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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Dempsey's people

A folio of British street portraits 1824–1844

Dempsey’s people: a folio of British street portraits 1824–1844 is the first exhibition to showcase the compelling watercolour images of English street people made by the itinerant English painter John Dempsey throughout the first half of the nineteenth century.

More information on Dempsey's people

Selected images

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‘Cotton’, Norwich, c.1823 by John Dempsey
‘Cotton’, Norwich, c.1823 by John Dempsey
Black Charley, Norwich, 1823 by John Dempsey
Black Charley, Norwich, 1823 by John Dempsey
‘Billy’ Donkin, Scarborough, 1825 by John Dempsey
‘Billy’ Donkin, Scarborough, 1825 by John Dempsey
Robert Bloomfield, the poet, 1823 by John Dempsey
Robert Bloomfield, the poet, 1823 by John Dempsey
Ann ‘Old Nanny’ Chapman, Bury St. Edmunds by John Dempsey
Ann ‘Old Nanny’ Chapman, Bury St. Edmunds by John Dempsey
Thomas Archbold, Durham, 1826 by John Dempsey
Thomas Archbold, Durham, 1826 by John Dempsey
Wilkerson, Crier, Ipswich, 1823 by John Dempsey
Wilkerson, Crier, Ipswich, 1823 by John Dempsey
Sharp, orange man, Colchester, 1823 by John Dempsey
Sharp, orange man, Colchester, 1823 by John Dempsey
Match woman, Woolwich,1824 by John Dempsey
Match woman, Woolwich,1824 by John Dempsey
Blind beggar, Woolwich, 1824 by John Dempsey
Blind beggar, Woolwich, 1824 by John Dempsey
Thomas Edwards, Winchester,1823 by John Dempsey
Thomas Edwards, Winchester,1823 by John Dempsey
Henry Collins, Bellman, Winchester, 1823 by John Dempsey
Henry Collins, Bellman, Winchester, 1823 by John Dempsey
Tommy Raeburn, the Ayrshire Hermit, c. 1830s by John Dempsey
Tommy Raeburn, the Ayrshire Hermit, c. 1830s by John Dempsey
Cary, Billsticker, Great Yarmouth, 1823 by John Dempsey
Cary, Billsticker, Great Yarmouth, 1823 by John Dempsey
Billy Bean, Butchers’ carrier, Scarborough, 1825 by John Dempsey
Billy Bean, Butchers’ carrier, Scarborough, 1825 by John Dempsey
Samuel Hevens, Jewish old clothes man, Greenwich, 1824 by John Dempsey
Samuel Hevens, Jewish old clothes man, Greenwich, 1824 by John Dempsey
Richard ‘Dickey’ Fletcher, bellman, Bridlington, c. 1825 by John Dempsey
Richard ‘Dickey’ Fletcher, bellman, Bridlington, c. 1825 by John Dempsey
Charles McGee, crossing sweeper, London, c. 1824 by John Dempsey
Charles McGee, crossing sweeper, London, c. 1824 by John Dempsey
Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey
Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey
Mark Custings, known as Blind Peter, and his boy, Norwich, 1823 by John Dempsey
Mark Custings, known as Blind Peter, and his boy, Norwich, 1823 by John Dempsey
Mary (or Elizabeth) Leagrove, attendant at the gaol, Ipswich, c. 1823 by John Dempsey
Mary (or Elizabeth) Leagrove, attendant at the gaol, Ipswich, c. 1823 by John Dempsey
David Love, commonly called the Nottingham Poet, 1824 by John Dempsey
David Love, commonly called the Nottingham Poet, 1824 by John Dempsey
Doorkeeper, Royal Grand National Menagerie, Exeter ‘Change, London, c.1824 by John Dempsey
Doorkeeper, Royal Grand National Menagerie, Exeter ‘Change, London, c.1824 by John Dempsey
Little John of Colchester, a poor lunatic, c.1823 by John Dempsey
Little John of Colchester, a poor lunatic, c.1823 by John Dempsey
John Wardle, Sunderland, 1825 by John Dempsey
John Wardle, Sunderland, 1825 by John Dempsey
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Related information

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown
Sunset in the drawing room at Chesney Wold by Hablot Knight Brown
Sunset in the drawing room at Chesney Wold by Hablot Knight Brown
Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

About Face article

31 July 2017

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.
Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey
Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey
Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey
Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Little John of Colchester, a poor lunatic, c.1823 by John Dempsey
Little John of Colchester, a poor lunatic, c.1823 by John Dempsey
Little John of Colchester, a poor lunatic, c.1823 by John Dempsey
Little John of Colchester, a poor lunatic, c.1823 by John Dempsey

Dempsey's people

About Face article

30 June 2017

Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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