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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Wesley Enoch and David McAllister

Splendid, many-splendoured

Magazine article by Sandra Bruce, 2021

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

George Tjungurrayi

Two painters

Magazine article by Dr Christopher Chapman, 2007

Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.

Nick Cave

On commission

Magazine article by Andrew Sayers AM, 2002

Former NPG Director Andrew Sayers discusses the art of commissioning portraits.

Self-portrait in black jumper, 2017 Graeme Drendel

Be frank

Magazine article by Dr Sarah Engledow, 2020

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

Jacki Weaver

Flash mob

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow trains her exacting lens on the nine photographs from 20/20.

Self portrait

Sir William Dargie CBE

Magazine article by Magda Keaney, 2003

Sir William Dargie, painter and eight times winner of the Archibald Prize for portraiture, died in Melbourne on July 26, 2003, aged 91.

Self-portrait in white jacket , 1901-02 Hugh Ramsay

Wunderkind lost

Magazine article by Inga Walton, 2021

Inga Walton on the brief but brilliant life of Hugh Ramsay.

Martin Sharp

Oz and beyond

Magazine article by Diana Warnes, 2007

Martin Sharp fulfils the Pop art idiom of merging art and life.

Moving and changing, 2006

Situated self-portraits

Magazine article by Katherine Russell, 2006

The theme of the seventh annual survey of secondary school student portraiture, Headspace, was Me and My Place.

Girl’s Home Regulations: BLANKETS To be aired daily. Dirty blankets to be washed. Each inmate to have her own blanket with her name in the corner. Blankets to be in the press by 12 o’clock and the press locked by the Matron, 2023 Simone Arnol

Seeing red

Magazine article by Rebecca Ray, 2023

Rebecca Ray delves into Simone Arnol’s powerful photographic tribute to her great-grandmother

Stuart, 2008

Interiors

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman previews the National Photographic Portrait Prize 2009.

Jack Brabham

Start Your Engines...

Magazine article by Catherine McDonough, 2006

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

Revd Dr Robert Walker Skating on Duddingston Loch, c.1795 by Sir Henry Raeburn

Great Scots

Magazine article by Diana O'Neil, 2017

Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency