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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Jessie Street

Australia’s great internationalists

Magazine article by Penelope Grist, 2016

Penelope Grist explores the United Nations stories in the Gallery’s collection.

Lyndall Hobbs and Marilyn at the Come as your favourite blonde party, Blitz Club, London, 1979 Robert Rosen

Shiny, happy people

Magazine article by Glynis Jones, 2022

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

Murray frees himself from straightjacket in public, 1928 by Sam Hood

Risky business

Magazine article by John Zubrzycki, 2016

John Zubrzycki lauds the characters of the Australian escapology trade.

Professor Peter Doherty

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Love City; George Gittoes on hilltop 2013

Man of war

Magazine article by Tedi Bills, 2016

Tedi Bills talks to George Gittoes about canvassing conflict.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Carnation, Lily, Lily, Rose, 1885-86 by 
John Singer Sargent

A feast of friends

Magazine article by Richard Ormond, 2015

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Helena Rubinstein in a red brocade Balenciaga gown

Study in scarlet

Magazine article by Angus Trumble, 2018

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

Janice Wakely

Generous Janice

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency