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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Robert Klippel

A bond of friendship

Magazine article by Yvonne Audette AM, 2005

Australia's major abstract painter Yvonne Audette discusses her portrait of sculptor Robert Kippel.

Barbara Blackman

Life class

Magazine article by Leonie Hellmers, 2004

Barbara Blackman reflects on her experiences as a life model.

Mark McManus as Will by Mark Strizic

In and out of focus

Magazine article by Gael Newton, 2017

Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.

Harry Seidler, Killara, Sydney

A Captured Moment

Magazine article by Simon Elliott, 2001

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.

Edward John Eyre

Hearts of Darkness

Magazine article by Magda Keaney, 2006

The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.

Artists and guests at the
doppelgnger exhibition
launch on Portrait Island

Virtually human

Magazine article by Gillian Raymond, 2009

Gillian Raymond describes the National Portrait Gallery's second virtual exhibition doppelgänger.

Zareth, 2009

I am mine

Magazine article by Dr Christopher Chapman, 2010

Dr Christopher Chapman, curator and judge of the National Photographic Portrait Prize 2009 contextualises the themes of the exhibition.

Play on (A portrait of Neale Daniher)

Unpacked

Magazine article by Louise Cummins, 2022

Louise Cummins reveals the rich symbolism in Michael Peck’s photorealistic portrait of AFL legend and MND ambassador Neale Daniher.

Rehearsing Godot (Mullins as Lucky) 4.11.2013 by Nicholas Harding

Waiting for Godot

Magazine article by Dr Sarah Engledow, 2015

'Artist and actors, advancing spasmodically, find their rhythm together' writes Sarah Engledow.

Portrait of Captain James Cook RN

The Quiet Australian

Magazine article by Brian Dale, 2001

Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.

William, Randwick

Miscellaneous obsessions

Magazine article by William Yang, 2022

William Yang shares the stories behind his autobiographical self portraits that celebrate his cultural heritage and identity.

Pat and Richard Larter, Luddenham, 1970s

Pin-ups

Magazine article by Dr Christopher Chapman, 2008

Christopher Chapman describes the art and life of Australian artist Richard Larter.

Self portrait, 1980
Alice Neel

Hard truths

Magazine article by Jennifer Higgie, 2022

Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.

General Cosgrove, Dili, East Timor 1999

On active service

Magazine article by Sam Bowker, 2007

The National Portrait Gallery has acquired an evocative depiction of soldier Peter Cosgrove by the Victorian-based painter, printmaker and sculptor Rick Amor.

Rick Amor in the mirror, 2008

Times like these

Magazine article by Gavin Fry, 2010

Gavin Fry examines the art and career of the Australian painter Rick Amor.

True Stories - Helen Garner

True Stories

Magazine article by Simon Elliott, 2005

The story behind the creation of the portrait of Helen Garner by Jenny Sages.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency