Bruce Petty's animated self portrait captures a life's journey compressed into a few minutes.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.
Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.
Karl James reflects on soldier portraiture during the Great War.
NPPP judge Robert Cook provides irreverent insight into this year’s fare, and having to be a bit judgemental.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.