1 00:00:06,315 --> 00:00:11,060 - Hello, and welcome everybody to another exciting 2 00:00:11,060 --> 00:00:14,323 perhaps the first digital programme for the year for you. 3 00:00:14,323 --> 00:00:15,788 My name is Kate, 4 00:00:15,788 --> 00:00:17,110 and I'm broadcasting here 5 00:00:17,110 --> 00:00:19,262 from the National Portrait Gallery. 6 00:00:19,262 --> 00:00:20,731 Hello. 7 00:00:20,731 --> 00:00:23,212 We have a very special guest joining us today 8 00:00:23,212 --> 00:00:26,135 for this very exciting digital programme. 9 00:00:26,135 --> 00:00:27,550 We're going to be learning 10 00:00:27,550 --> 00:00:30,550 and drawing alongside Cheryl Orsini. 11 00:00:31,842 --> 00:00:33,061 She'll be guiding us 12 00:00:33,061 --> 00:00:37,237 how to create our own illustrated stories today. 13 00:00:37,237 --> 00:00:39,031 We are broadcasting this workshop 14 00:00:39,031 --> 00:00:41,775 from the National Portrait Gallery here in Canberra 15 00:00:41,775 --> 00:00:44,645 on the beautiful Ngunnawal and Ngambri Country. 16 00:00:44,645 --> 00:00:47,174 And I would like to acknowledge the traditional custodians 17 00:00:47,174 --> 00:00:49,674 of the land on which we stand. 18 00:00:52,494 --> 00:00:55,526 These people care for and respect this beautiful country, 19 00:00:55,526 --> 00:00:58,857 and I would also like to extend my respect to the country 20 00:00:58,857 --> 00:01:01,607 that you are watching from today. 21 00:01:03,113 --> 00:01:05,437 Feel free in the chat to write in 22 00:01:05,437 --> 00:01:07,657 what country you are dialling in from. 23 00:01:07,657 --> 00:01:11,601 We love to hear where everybody's here. 24 00:01:11,601 --> 00:01:14,170 So today, we're going to be doing some craft activities 25 00:01:14,170 --> 00:01:16,049 and some drawing. 26 00:01:16,049 --> 00:01:18,302 We're gonna put the materials in the chat, 27 00:01:18,302 --> 00:01:19,665 but I'm just gonna read them out here. 28 00:01:19,665 --> 00:01:22,688 So just make sure that you've got everything that you need. 29 00:01:22,688 --> 00:01:26,471 A4 paper or a notebook to do some loose drawings. 30 00:01:26,471 --> 00:01:29,031 A3 paper heavyweight works best, 31 00:01:29,031 --> 00:01:30,978 because we're gonna be cutting it up. 32 00:01:30,978 --> 00:01:32,051 Some scissors, 33 00:01:32,051 --> 00:01:34,270 and remember to ask your big person to help you 34 00:01:34,270 --> 00:01:37,386 if you need some help with the scissors. 35 00:01:37,386 --> 00:01:39,308 We're gonna need something to draw with, 36 00:01:39,308 --> 00:01:42,313 like coloured pencils or textas, 37 00:01:42,313 --> 00:01:44,855 maybe an eraser or a pencil sharpener, 38 00:01:44,855 --> 00:01:47,630 some coloured or patterned paper to collage 39 00:01:47,630 --> 00:01:50,368 and some sticky tape or glue. 40 00:01:50,368 --> 00:01:52,958 We always love to be able to see your faces. 41 00:01:52,958 --> 00:01:55,933 So feel free to turn your camera if you would like, 42 00:01:55,933 --> 00:01:57,175 and at any point in the workshop, 43 00:01:57,175 --> 00:01:59,300 you're gonna hold up what you're creating 44 00:01:59,300 --> 00:02:00,570 and we just love to see it. 45 00:02:00,570 --> 00:02:05,345 And I'm sure Cheryl would really appreciate that too. 46 00:02:05,345 --> 00:02:07,643 Please feel free to say hi in the chat function 47 00:02:07,643 --> 00:02:08,850 and ask any questions 48 00:02:08,850 --> 00:02:11,167 and we'll have them pass them on to Cheryl 49 00:02:11,167 --> 00:02:14,691 or to answer them for you in the chat. 50 00:02:14,691 --> 00:02:15,774 Are we ready? 51 00:02:20,388 --> 00:02:22,804 Everybody, this is Cheryl. 52 00:02:22,804 --> 00:02:23,848 - Thanks, Kate. 53 00:02:23,848 --> 00:02:25,889 Thank you so much to the National Portrait Gallery 54 00:02:25,889 --> 00:02:27,056 for having me today. 55 00:02:27,056 --> 00:02:29,277 - We're very excited to have you here. 56 00:02:29,277 --> 00:02:30,110 - Thank you. 57 00:02:30,110 --> 00:02:33,215 Really lovely to see you all virtually. 58 00:02:33,215 --> 00:02:36,867 This is my first workshop in a very long time, 59 00:02:36,867 --> 00:02:40,585 so please be kind. (Cheryl laughs) 60 00:02:40,585 --> 00:02:41,418 - Great. 61 00:02:41,418 --> 00:02:42,537 - Well, should we get started? 62 00:02:42,537 --> 00:02:44,069 - Yes, let's do this. - Okay, great. 63 00:02:44,069 --> 00:02:47,335 Kate will be drawing alongside me later 64 00:02:47,335 --> 00:02:49,180 as well our friend Lucie, 65 00:02:49,180 --> 00:02:52,527 and Sally will join us in a moment as well 66 00:02:52,527 --> 00:02:54,147 as one of our participants. 67 00:02:54,147 --> 00:02:56,607 So a little about me. 68 00:02:56,607 --> 00:02:59,411 I am a children's book illustrator. 69 00:02:59,411 --> 00:03:03,830 I'm probably the illustrator you don't know you know. 70 00:03:03,830 --> 00:03:07,247 I have done nearly 60 books and counting, 71 00:03:09,147 --> 00:03:11,596 and I have the great privilege 72 00:03:11,596 --> 00:03:14,446 to illustrate people's stories. 73 00:03:14,446 --> 00:03:17,779 So I put pictures to thousands of words. 74 00:03:18,981 --> 00:03:22,361 And as I say, it is a great privilege. 75 00:03:22,361 --> 00:03:24,661 I wanna show you some of the tips and tricks 76 00:03:24,661 --> 00:03:27,744 that I use to create my illustrations 77 00:03:28,670 --> 00:03:32,087 and to demystify the process of coming up 78 00:03:33,598 --> 00:03:35,075 with children's book illustration. 79 00:03:35,075 --> 00:03:37,629 So we'll come over here and have a look at this. 80 00:03:37,629 --> 00:03:40,546 So this is where the drawing start. 81 00:03:41,421 --> 00:03:43,754 They start very, very rough, 82 00:03:45,091 --> 00:03:48,714 and then they progressively get clearer 83 00:03:48,714 --> 00:03:51,140 as the process goes along. 84 00:03:51,140 --> 00:03:53,264 I use a light box for that, 85 00:03:53,264 --> 00:03:55,030 but you can also use a window, 86 00:03:55,030 --> 00:03:57,139 anything with light coming from behind, 87 00:03:57,139 --> 00:03:59,976 you can put your rough drawings up on the window. 88 00:03:59,976 --> 00:04:02,291 A nice clean sheet of paper over the top 89 00:04:02,291 --> 00:04:03,441 and lightly trace it. 90 00:04:03,441 --> 00:04:06,403 And you'll find that your drawing gets sharper 91 00:04:06,403 --> 00:04:09,094 and clearer and cleaner, 92 00:04:09,094 --> 00:04:10,497 basically along the way. 93 00:04:10,497 --> 00:04:11,766 So if we started up here, 94 00:04:11,766 --> 00:04:14,081 this is a drawing from a book called 95 00:04:14,081 --> 00:04:15,752 "The Greatest Mistakes That Went Right," 96 00:04:15,752 --> 00:04:18,792 which I'll show you in a minute, by Maddy Mara 97 00:04:18,792 --> 00:04:22,083 and myself as the illustrator, 98 00:04:22,083 --> 00:04:24,130 and this piece of text. 99 00:04:24,130 --> 00:04:25,817 Let me read it out. 100 00:04:25,817 --> 00:04:27,317 This piece of text 101 00:04:30,011 --> 00:04:32,428 says be scared of big snakes, 102 00:04:33,486 --> 00:04:35,403 but not silly mistakes. 103 00:04:36,527 --> 00:04:37,421 We love them. 104 00:04:37,421 --> 00:04:39,611 They're part of most days. 105 00:04:39,611 --> 00:04:42,605 When you're at a loss, don't get bothered and cross. 106 00:04:42,605 --> 00:04:45,172 There are other ways out of the maze. 107 00:04:45,172 --> 00:04:46,652 Take a look at the past 108 00:04:46,652 --> 00:04:48,698 and you'll see very fast 109 00:04:48,698 --> 00:04:52,005 that we've always been great at big blunders. 110 00:04:52,005 --> 00:04:55,410 The road can be rough on the way to great stuff. 111 00:04:55,410 --> 00:04:58,636 It takes many mistakes to make wonders. 112 00:04:58,636 --> 00:05:02,469 So when I first sat down to draw this picture, 113 00:05:03,489 --> 00:05:08,006 I really love the idea of getting lost in the maze, 114 00:05:08,006 --> 00:05:11,339 so I drew a very rough hedge maze there. 115 00:05:12,546 --> 00:05:16,389 I also liked the idea of the game Noughts and Crosses 116 00:05:16,389 --> 00:05:18,306 and Snakes and Ladders. 117 00:05:19,352 --> 00:05:22,154 So there was a lot I wanted to include in this drawing 118 00:05:22,154 --> 00:05:24,976 and you can see it's very rough, 119 00:05:24,976 --> 00:05:28,077 got no details in any of the faces 120 00:05:28,077 --> 00:05:32,236 and no details in any of the faces at all, 121 00:05:32,236 --> 00:05:34,116 but it's a good start. 122 00:05:34,116 --> 00:05:35,452 From there, 123 00:05:35,452 --> 00:05:37,877 I put that on my light box 124 00:05:37,877 --> 00:05:39,924 and I trace it out larger 125 00:05:39,924 --> 00:05:41,971 and more to the size of the book. 126 00:05:41,971 --> 00:05:43,894 So when we're looking at the book, 127 00:05:43,894 --> 00:05:45,719 the book is this size 128 00:05:45,719 --> 00:05:50,399 and it's very similar in size to this drawing here, 129 00:05:50,399 --> 00:05:54,816 and here, I start to include some more of the details 130 00:05:56,731 --> 00:05:58,281 that we can hear in the text. 131 00:05:58,281 --> 00:06:00,281 So let's see, let's see, 132 00:06:02,223 --> 00:06:03,671 yes. 133 00:06:03,671 --> 00:06:06,901 The road can be rough on the way to great stuff. 