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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Hardtmuth 'Hottie' Lahm

Hottie's Snifter to port

Magazine article by Peter Jeffrey, 2016

Peter Jeffrey trips the hound nostalgic.

Untitled from The Other Shore 2014-15, by Wei Leng Tay

Insight and identity

Magazine article by Olivier Krischer, 2016

Olivier Krischer in conversation with photographer Wei Leng Tay.

Michael Wardell – Country of birth: Ireland 2014 by Jacques van der Merwe

Look who's coming to dinner

Magazine article by Michael Wardell, 2016

Michael Wardell’s personal insight into Jacques van der Merwe’s New Arrivals.

Satoshi Tokuhiro at Horai Gorge, Takaruzuka, Hyogo from Young Samurai – Bodybuilders of Japan Photography by Tamotsu Yato

Way of the body

Magazine article by Dr Christopher Chapman, 2019

Christopher Chapman reveals the intersection of iconoclastic Japanese figures Yukio Mishima and Tamotsu Yato.

Kevin Rudd

An Australian story

Magazine article by The Hon. Dr Kevin Rudd, 2009

In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.

George Tjungurrayi

Two painters

Magazine article by Dr Christopher Chapman, 2007

Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.

Self-portrait in black jumper, 2017 Graeme Drendel

Be frank

Magazine article by Dr Sarah Engledow, 2020

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

Self portrait

Sir William Dargie CBE

Magazine article by Magda Keaney, 2003

Sir William Dargie, painter and eight times winner of the Archibald Prize for portraiture, died in Melbourne on July 26, 2003, aged 91.

Martin Sharp

Oz and beyond

Magazine article by Diana Warnes, 2007

Martin Sharp fulfils the Pop art idiom of merging art and life.

Moving and changing, 2006

Situated self-portraits

Magazine article by Katherine Russell, 2006

The theme of the seventh annual survey of secondary school student portraiture, Headspace, was Me and My Place.

Stuart, 2008

Interiors

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman previews the National Photographic Portrait Prize 2009.

Cadel Evans

Winning in technicolor

Magazine article by Alistair McGhie, 2009

Alistair McGhie writes about the portraits of three of Australia's top professional cyclists: Cadel Evans, Stuart O'Grady and Robbie McEwen painted by Matthys Gerber.

David Campese II

Inspiration + Realisation: John Singer Sargent

Magazine article by Katherine Russell, 2006

Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.

Dave Graney

Naked nostalgia

Magazine article by Penelope Grist, 2016

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.

Matepai c. 1929-32

Missionary positions

Magazine article by Stella Ramage, 2016

Stella Ramage on Father McHardy’s Bougainville portraiture.

James Ford, 1979 by Robert Mapplethorpe

Apollo's breath

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency