Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.
I wanted to be a journalist. I was very idealistic and I had a big chip on my shoulder. I wanted to investigate the human condition, drawing attention to those in need with the hope of someday effecting positive change.
Artist Mandy Martin describes the creation of her portrait of Aldo Giurgola, principal architect of Australia's Parliament House.
Explore convict art, photography by Ruth Hollick and Collier Schorr, an interview with neurosurgeon Charlie Teo, portraiture on money, and more!
Australian photojournalist Stephen Dupont's Afghanistan project captures the human experience of a country in reconstruction.
Stephen Phillips talks to neurosurgeon Charlie Teo about his practice, perspectives and the anatomy of hope.
While visiting the National Portrait Gallery I noticed the absence of paintings of journalists.
John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.
Nicholas Harding describes his enduring fascination with drawing and painting people.
Blak Douglas reflects on his experiences, process and motivation for making portraits.
Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.
Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?
Australia's major abstract painter Yvonne Audette discusses her portrait of sculptor Robert Kippel.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
As Bryan Westwood’s portrait of Brian Dunlop hangs adjacent to Brian Dunlop’s portrait of the philanthropist Dr Joseph Brown AO OBE, we see the artist of one work as the subject of the other.
Angus Trumble ponders the many faces of William Bligh.