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Patrick McCaughey explores a striking Boyd self portrait.

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.


Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.