NPPP judge Robert Cook provides irreverent insight into this year’s fare, and having to be a bit judgemental.
Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.
Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.
This issue of Portrait Magazine features David Moore, Midnight Oil, Dr Joan Croll by John Brack, the acquisition of the Captain Cook portrait, and more.
This issue features the new National Portrait Gallery building, James Cook and John Banks, Cate Blanchett, Irina Baranova, Annette Kellerman, Shepard Fairey and more.
NPG Washington director Kim Sajet on the Obama portraits, Sarah Ball’s Immigrants, judging the NPPP, Frances Hodgkins, and Picnic at Hanging Rock.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.
The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Sharon Peoples contemplates costumes and the construction of identity.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
A reflection on the National Portrait Gallery's first four years.