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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Chris Wallace-Crabbe

Confessional conversations

The portraiture of Kristin Headlam
Magazine article by Fiona Gruber, 2015

Fiona Gruber investigates the work of Australian painter Kristin Headlam.
A surface against which we can move, 2014 by Sam Leach

No small wonder

Magazine article by Joanna Gilmour, 2015

Joanna Gilmour describes how artist Sam Leach works on a small scale to grand effect.
Portrait of Thea Proctor, 1905 by George Lambert

The real Thea

Magazine article by Dr Sarah Engledow, 2015

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.
Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling
Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
Julian Ashton Life Class
Julian Ashton Life Class
Julian Ashton Life Class

Julian Ashton Life Class, 1920

Harold Cazneaux
Portrait, gelatin silver photograph on paper

Purchased 2015

Dr Edward MacMahon
Dr Edward MacMahon
Dr Edward MacMahon

Dr Edward MacMahon, 1959

Sir William Dobell OBE
Portrait, oil on masonite

Gift of the MacMahon family in affectionate memory of Edward MacMahon and William Dobell 2015. Donated through the Australian Government's Cultural Gifts Program.

Portrait of Mr Frank Packer

Judy Cassab

The artist's diary
Previous exhibition, 2013

The artist's diary profiles six decades of Cassab's work, from the early portrait commissions of the 1950s to later paintings that have helped confirm her eminent place in the canon of Australian portraiture.
Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.
Self portrait
Self portrait
Self portrait

Self portrait, 1965

Jean Appleton
Portrait, oil on masonite

Gift of the Estate of Nicolaas van der Waarden 2013

Sir Charles Lloyd Jones

Home and away

Magazine article by Dr Sarah Engledow, 2009

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Sir Charles Lloyd Jones
Sir Charles Lloyd Jones
Sir Charles Lloyd Jones

Sir Charles Lloyd Jones, 1951

Sir William Dobell OBE
Portrait, oil on composition board

Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.

Sir Hudson Fysh
Sir Hudson Fysh
Sir Hudson Fysh

Sir Hudson Fysh, 1950

Sir William Dobell OBE
Portrait, oil on composition board

Collection: National Portrait Gallery
Gift of the Australian War Memorial in association with the Fysh family 2008

Elaine Haxton
Elaine Haxton
Elaine Haxton

Elaine Haxton, c. 1940s

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of Richard King 2008
Donated through the Australian Government's Cultural Gifts Program

William Dobell
William Dobell
William Dobell

William Dobell, 1942

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of Richard King 2008
Donated through the Australian Government's Cultural Gifts Program

Portrait of Florence Broadhurst

Be bold

Magazine article by Katherine Russell, 2007

The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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