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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Godfrey Miller

Form and reality

Magazine article by Dr Christopher Chapman, 2008

A photographic portrait by Kerry Dundas captures the contemplative mind of visionary painter Godfrey Miller.

MacKenzie family silhouette

All there in black and white

Magazine article by Dr Sarah Engledow, 2007

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

L. Gordon Darling AC CMG

Portrait of a patron

Magazine article by Dr Sarah Engledow, 2007

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

MacKenzie family silhouette
MacKenzie family silhouette
MacKenzie family silhouette

MacKenzie family silhouette, 1846

Samuel Metford
Portrait, brush and ink, pen and ink, stencil cut-out with watercolour highlights on paper

Gift of the Estate of Nancy Wiseman 2007

Billy Hughes paperweight

Mugshots

Magazine article by Dr Sarah Engledow, 2006

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.

Portrait of Professor Graeme Clark

Portraits for Posterity

Previous exhibition, 2006

Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.

Dr Peter Farrell

Giving and getting

Magazine article by Michael Desmond, 2006

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Self portrait
Self portrait
Self portrait

Self portrait, 1976 (printed 2005)

David Malin
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2005

Evonne Goolagong
Evonne Goolagong
Evonne Goolagong

Evonne Goolagong, 1973

Ern McQuillan OAM
Portrait, gelatin silver photograph on paper

Purchased with funds provided by L Gordon Darling AC CMG 2004

Lloyd Rees at the Rock in 1975
Lloyd Rees at the Rock in 1975
Lloyd Rees at the Rock in 1975

Lloyd Rees at the Rock in 1975, 1984

Roderick Shaw
Portrait, oil and oil pastel on canvas

Collection: National Portrait Gallery
Purchased 2001

Colin Madigan and Robert Hughes, Canberra
Colin Madigan and Robert Hughes, Canberra
Colin Madigan and Robert Hughes, Canberra

Colin Madigan and Robert Hughes, Canberra, 1982 (printed 2000)

David Moore
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001

Monochromatic Self-Portrait, 2000 by Genevieve Preston

Headspace 1

Previous exhibition, 2000

Headspace showcases portrait art produced by secondary students from Year 7 to Year 12 in Government, Catholic and Independent schools in Canberra and its surrounding regions extending to Wollongong, Deniliquin, Leeton, Crookwell, Bombala, Narooma and Albury

Bungaree, late chief of the Broken Bay tribe, Sydney

Heads of the People

A Portrait of Colonial Australia
Previous exhibition, 2000

For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history

Mrs Grey
Mrs Grey
Mrs Grey

Mrs Grey, c. 1845

Theresa Walker
Portrait, cast wax

Purchased 1999

Bungaree, late chief of the Broken Bay tribe, Sydney
Bungaree, late chief of the Broken Bay tribe, Sydney
Bungaree, late chief of the Broken Bay tribe, Sydney

Bungaree, late chief of the Broken Bay tribe, Sydney, 1836

William Fernyhough
Portrait, lithograph on paper

Gift of Dr Robert Edwards AO 1999. Donated through the Australian Government's Cultural Gifts Program.

Bill Worrall, Five Islands tribe
Bill Worrall, Five Islands tribe
Bill Worrall, Five Islands tribe

Bill Worrall, Five Islands tribe, 1836

William Fernyhough
Portrait, lithograph on paper

Collection: National Portrait Gallery
Gift of Dr Robert Edwards AO 1999
Donated through the Australian Government's Cultural Gifts Program

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King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency