Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.
Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.
Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.
The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.
Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.
Karl James reflects on soldier portraiture during the Great War.
Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.