Skip to main content

What's on

Watch

The Gallery

Governance & Board

Circle of Friends

Learn

Access

Search the website

close close

What's on The Portraits The Gallery Learn Watch More O

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / jesse young

Paradise won, 2024 Ryan Presley

Ryan Presley: Paradise won

Current exhibition

Marri Ngarr artist Ryan Presley's site-specific commission Paradise won is prominently positioned at the Gallery’s entrance. This ambitious new work invites conversations about the ongoing legacies of colonisation and celebrates First Nations survival and autonomy.

Convict love token from J. Waldon, 1832

To coin a (farewell) phrase

A penny for their thoughts

Keenan, 2021 Emma Pegrum

Keenan

John Darling

John Darling

John Darling (1923-2015), businessman, company director and media producer was the son of Harold Gordon Darling, chair of BHP.

1 portrait in the collection

Self portrait, 2022 RJ Parker

Gulgawarnigu

Thinking of something, someone

Previous exhibition, 2023

In partnership with Big hART we are proud to present Gulgawarnigu - Thinking of something, someone, a national presentation of digital artworks created from Ngarluma country leramagadu (Roebourne), in the Pilbara region of Western Australia.

Barry, 2006 by Bronek Kozka

Barry, 2006

by Bronek Kozka

image not online

Peter van der Veer

Peter van der Veer, photographer, designer and painter, studied at Prahran College in the 1970s.

1 portrait in the collection

Guthugga Pipeline, Christmas Show, upstairs, The (old) Griffin Centre, Civic, 22 December 1979. Crowd, L-R : Ben Donaldson, Anne Redmond, Nick Vollis, Esa Makela, Megan Woodrow (Mohawk), Andy Hall (scarf) 'pling

Capital Cool

Stop in all the byways, playin' rock 'n roll

General content

Outsiders tend to give Canberra a bad rap: sterile, plagued by politicians, a comatose capital for professionals and academics. Nick Cave once said he didn’t like the city because there were too many punks.

Bangardidjan, 2022 Renae Saxby

Bangardidjan

Ngayulu Minyma Tjanpinya, I am a Tjanpi Woman

Ngayulu Minyma Tjanpinya, I am a Tjanpi Woman

Ngayulu Minyma Tjanpinya, I am a Tjanpi Woman

Ngayulu Minyma Tjanpinya, I am a Tjanpi Woman, 2018

Tjunkaya Tapaya OAM, Tjanpi Desert Weavers

Portrait, Tjanpi (dry grass), acrylic wool, raffia, wire

Purchased 2022

Ivan and Lillian, 2012 by Margot Sharman

Ivan and Lillian, 2012

by Margot Sharman

Sketch for portrait of Justin O'Brien

Sketch for portrait of Justin O'Brien

Sketch for portrait of Justin O'Brien

Sketch for portrait of Justin O'Brien, 1980

Portrait, oil with fibre-tipped pen underdrawing on composition board

Gift of the Margaret Olley Art Trust 2002

In Doubt, 2017 by Eva Collins

In Doubt, 2017

Zareth, 2009 by Scott Bycroft

Zareth, 2009

by Scott Bycroft

Bon Scott & Angus Young, Atlanta, Georgia

Bon Scott

Ronald 'Bon' Scott (1946-1980) had come to Australia with his family in 1952, aged six, had lived in Melbourne and Fremantle, where he joined a pipe band; had dropped out of school at fifteen; and had spent some time in custody.

1 portrait in the collection

Danny, 2013 by Daniel Arnaldi

Danny, 2013

by Daniel Arnaldi

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency