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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

William Charles Wentworth -The Australian Patriot

The Wentworths – Hidden in Plain Sight

Magazine article by Dr Grace Blakeley-Carroll, 2015

Grace Carroll on the gendered world of the Wentworths.

Theodore Twombly by Alice Carroll

A.I.

Magazine article by Dr Christopher Chapman, 2015

Christopher Chapman ponders our digital identity and selfhood.

Stephanie Alexander, 2004

Masters of Fare

Magazine article by Andrew Sayers AM, 2004

The exhibition Masters of Fare: Chefs, Winemaking, Providores celebrates those who have championed the unique culinary characteristics and produce of Australia.

Peter Sculthorpe

Creative space

Magazine article by Eric Smith, 2004

Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.

The National Portrait Gallery building in twilight

On a human scale

Magazine article by Andrew Sayers AM, 2006

The design concepts behind the new National Portrait Gallery building in Canberra.

David Campese II

Inspiration + Realisation: John Singer Sargent

Magazine article by Katherine Russell, 2006

Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.

Studio portrait of servicewoman Lance Corporal Kathleen Jean Mary (Kath) Walker, c.1942

Past present

Magazine article by Krysia Kitch, 2016

Krysia Kitch celebrates Oodgeroo Noonuccal.

Song Dong Waste Not (detail), 2013

Family collective

Magazine article by Beatrice Gralton, 2013

Beatrice Gralton looks at a larger than life portrait by Chinese artist Song Dong.

Untitled (girl on chair with red shoes) by Violet Frisby

Finding Mrs Frisby

Magazine article by Robyn Sweaney, 2016

Robyn Sweaney's quiet Violet obsession.

Portrait of Ninette Dutton

In a glance

Magazine article by Dr Sarah Engledow, 2004

Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.

Barbara Blackman

Life class

Magazine article by Leonie Hellmers, 2004

Barbara Blackman reflects on her experiences as a life model.

Marilyn Darling AC

Support Crew

Magazine article by Dr Christopher Chapman, 2011

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

Chance meeting, 1940-41 by Martin Lewis

Nocturnal animals

Magazine article by Joanna Gilmour, 2017

Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.

Emmanuel at bedtime, 2011 by George Mifsud

To startle the eye

Magazine article by Joanna Gilmour, 2012

National Photographic Portrait Prize judge Joanna Gilmour previews the 2012 exhibition.

Baz Luhrmann

Go glossy!

Magazine article by Katherine Russell, 2006

In association with the Glossy 2 exhibition, eight year 10,11 and 12 students spent two days transforming themselves into a variety of alter-egos in the first ever 8x10 Glossy Photo Shoot Workshop.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency