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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Lovers of light

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

More information on Lovers of light

Selected images

6 images
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Miss Evelyn Chapman, 1918
Miss Evelyn Chapman, 1918
Ruined church at Villers-Bretonneux, 1919
Ruined church at Villers-Bretonneux, 1919
Bunker entrance, 1919
Bunker entrance, 1919
Self portrait
Self portrait, 1911 Evelyn Chapman. © Estate of Evelyn Chapman
Antonio Dattilo-Rubbo, 1911
Antonio Dattilo-Rubbo, 1911
Anthony Dattilo Rubbo
Anthony Dattilo Rubbo, 1935 Arthur Murch. © Arthur Murch/Copyright Agency, 2022
6 images
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Related information

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Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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