134 00:06:06,901 --> 00:06:08,252 So the road is quite rough. 135 00:06:08,252 --> 00:06:09,327 This young man here, 136 00:06:09,327 --> 00:06:10,288 I don't know if you can see him, 137 00:06:10,288 --> 00:06:12,020 but he is burning the hedge. 138 00:06:12,020 --> 00:06:14,253 And he's based on a real person, by the way, 139 00:06:14,253 --> 00:06:16,336 who will remain nameless. 140 00:06:17,741 --> 00:06:21,006 And this poor person here is tripping. 141 00:06:21,006 --> 00:06:24,463 Her drink is becoming the clouds and the stars 142 00:06:24,463 --> 00:06:28,296 and that rocket ship is our journey to making, 143 00:06:31,773 --> 00:06:34,886 to not making any more mistakes basically. 144 00:06:34,886 --> 00:06:37,385 Then I again, use my trusty light box 145 00:06:37,385 --> 00:06:40,217 and I trace it out beautifully. 146 00:06:40,217 --> 00:06:42,757 This is the image that goes to the publisher. 147 00:06:42,757 --> 00:06:45,983 And I cross my fingers that the publisher will like it, 148 00:06:45,983 --> 00:06:50,065 and they did, there weren't many changes. 149 00:06:50,065 --> 00:06:54,232 I'll show you the final piece of artwork for that. 150 00:06:55,607 --> 00:06:56,440 Here, 151 00:06:57,464 --> 00:06:58,297 for that, 152 00:06:58,297 --> 00:06:59,908 perhaps I'll hold that there. 153 00:06:59,908 --> 00:07:01,687 That'd be good. 154 00:07:01,687 --> 00:07:06,256 All right, so this is the final painted piece of artwork. 155 00:07:06,256 --> 00:07:07,187 And you could see, 156 00:07:07,187 --> 00:07:09,776 there are still elements that are missing if you, 157 00:07:09,776 --> 00:07:11,204 I don't know whether the camera can capture it, 158 00:07:11,204 --> 00:07:13,654 but there's no faces, 159 00:07:13,654 --> 00:07:16,769 quite often, I'll leave the faces out. 160 00:07:16,769 --> 00:07:20,211 Well, no, actually this one has got faces and some without, 161 00:07:20,211 --> 00:07:23,653 and that's because I haven't quite decided at this stage 162 00:07:23,653 --> 00:07:27,813 whether I want to have a happy person or a surprise person. 163 00:07:27,813 --> 00:07:29,854 So I'll leave that till later on 164 00:07:29,854 --> 00:07:31,021 in my process. 165 00:07:31,958 --> 00:07:34,375 From there, I use a computer, 166 00:07:35,610 --> 00:07:37,992 and I scan in all the elements 167 00:07:37,992 --> 00:07:40,159 and I add in a background. 168 00:07:42,561 --> 00:07:46,445 So that background is all these elements can be changed, 169 00:07:46,445 --> 00:07:48,112 and that background, 170 00:07:48,982 --> 00:07:51,700 originally started out as a bright pink sky 171 00:07:51,700 --> 00:07:53,672 with lots of stars 172 00:07:53,672 --> 00:07:55,223 and through the process, 173 00:07:55,223 --> 00:07:58,205 the editing and feedback process, 174 00:07:58,205 --> 00:08:00,997 we decided we preferred the blue. 175 00:08:00,997 --> 00:08:04,941 And then, of course, we add in the text and viola, 176 00:08:04,941 --> 00:08:07,405 you have a finished piece of artwork. 177 00:08:07,405 --> 00:08:09,181 So I know that sounds really simple, 178 00:08:09,181 --> 00:08:10,939 but for every single book that I draw 179 00:08:10,939 --> 00:08:13,993 and there only 24 or 32 pages long, 180 00:08:13,993 --> 00:08:18,216 every single book uses nearly half a ream of paper 181 00:08:18,216 --> 00:08:21,673 of very rough drawings, extremely rough, 182 00:08:21,673 --> 00:08:25,340 and they become the vocabulary for the book. 183 00:08:27,809 --> 00:08:29,523 So nothing ever gets wasted. 184 00:08:29,523 --> 00:08:31,856 I very rarely use an eraser, 185 00:08:32,730 --> 00:08:34,329 as I say, because nothing gets wasted. 186 00:08:34,329 --> 00:08:37,020 I just keep adding on to the drawings. 187 00:08:37,020 --> 00:08:40,347 So I'll show you the cover actually. 188 00:08:40,347 --> 00:08:42,764 So here's the finished cover. 189 00:08:44,029 --> 00:08:48,346 And it was a tricky one to think on what would be 190 00:08:48,346 --> 00:08:51,293 an appropriate cover for a story called 191 00:08:51,293 --> 00:08:54,266 "The Greatest Mistakes That Went Right" 192 00:08:54,266 --> 00:08:57,739 And based on my own experience of all the series of drawings 193 00:08:57,739 --> 00:09:01,148 that I go through, I do keep my drawings, 194 00:09:01,148 --> 00:09:02,125 so I don't scrunch them up, 195 00:09:02,125 --> 00:09:04,606 but I know a lot of people do scrunch up their paper. 