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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Henry Louis Bertrand, ca. 1865 photographed by the Milligan Brothers. Collection of the State Library of NSW

A passion eating into your vitals

The ‘Mad Dentist of Wynyard Square’ in court, 18 December 1865
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The salacious and sordid details of Henry Kinder’s death transfixed Sydneysiders with a case combining murder with seduction, mesmerism, blackmail and poisoning.

Ellen Stirling

Very fine and very like

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When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?

Nellie Melba

Fame or celebrity?

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A question lately cropped up in connection with Madame Melba as to whether fame and celebrity are not essentially the same thing. My feeling is that they are different.

Field Marshal the Lord Birdwood

Centenary of ANZAC

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Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.

Helena Rubinstein in a red brocade Balenciaga gown

Crème Valaze

From lanolin to Balenciaga
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Helena Rubinstein (1872‒1965) was the first self-made millionairess of modern times, and created the first publicly-listed global cosmetics corporation. 

Latai Taumoepeau and Justin Shoulder, 2014, printed, augmented 2023 from the series No Human Being Is Illegal (in all our glory) 2014–18 Deborah Kelly

A stitch in time: Participating in portraiture

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Author and embroidery enthusiast Emma Batchelor shares her experience of joining a sewing circle with Portrait23: Identity artist Deborah Kelly.

Gotta catch 'em all

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Angus Trumble grabs his life jacket and rides the Pokémon GO tsunami.

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

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It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

Cocky McGrath

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The long life and few words of a vice-regal cockatoo

Monument to Mrs. Moore St. Luke’s Church, Liverpool, Sydney

Waterloo and Mrs. Moore

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Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.

Mark Loane

An active and contemplative life

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From Cicero through St. Augustine and Coluccio Salutati right up to the present day, we have regularly weighed the significance, respective merits and competing priorities of the “active” versus the “contemplative” life. Can they coexist?

The great South Sea caterpillar transformed into a Bath Butterfly (Sir Joseph Banks)

The Bath Butterfly

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The caricaturist and engraver James Gillray's biting satires about Sir Joseph Banks. 

A Family Being Served with Tea, ca. 1745 by an unknown artist

A reflection on conversation pieces

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There is in the collection of the Yale Center for British Art in New Haven, Connecticut, an English painting, datable on the basis of costume to about 1745, that has for many years exercised my imagination.

Mexico from the Palace painted by ‘Maximilian Emperor'

Empirical art

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Several years ago I came across this curious painting on the racks in a distant, dusty corner of the store room in the basement of the Johannesburg Art Gallery in South Africa. Since then the mystery surrounding it has never been far from my mind. 

Queen Victoria (1819-1901), Signed and dated 1843 by Franz Xaver Winterhalter

Queen Victoria

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Last Sunday I had the privilege of appearing at the Canberra Writers’ Festival in conversation with Julia Baird. The subject of our session was Julia’s recent biography, Victoria the Queen: An Intimate Biography of the Woman who Ruled an Empire.

Canberra Close Up: Angus Trumble

Desert Island Discs

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I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.

An evening at Yarra Cottage, Port Stephens

Maria Caroline Brownrigg

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At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant

Portrait of Captain John Hunter

Goods and chattels

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I have been reading systematically through the ads in the earliest issues of the Sydney Gazette and New South Wales Advertiser, such a rich vein of information about certain aspects of daily life in Regency Sydney.

Thomas Woolner

The mystery of Enoch Arden

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Tennyson's Enoch Arden was inspired by a story that Thomas Woolner passed on to him – but whose story and of whom?

Sydney Cove medallion, 1789 by Josiah Wedgwood

The medallion

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In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.

Self-portrait with guardian spirits, 2009-2010 Kate Beynon

Kate Beynon’s transcultural life and art

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Phoebe Lupton profiles artist Kate Beynon, whose contemplative self portrait features in Archie 100: A Century of the Archibald Prize.

Sir Douglas Mawson

Staying home

True south #2
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Joanna Gilmour brings a mindful Douglas Mawson’s perspective to bear on the concept of isolation.

Barry Humphries

Talking heads

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In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.

Trumble's way

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At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?

Queen Alexandra and Dowager Empress Marie Feodorovna of Russia, Hvidore, circa 1908 by Mary Steen

The cost of living luxuriously

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In 1904, the Dowager Empress Marie Feodorovna of Russia purchased as a gift for her sister, Queen Alexandra, a fan composed of two-color gold, guilloché enamel, mother-of-pearl, blond tortoiseshell, gold sequins, silk, cabochon rubies, and rose diamonds from the House of Fabergé in Saint Petersburg.

Surfing, Noosa, 1970s Stuart Spence

The play’s the thing

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Penelope Grist charts an immersive path through Stuart Spence’s photography.

Alan Goldberg

Beyond the bow tie

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Nathan Faiman delves into the rich life story and legacy of Alan Goldberg.

Cover, first minute book of the Tasmanian Society of Natural History

Embrace your inner nerd

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The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.

Group photograph taken at the coronation of King George VI including Queen Elizabeth II, Duke and Duchess of Gloucester and the Queen Mother, 12 May 1937 by Hay Wrightson

Poise and Carats

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I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

Anangu landscape learning

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Angus' initial perception of Uluru shifts, as he comes to see it as central to the entire order of Anangu life.

Christmas Island

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This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency