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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Beguiling impressions

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

More information on Beguiling impressions

Selected images

11 images
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The sisters, 1904
The sisters, 1904
An Impressionist (Tom Roberts), c. 1889
An Impressionist (Tom Roberts), c. 1889
Study for The love story, c. 1903
Study for The love story, c. 1903
Reflections, 1898
Reflections, 1898
Study for Alethea, 1905
Study for Alethea, 1905
A summer morning tiff, 1886
A summer morning tiff, 1886
Eileen, 1892
Eileen, 1892
La Favorita, c. 1889
La Favorita, c. 1889
Miss Florence Greaves, 1898
Miss Florence Greaves, 1898
Five studies of Vincent van Gogh, c. 1886–8
Five studies of Vincent van Gogh, c. 1886–8
The Art Students: Ballarat Gallery Art School, c. 1898
The Art Students: Ballarat Gallery Art School, c. 1898
11 images
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Related information

Tea time, c.1898–1902 by Rupert Bunny (1864–1947)
Tea time, c.1898–1902 by Rupert Bunny (1864–1947)
Tea time, c.1898–1902 by Rupert Bunny (1864–1947)
Tea time, c.1898–1902 by Rupert Bunny (1864–1947)

Impressions

Painting light and life

Previous exhibition, 2011

Impressions: Painting light and life presents portraits by, and of, artists at the heart of Australian impressionism including Tom Roberts, Arthur Streeton and Frederick McCubbin.
Practising the Minuet (Miss Hilda Spong)
Practising the Minuet (Miss Hilda Spong)
Practising the Minuet (Miss Hilda Spong)
Practising the Minuet (Miss Hilda Spong)

An actress and her fans

Magazine article by Dr Sarah Engledow, 2008

Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
Sir Macfarlane Burnet
Sir Macfarlane Burnet
Sir Macfarlane Burnet
Sir Macfarlane Burnet

Picture this...

Magazine article by Andrew Sayers AM, 2003

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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