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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Dr John Yu

Clay, water, fire

Magazine article by Simon Elliott, 2005

Ah Xian's porcelain portrait of paediatrician Dr. John Yu reflects Yu's heritage and interests.
Edward John Eyre

Hearts of Darkness

Magazine article by Magda Keaney, 2006

The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
Sir Lawrence Wackett

Starry knight

Magazine article by Dr Sarah Engledow, 2010

Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.
Writing on the Wall, 2019 Dr Christian Thompson AO

To arrive at hope

NPPP 2020 exhibition essay
General content

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.
Dorothy Porter

Beautiful bones

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.

Recollections of a sinologist sitter

Magazine article by Professor Stephen FitzGerald AO, 2016

Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.
Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984

The activist A-list

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

The stately lotus

About Face article

I spent much of my summer holiday at D’Omah, on the outskirts of Yogyakarta. Lotus and waterlilies sprout in extraordinary profusion in artful ponds amid palms and deep scarlet ginger flowers.
Sir Macfarlane Burnet

Picture this...

Magazine article by Andrew Sayers AM, 2003

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

General content

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.
Waterfall in Australia, c. 1830 by Augustus Earle

Augustus serendipitous

Magazine article by Joanna Gilmour, 2016

The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825. 
Portrait of Elizabeth Gould with a raptor, possibly a red-footed falcon (Falco vespertinus), painted in her lifetime Artist unknown

Birds of a feather

Magazine article by Annette Twyman, 2021

Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.
Howard Taylor

Reflections on portraiture

Magazine article by Andrew Sayers AM, 2004

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.
Seven sisters song Kaylene Whiskey

You are who?

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Sir Douglas Mawson

Staying home

True south #2
About Face article

Joanna Gilmour brings a mindful Douglas Mawson’s perspective to bear on the concept of isolation.
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© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency