatrice Gralton looks at a larger than life portrait by Chinese artist Song Dong.
April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.
Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture
Giles Auty introduces British painter John Wonnacott who will talk at the National Portrait Gallery on 2 November 2002.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.
Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.
Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.
Meredith Hughes explores a key Portrait Gallery work, emerging into the infinite iterations of identity.
Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.