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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Neil Murray

True fella

Magazine article by Michael Desmond, 2011

Michael Desmond profiles the Australian songwriter and performer Neil Murray and his contribution to Australian music.

Helena Rubinstein in a red brocade Balenciaga gown

Study in scarlet

Magazine article by Angus Trumble, 2018

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

Margaret Anderson

The line of fire

Magazine article by Michelle Fracaro, 2005

Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.

Virginia Woolf, 1902 George Charles Beresford

Love my way

Magazine article by Inga Walton, 2022

Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.

Self portrait

Profile of a marriage

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.

John Bell as King Lear oil on Belgian linen, 2001 by Nicholas Harding

Lear unbuttoned

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.

Marcia Langton

The art of multiplicity

Magazine article by Meredith Hughes, 2019

Meredith Hughes explores a key Portrait Gallery work, emerging into the infinite iterations of identity.

Self portrait with gladioli

Courage, Self-analysis and Skill

Magazine article by Andrew Sayers AM, 2002

The story behind George Lambert's Self-portrait with Gladioli.

Sandor Ferenczis 50th birthday dinner, Budapest, 1923

Less than six degrees of separation

Magazine article by Dr Anne Sanders, 2011

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

Emily Kame Kngwarreye with Lily

Illuminating history

Magazine article by Joanna Gilmour, 2023

Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.

Portrait of a Young Man, 1478

Emblems of beauty

Magazine article by Keith Christiansen, 2012

Keith Christiansen introduces the exhibition The Renaissance Portrait from Donatello to Bellini on display at the Metropolitan Museum of Art, New York.

Jessie Street

Australia’s great internationalists

Magazine article by Penelope Grist, 2016

Penelope Grist explores the United Nations stories in the Gallery’s collection.

Hardtmuth 'Hottie' Lahm

Hottie's Snifter to port

Magazine article by Peter Jeffrey, 2016

Peter Jeffrey trips the hound nostalgic.

Ann Moyal

The elegant thinker

Magazine article by Dr Sarah Engledow, 2020

Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.

Australian Dance Party and Catapult Dance performing Connecting Stories: Innovations at the National Portrait Gallery, 2022 Lorna Sim

Let’s dance

Magazine article by Emma Batchelor, 2022

Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.

Self portrait, 1970

Painters' paradise

Magazine article by Andrew Sayers AM, 2007

Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency