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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Some lads #3

1986
Tracey Moffatt

from the series ‘Some lads’
gelatin silver photograph on paper, edition 11/30 (image: 53.5 cm x 53.1 cm, sheet: 76.4 cm x 61.2 cm, frame: 103.3 cm x 83.2 cm depth 4.0 cm)
Some lads #3

Muruwari man Matthew Doyle was a founding member of the Aboriginal Islander Dance Theatre (AIDT) and subsequently worked with Bangarra as a Cultural Consultant and Songman on productions such as Bennelong (2017). As a musician, he has performed at events such as the opening and closing ceremonies of the Sydney Olympic Games, at the opening of the Musee du Quai Branly, Paris, and of the Australian pavilion at the Venice Biennale in 2016. He is currently Cultural Advisor and 'Uncle in Residence' at NIDA.

Purchased with funds provided by the Annual Appeal 2024
© Tracey Moffatt
Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney.

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.
2024.2
Gallery Four (Liangis Gallery)
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Artist and subject

Tracey Moffatt (age 26 in 1986)

Matthew Doyle

Subject professions

Performing arts

Related portraits
(View all 11)

Tracey Moffatt filming early land rights march
Tracey Moffatt
Tracey Moffatt
Self portrait
1. Tracey Moffatt filming early land rights march, c. 1980 Elaine Pelot-Syron. © Elaine Pelot-Syron/Copyright Agency, 2024. 2. Tracey Moffatt, 1995 Greg Weight. © Gregory Weight/Copyright Agency, 2024. 3. Tracey Moffatt, 1995 Greg Weight. © Gregory Weight/Copyright Agency, 2024. 4. Self portrait, 1999/2005 Tracey Moffatt. © Tracey Moffatt
Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney..

Related information

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On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.
Self-portrait, 1999
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Self-portrait, 1999
Self-portrait, 1999

A self-portrait in focus

Magazine article by Kim Appleby, 2002

In her self-portrait, Tracey Moffatt presents herself as her work.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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