196 00:09:04,606 --> 00:09:07,999 So I use that as the starting point. 197 00:09:07,999 --> 00:09:12,143 And I used our main children characters in it, 198 00:09:12,143 --> 00:09:13,700 in the things that they were doing wrong, 199 00:09:13,700 --> 00:09:15,700 scribbling on the paper, 200 00:09:16,834 --> 00:09:21,584 the poor plant that isn't quite living up to its promise. 201 00:09:22,535 --> 00:09:23,601 Yeah, 202 00:09:23,601 --> 00:09:26,439 this young man is throwing. 203 00:09:26,439 --> 00:09:28,202 There's some movement lines here. 204 00:09:28,202 --> 00:09:31,742 He's throwing the paper that ends up on the back cover 205 00:09:31,742 --> 00:09:34,691 and not quite getting into the bin. 206 00:09:34,691 --> 00:09:35,688 So this lots of fun, 207 00:09:35,688 --> 00:09:37,105 oh, and the poor Band-Aid, 208 00:09:37,105 --> 00:09:40,158 the Band-Aid does feature here as well on the snake. 209 00:09:40,158 --> 00:09:44,844 So yeah, there's been a series of mistakes here, 210 00:09:44,844 --> 00:09:47,451 but I'll show you the painted artwork here 211 00:09:47,451 --> 00:09:48,784 and how I use it 212 00:09:50,388 --> 00:09:52,555 to create a jigsaw really. 213 00:09:53,944 --> 00:09:56,361 So is that a good spot there? 214 00:09:57,712 --> 00:10:01,790 So we can see the ball of paper on its own, 215 00:10:01,790 --> 00:10:06,790 and I do the text as a separate item on its own on the paper 216 00:10:07,072 --> 00:10:11,254 and all the different bits and pieces are on their own. 217 00:10:11,254 --> 00:10:16,254 And the reason I do that is it gives us some flexibility 218 00:10:16,322 --> 00:10:17,739 to change things. 219 00:10:19,583 --> 00:10:20,416 For instance, 220 00:10:20,416 --> 00:10:24,601 the text here is in a really light, teal colour, 221 00:10:24,601 --> 00:10:26,228 and through the editing process, 222 00:10:26,228 --> 00:10:28,723 we decided it would be a good idea 223 00:10:28,723 --> 00:10:32,327 to make that text darker for readability, 224 00:10:32,327 --> 00:10:33,912 and we were able to do that. 225 00:10:33,912 --> 00:10:37,060 And that's just a couple of really simple tricks 226 00:10:37,060 --> 00:10:40,590 with Photoshop that you probably know more about it than me, 227 00:10:40,590 --> 00:10:41,695 to be honest. 228 00:10:41,695 --> 00:10:43,316 So I do very basic Photoshop, 229 00:10:43,316 --> 00:10:46,580 but it's treating it like a jigsaw really, 230 00:10:46,580 --> 00:10:47,593 and moving things around 231 00:10:47,593 --> 00:10:49,664 and then adding a background, of course, 232 00:10:49,664 --> 00:10:54,225 and then the lovely design elements of adding text 233 00:10:54,225 --> 00:10:55,218 bits and pieces. 234 00:10:55,218 --> 00:10:57,602 So this is kind of how, 235 00:10:57,602 --> 00:10:59,512 this is my world and welcome. 236 00:10:59,512 --> 00:11:00,984 You are welcome. (Cheryl chuckles) 237 00:11:00,984 --> 00:11:03,513 If there's anybody has any questions at this stage, 238 00:11:03,513 --> 00:11:05,670 please feel free to add them to the chat. 239 00:11:05,670 --> 00:11:09,057 I'm so happy to answer anything. 240 00:11:09,057 --> 00:11:13,476 And just one real quick thing I wanted to say is, 241 00:11:13,476 --> 00:11:15,004 this is the way I do it. 242 00:11:15,004 --> 00:11:18,613 And it's not necessarily the way that works for everybody, 243 00:11:18,613 --> 00:11:21,600 but this is what I've learned in my time 244 00:11:21,600 --> 00:11:23,600 of being an illustrator. 245 00:11:24,825 --> 00:11:25,658 All right, 246 00:11:26,787 --> 00:11:28,170 we are, 247 00:11:28,170 --> 00:11:29,178 let's see, 248 00:11:29,178 --> 00:11:30,095 number two, 249 00:11:31,604 --> 00:11:34,354 with every single book, as I say, 250 00:11:35,878 --> 00:11:39,128 the text is the thing that comes first. 251 00:11:41,483 --> 00:11:44,273 If we don't have a story, we don't have a picture book. 252 00:11:44,273 --> 00:11:48,273 So the pictures need to have that as their base. 253 00:11:49,121 --> 00:11:52,514 So what we're going to try and do today is 254 00:11:52,514 --> 00:11:54,943 we're going to create a very small story 255 00:11:54,943 --> 00:11:58,580 because we have a very limited amount of time 256 00:11:58,580 --> 00:12:01,493 and hopefully it resonates with you 257 00:12:01,493 --> 00:12:04,879 and you can come up with some images for that. 258 00:12:04,879 --> 00:12:08,932 I'm working with Author Sally Yule on this book. 259 00:12:08,932 --> 00:12:10,353 Well, I have worked, I should say, 260 00:12:10,353 --> 00:12:12,390 with Sally Yule on "Dancing with Memories," 261 00:12:12,390 --> 00:12:14,912 which we've saw the banners before. 