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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Jacki Weaver

Jacki Weaver, 2018

by John Tsiavis

General content

Commissioned with funds provided by Marilyn Darling AC 2018

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven

Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Lee Kernaghan near Broken Hill

Australian of the Year

Inspiring a Nation

Previous exhibition, 2010

The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.

Virginia Woolf, 1902 George Charles Beresford

Love my way

Magazine article by Inga Walton, 2022

Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.

Elle Macpherson

Australian Visit

Previous exhibition, 2006

The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.

Announcing.... In their own words

24 November 2020

Archived media releases 2020

Inspiring Australians tell their own stories in a unique new gallery audio tour, developed in collaboration with the National Library of Australia.

Andrew Sayers AM

Past directors

Directors of the National Portrait Gallery from 1998 to today.

Monument to Mrs. Moore St. Luke’s Church, Liverpool, Sydney

Waterloo and Mrs. Moore

About Face article

Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.

Murray frees himself from straightjacket in public, 1928 by Sam Hood

Risky business

Magazine article by John Zubrzycki, 2016

John Zubrzycki lauds the characters of the Australian escapology trade.

The rose, 1927

The world of Thea Proctor

Magazine article by Dr Sarah Engledow, 2005

The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.

Victor Trumper

Top shot that

Magazine article by Gideon Haigh, 2009

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

Jacki Weaver

Flash mob

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow trains her exacting lens on the nine photographs from 20/20.

The Long Awaited, 2008 by Patricia Piccinini

In the flesh

Magazine article by Penelope Grist, 2015

An exhibition of humanness in ten themes by Penelope Grist.

Dr Edward MacMahon, 1959 by William Dobell

Bill and Ted's excellent portrait.

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

Girl with Cigarette, c. 1925 by Agnes Goodsir

Agnes enigma

Magazine article by Karen Quinlan AM, 2019

Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.

Dr Christopher Chapman

The art of Inner Worlds

Lecture, 7 May 2011

General content

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency