The collection display includes a wide selection of portraits that tell extraordinary stories of encounter, exploration, independence, individuality and achievement in Australia.

The series captures Anangu Pitjantjatjara Yankunytjatjara (APY) Traditional Owners and custodians, respected and significant leaders, advocates and artists within the communities of the APY Lands.

Featuring 130 works across painting, film, photography, screen printing, sculpture, and then some – it explores our inner worlds, outer selves, intimacy, isolation, celebrity and more.

Encompassing the 1820s to the 2020s, Time and Line showcases the depth and extent of our drawing collection.

It takes a village to raise a creative! Get an insight into the often-unseen work and supporters needed for the arts to thrive. The work of art documents the creative process, evoke states of creativity and inspiration, and shows us clues about the subject’s own work from the way artists portray them.

Enjoy, sit back, and relax with some of our favourites from the Gallery’s collection, where they find themselves expertly – and comfortably – captured by their artists.

Portraiture. Not as you know it. We invite you to stretch, push, resist and transcend portraiture’s conventional constraints.

Little Darlings is for primary and secondary students, with four separate categories across Kindergarten to Year 12. Responding to the theme ‘Me and my place’, students painted, drew, photographed, printed or combined all of these to make their portrait.

Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.

In partnership with Big hART we are proud to present Gulgawarnigu - Thinking of something, someone, a national presentation of digital artworks created from Ngarluma country leramagadu (Roebourne), in the Pilbara region of Western Australia.

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

This major exhibition celebrates 100 years of Australia’s oldest and most-loved portrait award and reflects upon the changing face of our nation.

Our most recent commission, the portrait of Maggie Beer by Del Kathryn Barton both combines a statuesque almost devotional likeness with a spell-binding and dream-like personalised symbology of the sitter.

Archie Moore is a celebrated Kamilaroi and Bigambul artist whose practice is embedded in the politics of identity, racism and language systems. Mīal is a conceptual self portrait that counters expectations of what a self portrait should be.

The exhibition will feature some of the most significant portraits in the artist’s career to date, from early major works such as his painting of HM Queen Mary of Denmark through to his most recent.

Marri Ngarr artist Ryan Presley’s major installation greets you as you arrive at the Gallery, in a work that invites conversations about the ongoing legacies of colonisation.

Launched at the National Portrait Gallery in 2022, the Little Darlings Youth Portrait Prize is a competition for primary and secondary students, with four separate age categories across Kindergarten to Year 12.

The Darling Portrait Prize is a biennial national prize for Australian portrait painting honouring the legacy of Mr L Gordon Darling AC CMG.

The National Photographic Portrait Prize 2024 celebrates established and emerging artistic talent from across the country.

Discover 50 colonial-era collection works alongside 50 works by contemporary artist Joan Ross. With wit and wry critique, Ross will make you consider the artist’s role in determining which stories are told, about who and why.

Tracey’s Moffat’s complete Some Lads series powerfully and playfully depicts Russell Page, Larrakia man Gary Lang, Muruwari man Matthew Doyle, and Graham Blanco, a descendant of the Mer (Murray Island) people.

A most beautiful experiment responds to Congolese photographer Jean Depara’s documentation of Kinshara’s nightlife in the 1960s.

Drawn from the National Portrait Gallery collection, this salon-style hang references the lavish 18th- and 19th-century European salons where paintings were hung floor-to-ceiling.

Carol Jerrems: Portraits is a major exhibition of one of Australia’s most influential photographers. Jerrems’ intimate portraits of friends, lovers and artistic peers transcend the purely personal and have come to shape Australian visual culture.

This show, staged alongside the major exhibition Carol Jerrems: Portraits, spotlights the work of three contemporary Australian artists whose work sits in dialogue with Jerrems’ legacy.