262 00:12:14,912 --> 00:12:18,396 And there's a really lovely piece of text 263 00:12:18,396 --> 00:12:21,561 at the beginning of this book that we can go back to later. 264 00:12:21,561 --> 00:12:23,029 And so it is, 265 00:12:23,029 --> 00:12:23,862 I am Lucy 266 00:12:25,189 --> 00:12:27,222 and I dance with memories. 267 00:12:27,222 --> 00:12:31,218 Sometimes I remember, sometimes I forget. 268 00:12:31,218 --> 00:12:33,842 So what we might do, if I can get you to write that down. 269 00:12:33,842 --> 00:12:37,546 So we've got that as something to go back to later 270 00:12:37,546 --> 00:12:38,722 and we can change the name. 271 00:12:38,722 --> 00:12:40,452 So I am Cheryl, 272 00:12:40,452 --> 00:12:42,326 and I dance with memories. 273 00:12:42,326 --> 00:12:44,236 Sometimes I remember, 274 00:12:44,236 --> 00:12:46,014 sometimes I forget, 275 00:12:46,014 --> 00:12:48,010 and we can, while we're drawing, 276 00:12:48,010 --> 00:12:49,881 we can think about the things that we do remember, 277 00:12:49,881 --> 00:12:51,285 the things that we do forget, 278 00:12:51,285 --> 00:12:54,618 and the way that we can tell that story. 279 00:12:55,809 --> 00:12:57,569 If anybody didn't catch that, 280 00:12:57,569 --> 00:12:58,644 I can read it again, 281 00:12:58,644 --> 00:13:02,565 or we can get Sally perhaps to pop that in the chat. 282 00:13:02,565 --> 00:13:03,546 Yeah. - [Sally] Yeah. 283 00:13:03,546 --> 00:13:05,585 - If that would be brilliant, okay. 284 00:13:05,585 --> 00:13:09,498 I'm going to need Kate and Lucie to come 285 00:13:09,498 --> 00:13:11,831 and help me with my drawing. 286 00:13:17,053 --> 00:13:17,886 Like I said, 287 00:13:17,886 --> 00:13:19,970 I do a lot of rough drawings 288 00:13:19,970 --> 00:13:24,211 and we are going to do some seriously rough drawings now 289 00:13:24,211 --> 00:13:25,436 to get us warmed up. 290 00:13:25,436 --> 00:13:28,265 So if you wanna grab A4 paper, 291 00:13:28,265 --> 00:13:29,159 a pencil, 292 00:13:29,159 --> 00:13:30,861 try and put your rubber away. 293 00:13:30,861 --> 00:13:32,407 If you need your sharpener, do it now, 294 00:13:32,407 --> 00:13:33,359 before we start, 295 00:13:33,359 --> 00:13:34,873 so that you've got that already. 296 00:13:34,873 --> 00:13:37,168 We are going to use textas, 297 00:13:37,168 --> 00:13:40,047 because it will be better for you to be able to see. 298 00:13:40,047 --> 00:13:44,948 But normally I only use a really simple clicker pencil 299 00:13:44,948 --> 00:13:46,416 and never my rubber. 300 00:13:46,416 --> 00:13:49,083 I'm just gonna get this all off. 301 00:13:52,763 --> 00:13:54,832 - [Kate] And so how copies do we need Cheryl? 302 00:13:54,832 --> 00:13:56,582 - Well, for this one, 303 00:13:58,267 --> 00:14:00,706 we're going to just use our lead pencils to start 304 00:14:00,706 --> 00:14:02,933 then a little bit later on, 305 00:14:02,933 --> 00:14:05,052 and you can decide this on this now. 306 00:14:05,052 --> 00:14:07,241 Now we're only going to use two colours 307 00:14:07,241 --> 00:14:09,616 and I'll tell you why. 308 00:14:09,616 --> 00:14:12,143 If you limit your colours 309 00:14:12,143 --> 00:14:14,240 and if you choose colours at random, 310 00:14:14,240 --> 00:14:16,302 so things that you wouldn't normally choose, 311 00:14:16,302 --> 00:14:19,552 you can have really surprising results. 312 00:14:21,360 --> 00:14:22,564 And it can be humorous 313 00:14:22,564 --> 00:14:24,791 when you didn't realise something could be humorous. 314 00:14:24,791 --> 00:14:28,681 For instance, using a green pencil to draw a pig. 315 00:14:28,681 --> 00:14:30,545 It's for some reason, 316 00:14:30,545 --> 00:14:33,175 I find it funny, and that's just me, 317 00:14:33,175 --> 00:14:34,085 but (Cheryl laughs) 318 00:14:34,085 --> 00:14:34,918 I do find it funny. 319 00:14:34,918 --> 00:14:39,918 I'm gonna pop this all down on the floor real quick. 