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Ross Wilson (b. 1947), musician and producer, started playing in bands as a schoolboy, fronting the Pink Finks and the Party Machine in the late 1960s. In early 1970 he and Ross Hannaford formed Sons of the Vegetal Mother, which evolved into Daddy Cool. Daddy Cool played 1950s rock & roll songs with a 1970s attitude, and the mix electrified live audiences. 'Eagle Rock', released in June 1971, sat at number 1 for 11 weeks. Soon after, Daddy Who? Daddy Cool broke all previous sales records for an Australian album. Wilson split from the group in 1972 to form Mighty Kong; when they disbanded, he produced the first three albums for Skyhooks, while rejoining Daddy Cool in 1974-1975. Later, he produced albums for Jo Jo Zep and the Falcons, The Sports, The Dynamic Hepnotics and his own very successful band, Mondo Rock. As a musician, Wilson has toured almost incessantly from the 1970s to the present. In early 2001 'Eagle Rock' was voted the second-best Australian song ever (behind the Easybeats' 'Friday on My Mind'). Rock historian Ian McFarlane wrote that over his career of some four decades, Wilson 'has given more to the institution of Australian rock and pop than can ever possibly be repaid'.
National Photographic Portrait Prize 2010 Finalist
Collection: National Portriat Gallery
Gift of the artist 2011
© Chris Budgeon
Chris Budgeon (1 portrait)
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.
Artist Tessa Jones recalls creating her portrait of Daddy Cool and Mondo Rock singer and music producer, Ross Wilson.
The National Photographic Portrait Prize is an annual event intended to promote the very best in contemporary photographic portraiture by both professional and aspiring Australian photographers.