There are fewer than a hundred people in Bells steps but the composition is similar to that of a Salgado picture of gold-mine workers in Brazil. There’s a lot of tangled hair here and a general feeling of twistiness contributed by the low stems and branches; one-third of the picture is vegetation. Obviously it was hard to get a comfortable seat on the dune – the spectators are perched, slipping uncomfortably down, and it was clearly cold, but as far as the image – which would make an excellent jigsaw puzzle – is concerned, the people are distributed in pleasing clumps around the steps.
An exhibition of photographs by John Witzig, drawings by Nicholas Harding and film footage by Albe Falzon, expressive of the free-spirited, hot-blooded energy of Australian surfers under the cloud of conscription to Vietnam.
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