320 00:14:40,037 --> 00:14:41,228 Okay. 321 00:14:41,228 --> 00:14:42,061 All right, 322 00:14:42,061 --> 00:14:43,144 so over here, 323 00:14:44,378 --> 00:14:47,456 we have our surprise if you're live. 324 00:14:47,456 --> 00:14:50,143 The reason why I have it covered up is 325 00:14:50,143 --> 00:14:53,057 so that we don't panic and think, 326 00:14:53,057 --> 00:14:56,557 "I need to know exactly what I'm drawing," 327 00:14:57,435 --> 00:14:58,268 before we start, 328 00:14:58,268 --> 00:15:01,685 because I believe in embracing the wonky, 329 00:15:03,333 --> 00:15:07,304 embracing the things that don't quite go right, 330 00:15:07,304 --> 00:15:10,246 because they seem to lead to some interesting things. 331 00:15:10,246 --> 00:15:12,743 So we're gonna make it a little bit harder. 332 00:15:12,743 --> 00:15:14,795 This is called extreme illustration. 333 00:15:14,795 --> 00:15:15,995 - [Kate] Extreme. 334 00:15:15,995 --> 00:15:19,332 (Cheryl laughs) 335 00:15:19,332 --> 00:15:20,415 - Let's do warm up. 336 00:15:20,415 --> 00:15:21,263 Let's do a warm up. 337 00:15:21,263 --> 00:15:22,909 (Cheryl laughs) 338 00:15:22,909 --> 00:15:25,770 We needed a, what do you call those sweat bands? 339 00:15:25,770 --> 00:15:28,438 We needed sweat bands. (Cheryl laughs) 340 00:15:28,438 --> 00:15:29,271 Thank you. 341 00:15:30,639 --> 00:15:32,476 So we need a timer. 342 00:15:32,476 --> 00:15:35,184 So we're gonna make this a little bit trickier, 343 00:15:35,184 --> 00:15:39,042 and I'm going to introduce a terrible word to you, 344 00:15:39,042 --> 00:15:41,292 which is called a deadline. 345 00:15:42,170 --> 00:15:43,003 (Cheryl laughs) 346 00:15:43,003 --> 00:15:47,503 Sorry, so normally I illustrate books in between three 347 00:15:49,506 --> 00:15:51,878 and six months to illustrate a whole book 348 00:15:51,878 --> 00:15:54,064 from start to finish. 349 00:15:54,064 --> 00:15:56,534 But today's deadline is gonna be a little tighter. 350 00:15:56,534 --> 00:15:59,721 We have got one and a half minutes to do this drawing. 351 00:15:59,721 --> 00:16:00,853 So we'll do a series of them. 352 00:16:00,853 --> 00:16:01,977 - [Kate] What? - And we will warm up. 353 00:16:01,977 --> 00:16:03,188 So don't freak out. 354 00:16:03,188 --> 00:16:05,627 Don't worry if it's not right. 355 00:16:05,627 --> 00:16:06,727 It's all right. 356 00:16:06,727 --> 00:16:08,736 So we have Sally here, 357 00:16:08,736 --> 00:16:12,982 and she is going to perhaps just come a little closer. 358 00:16:12,982 --> 00:16:16,136 I'm just gonna grab my pencil. 359 00:16:16,136 --> 00:16:18,410 I may pick a pencil, 360 00:16:18,410 --> 00:16:21,529 in three, two, one, ready set draw. 361 00:16:21,529 --> 00:16:22,847 She will lift off the cover 362 00:16:22,847 --> 00:16:24,940 and here are our items to draw. 363 00:16:24,940 --> 00:16:25,915 Okay, don't freak out. 364 00:16:25,915 --> 00:16:27,038 Ready? 365 00:16:27,038 --> 00:16:27,871 Hang on. 366 00:16:28,905 --> 00:16:30,787 Ready, set, go. 367 00:16:30,787 --> 00:16:32,407 Okay, Lucie, can you see? 368 00:16:32,407 --> 00:16:33,440 - [Lucie] Yeah. - Yeah, okay. 369 00:16:33,440 --> 00:16:34,857 All right, great. 370 00:16:36,109 --> 00:16:37,690 - [Kate] Ah, it's not much time at all. 371 00:16:37,690 --> 00:16:38,706 - [Cheryl] Not much time. 372 00:16:38,706 --> 00:16:42,240 - [Kate] I'm gonna start with what's closest to me. 373 00:16:42,240 --> 00:16:43,573 - [Cheryl] Okay. 374 00:16:48,383 --> 00:16:50,800 - [Kate] And draw the pencil. 375 00:16:52,371 --> 00:16:54,246 Cheryl, you're gonna try and draw everything 376 00:16:54,246 --> 00:16:55,354 or just one thing? 377 00:16:55,354 --> 00:16:56,837 - [Cheryl] Well, I'll tell you what, 378 00:16:56,837 --> 00:16:58,849 I've done this so many times 379 00:16:58,849 --> 00:17:00,698 that I know I'm not gonna get everything done, 380 00:17:00,698 --> 00:17:02,236 and I think I'm gonna, 381 00:17:02,236 --> 00:17:03,472 this time I'm gonna show you 382 00:17:03,472 --> 00:17:05,616 just a little bit about doing one thing, 383 00:17:05,616 --> 00:17:08,033 so no need to worry too much. 384 00:17:13,058 --> 00:17:14,313 How are you going, girls? 385 00:17:14,313 --> 00:17:16,311 - [Kate] I'm gonna do one thing at a time. 386 00:17:16,311 --> 00:17:17,243 - [Cheryl] Yeah. 387 00:17:17,243 --> 00:17:18,766 - [Kate] I hope that's different to how I 388 00:17:18,766 --> 00:17:19,868 (Kate faintly speaking) 389 00:17:19,868 --> 00:17:21,701 - [Cheryl] Yeah, okay. 390 00:17:22,682 --> 00:17:24,452 - [Kate] And here we go, how (Kate faintly speaking) 391 00:17:24,452 --> 00:17:25,415 - How long are we going? 392 00:17:25,415 --> 00:17:26,248 - [Sally] 36 seconds. 