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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Arnold Shore

Arnold Shore, a lifelong inhabitant of Melbourne, was apprenticed to a stained glass and leadlight company called Brooks, Robinson soon after leaving school at the age of twelve.

2 portraits in the collection

Martha Mary Robertson

Martha Mary Robertson

Martha Mary Robertson

Martha Mary Robertson, 1866

Johnstone O'Shannessy & Co

Portrait, albumen photograph on carte de visite

Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program

William St. Leonards Robertson

William St. Leonards Robertson

William St. Leonards Robertson

William St. Leonards Robertson, c. 1869

Johnstone O'Shannessy & Co

Portrait, albumen paper carte de visite

Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Nicholas Chevalier

Nicholas Chevalier

Nicholas Chevalier

Nicholas Chevalier, c. 1867

Johnstone O'Shannessy & Co

Portrait, albumen photograph on carte de visite

Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009

Megan Gale

Glamour vs grunge

Magazine article by Dr Christopher Chapman, 2010

Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.

Portrait of Captain Edward Riou

Edward Riou

Edward Riou (1762-1801), naval officer, began his career with the Royal Navy at the age of twelve.

2 portraits in the collection

Marianne Egan and her children Gertrude Evans Cahuac and Henry William Cahuac

Marianne Egan

Mary Anne Egan (also Marianne or Marian, née Cheers, 1818–1857), was born in Sydney, the daughter of ex-convicts.

1 portrait in the collection

Andrew George Scott, alias Captain Moonlite, c.1879 attributed to Charles Nettleton

Diseased curiosity

Captain Moonlite et al on trial for murder

About Face article

Just after 10.00 o'clock on 3 December 1879, four prisoners were brought from their cells at Darlinghurst Gaol and placed in the dock of a courtroom heaving with agitated spectators

Ellen Stirling

Very fine and very like

About Face article

When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?

Nicholas Paspaley Jnr

Nicholas Paspaley Jnr, 2018

by Andrew Bonneau

General content

Commissioned with funds provided by Ross Adler AC 2018

Face of South Sudan, 2012 by Melanie Faith Dove

Melanie Faith Dove

Finalist interviews

I had been watching Agnes with intrigue, her face and profile were so mesmerizing. On our final day together I pulled her aside and convinced her that she had such an amazing face that I needed to get a photograph for myself. It was very spontaneous in that I decided quickly how it would best look and shot it in only two frames.

The Destruction of the Kelly gang (from The Australasian Sketcher, 17 July 1880)

The Destruction of the Kelly gang (from The Australasian Sketcher, 17 July 1880)

The Destruction of the Kelly gang (from The Australasian Sketcher, 17 July 1880)

The Destruction of the Kelly gang (from The Australasian Sketcher, 17 July 1880), 1880

Tom Carrington, The Australasian Sketcher

Portrait, wood engraving on paper

Purchased 2017

Bob Hawke

Bob Hawke

Robert James Lee (Bob) Hawke (1929-2019) moved with his family from South Australia to Perth in 1939.

9 portraits in the collection

Pierre de Rigaud de Vaudreuil de Cavagnial, Marquis de Vaudreuil, ca.1753-55

Canadian identities

Magazine article by Lilly Koltun, 2004

An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.

William Bligh

Old Blighty

Magazine article by Angus Trumble, 2016

Angus Trumble ponders the many faces of William Bligh.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency