The collection on view includes a wide selection of portraits that tell extraordinary stories of encounter, exploration, independence, individuality and achievement in Australia.
Archie Moore is a celebrated Kamilaroi and Bigambul artist whose practice is embedded in the politics of identity, racism and language systems. Mīal is a conceptual self portrait that counters expectations of what a self portrait should be.
The Some Lads series powerfully and playfully depicts Russell Page, Larrakia man Gary Lang, Muruwari man Matthew Doyle, and Graham Blanco, a descendant of the Mer (Murray Island) people.
Our most recent commission, the portrait of Maggie Beer by Del Kathryn Barton both combines a statuesque almost devotional likeness with a spell-binding and dream-like personalised symbology of the sitter.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.
Enjoy, sit back, and relax with some of our favourites from the Gallery’s collection, where they find themselves expertly – and comfortably – captured by their artists.
It takes a village to raise a creative! Get an insight into the often-unseen work and supporters needed for the arts to thrive. The work of art documents the creative process, evoke states of creativity and inspiration, and shows us clues about the subject’s own work from the way artists portray them.
Encompassing the 1820s to the 2020s, Time and Line showcases the depth and extent of our drawing collection.
The series captures Anangu Pitjantjatjara Yankunytjatjara (APY) Traditional Owners and custodians, respected and significant leaders, advocates and artists within the communities of the APY Lands.
Well behaved women seldom make history, as the saying goes, and the National Portrait Gallery, consequently, is full of awesome Australian women who refused to conform to narrow ideas about their place and their worth.
An antidote to the months spent in isolation at home, This is my place brings a fresh, intimate focus to the places that define who we are – our spiritual homes, habitats and workspaces.
Offering portraiture in all its flavours: painting, photography, drawing, textiles, printmaking and sculpture, this exhibition is a feast for minds and eyes.
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