393 00:17:26,248 --> 00:17:27,924 - Oh gosh, that's actually heaps of time. 394 00:17:27,924 --> 00:17:29,301 We've got plenty of time, guys. 395 00:17:29,301 --> 00:17:30,718 No need to panic. 396 00:17:31,900 --> 00:17:34,384 I'm gonna be very interested to see 397 00:17:34,384 --> 00:17:37,384 how much you guys get achieved here. 398 00:17:40,983 --> 00:17:42,019 - [Kate] What next? 399 00:17:42,019 --> 00:17:44,269 I might do one of the teas. 400 00:17:47,468 --> 00:17:48,301 Now I'm not a 401 00:17:48,301 --> 00:17:49,134 (Kate faintly speaking) 402 00:17:49,134 --> 00:17:50,885 but many of you might not be at home as well, 403 00:17:50,885 --> 00:17:52,688 and that's okay. - [Cheryl] Yeah. 404 00:17:52,688 --> 00:17:53,521 - [Sally] 10 seconds. 405 00:17:53,521 --> 00:17:54,417 - [Cheryl] All right, 10, 406 00:17:54,417 --> 00:17:55,428 9, 407 00:17:55,428 --> 00:17:56,261 8, 408 00:17:56,261 --> 00:17:57,160 7, 409 00:17:57,160 --> 00:17:58,037 6, 410 00:17:58,037 --> 00:17:59,115 5, 411 00:17:59,115 --> 00:17:59,966 4, 412 00:17:59,966 --> 00:18:01,047 3, 413 00:18:01,047 --> 00:18:01,963 2, 414 00:18:01,963 --> 00:18:03,872 1, (timer beeps) 415 00:18:03,872 --> 00:18:05,745 pencils down. - [Kate] Hand off. 416 00:18:05,745 --> 00:18:07,514 - There is no elimination in this. 417 00:18:07,514 --> 00:18:10,094 (Cheryl laughs) 418 00:18:10,094 --> 00:18:12,564 Is it okay if we have a quick look at 419 00:18:12,564 --> 00:18:14,005 what the girls have done? 420 00:18:14,005 --> 00:18:17,363 Which camera will we do that with over here? 421 00:18:17,363 --> 00:18:18,196 Is that okay? 422 00:18:18,196 --> 00:18:19,747 Okay, so I'm just gonna have a quick look here. 423 00:18:19,747 --> 00:18:21,692 So thank you so much, Kate, for- 424 00:18:21,692 --> 00:18:22,658 - [Kate] Is it okay, Cheryl? 425 00:18:22,658 --> 00:18:24,318 - [Cheryl] And I love what you've done, 426 00:18:24,318 --> 00:18:28,585 where you have really given everything some space, 427 00:18:28,585 --> 00:18:32,085 and not even attempted to draw everything. 428 00:18:32,945 --> 00:18:34,628 - [Kate] I'm a little bit scared, 429 00:18:34,628 --> 00:18:37,331 so I decided to- - [Cheryl] Yes. 430 00:18:37,331 --> 00:18:38,886 - [Kate] Draw for what was I thought simplest. 431 00:18:38,886 --> 00:18:40,289 - [Cheryl] Yes, yeah. 432 00:18:40,289 --> 00:18:42,625 - I went for the pencil. - Yes, yeah. 433 00:18:42,625 --> 00:18:46,125 What I love about what Kate's done here is 434 00:18:48,114 --> 00:18:50,444 she's added so much movement into this 435 00:18:50,444 --> 00:18:51,846 that we didn't know is there. 436 00:18:51,846 --> 00:18:55,466 I mean, that octopus is practically flying off that tin, 437 00:18:55,466 --> 00:18:56,909 (Kate laughs) 438 00:18:56,909 --> 00:18:59,270 and she's also given a lot of white space to it. 439 00:18:59,270 --> 00:19:00,393 So this is almost, 440 00:19:00,393 --> 00:19:03,018 well, I'd be very happy to have this on my wall. 441 00:19:03,018 --> 00:19:04,509 I'd be very happy to do that. 442 00:19:04,509 --> 00:19:07,262 (Kate faintly speaking) Yeah, you are welcome. 443 00:19:07,262 --> 00:19:09,221 Lucie, should we try Lucie? 444 00:19:09,221 --> 00:19:10,422 - [Lucie] I actually couldn't see it. 445 00:19:10,422 --> 00:19:11,311 - Oh, Lucie. 446 00:19:11,311 --> 00:19:13,084 Oh gosh, you need to move. 447 00:19:13,084 --> 00:19:16,035 Yes, if you can't see it, placing out, 448 00:19:16,035 --> 00:19:19,691 but actually what you've managed to do, 449 00:19:19,691 --> 00:19:20,533 don't worry, 450 00:19:20,533 --> 00:19:21,516 don't worry that, I mean, 451 00:19:21,516 --> 00:19:23,073 I can see what you were trying to do, 452 00:19:23,073 --> 00:19:24,650 you're trying to show us the tops of this 453 00:19:24,650 --> 00:19:25,663 and didn't quite get there. 454 00:19:25,663 --> 00:19:27,147 And is that a time limit thing 455 00:19:27,147 --> 00:19:29,347 or is that just not feeling confident 456 00:19:29,347 --> 00:19:30,764 about doing those panels? 457 00:19:30,764 --> 00:19:31,724 Not sure. 458 00:19:31,724 --> 00:19:32,966 - [Lucie] Just not being able to see. 459 00:19:32,966 --> 00:19:34,471 - You're not being able to see, yeah, yeah. 460 00:19:34,471 --> 00:19:37,022 Okay, well, 'cause I think we can see, 461 00:19:37,022 --> 00:19:39,058 I can see a flower, a vase, 462 00:19:39,058 --> 00:19:41,381 the funny little pig slippers. 463 00:19:41,381 --> 00:19:42,220 I can see that. 464 00:19:42,220 --> 00:19:43,921 I can see the tins and I can see the pencil, 465 00:19:43,921 --> 00:19:44,754 so there's quite a lot. 466 00:19:44,754 --> 00:19:47,363 And you've also showing some of that overlapping there, 467 00:19:47,363 --> 00:19:48,741 which is great. 468 00:19:48,741 --> 00:19:50,443 So it really is just to free you up. 469 00:19:50,443 --> 00:19:54,329 Mine, I really have not done very much with mine at all. 470 00:19:54,329 --> 00:19:57,650 I've kept it really, really simple. 471 00:19:57,650 --> 00:19:59,595 And a couple of things too, 472 00:19:59,595 --> 00:20:01,244 that I'm trying to do here 473 00:20:01,244 --> 00:20:02,262 is showing a little bit of how the 474 00:20:02,262 --> 00:20:04,408 objects relate to one another, 475 00:20:04,408 --> 00:20:06,741 the way the objects overlap. 476 00:20:08,454 --> 00:20:09,857 And it starts to, 477 00:20:09,857 --> 00:20:13,408 if you are doing this at home with your own objects, 478 00:20:13,408 --> 00:20:14,650 if you pop them in a random way, 479 00:20:14,650 --> 00:20:18,983 almost close your eyes and pop them in a random way, 480 00:20:20,104 --> 00:20:23,906 it becomes its own special landscape, 481 00:20:23,906 --> 00:20:25,823 a surprising landscape. 482 00:20:28,085 --> 00:20:29,676 I think what we're gonna try and do 483 00:20:29,676 --> 00:20:30,890 the way that I drew at home, 484 00:20:30,890 --> 00:20:35,128 which is to take every single piece of paper 485 00:20:35,128 --> 00:20:36,829 and draw to its limits. 486 00:20:36,829 --> 00:20:38,992 We're gonna keep with our piece of A4 paper, 487 00:20:38,992 --> 00:20:39,921 if you don't mind, 488 00:20:39,921 --> 00:20:40,783 and we're gonna keep with ours, 489 00:20:40,783 --> 00:20:42,008 and we're going to continue to draw 490 00:20:42,008 --> 00:20:44,389 so we can be still drawing the same thing, 491 00:20:44,389 --> 00:20:46,072 but in different parts of the paper. 492 00:20:46,072 --> 00:20:47,627 So let's have a look. 493 00:20:47,627 --> 00:20:48,952 - [Kate] Cheryl, in the chat, 494 00:20:48,952 --> 00:20:51,583 you are getting a lot of compliments 495 00:20:51,583 --> 00:20:54,796 about these gorgeous little piggy slip. 496 00:20:54,796 --> 00:20:55,781 - Yeah, thank you so much. 497 00:20:55,781 --> 00:20:57,916 - [Kate] They're fantastic. - Aren't they great? 498 00:20:57,916 --> 00:21:00,697 The thing, I mean, I wish they came in adult size. 499 00:21:00,697 --> 00:21:02,334 (Kate laughs) 500 00:21:02,334 --> 00:21:03,343 - [Kate] Me too. - Yeah. 501 00:21:03,343 --> 00:21:04,176 (Cheryl laughs) 502 00:21:04,176 --> 00:21:06,326 Because they would make a really, 503 00:21:06,326 --> 00:21:10,201 I think they would work with this outfit beautifully. 504 00:21:10,201 --> 00:21:12,575 Thank you so much, everybody. 505 00:21:12,575 --> 00:21:14,251 The reason why I chose these items 506 00:21:14,251 --> 00:21:18,962 is because they do form a strange landscape of their own. 507 00:21:18,962 --> 00:21:22,462 And I'll show you some tricks to get some, 508 00:21:25,245 --> 00:21:26,078 to get some movement 509 00:21:26,078 --> 00:21:28,317 or to get some more shape out of them. 510 00:21:28,317 --> 00:21:29,854 So we'll do that in the next one. 511 00:21:29,854 --> 00:21:32,068 So everybody ready? 512 00:21:32,068 --> 00:21:33,523 We'll get our pencil. 513 00:21:33,523 --> 00:21:36,417 (Lucie faintly speaking) 514 00:21:36,417 --> 00:21:39,303 Yeah, if would that be okay? 515 00:21:39,303 --> 00:21:40,136 Would that? 516 00:21:40,136 --> 00:21:40,969 That'd be okay. 517 00:21:40,969 --> 00:21:41,802 - [Sally] That might be easier 518 00:21:41,802 --> 00:21:42,847 (Sally faintly speaking) 519 00:21:42,847 --> 00:21:45,896 - Okay, well what about if I just, 520 00:21:45,896 --> 00:21:47,938 yeah, yes, bit easier for you. 521 00:21:47,938 --> 00:21:49,046 Yep, okay. 522 00:21:49,046 --> 00:21:51,318 Yeah, okay, see how you go. 523 00:21:51,318 --> 00:21:53,341 Sally's ready with her timer. 524 00:21:53,341 --> 00:21:55,785 I'm ready with my pen. 525 00:21:55,785 --> 00:21:57,118 - [Sally] Three, two, one. 526 00:21:57,118 --> 00:21:59,314 - Okay, go. - [Sally] Go. 527 00:21:59,314 --> 00:22:02,314 - [Cheryl] All right. - [Kate] Okay. 528 00:22:09,530 --> 00:22:11,407 So I'm just feeling up the rest of my page. 529 00:22:11,407 --> 00:22:12,492 Am I, Cheryl? 530 00:22:12,492 --> 00:22:13,438 - [Cheryl] If you want the rest of your page, 531 00:22:13,438 --> 00:22:17,438 don't panic too much about how it's all looking. 532 00:22:18,344 --> 00:22:21,182 - [Kate] It's hard not to try and do it perfectly. 533 00:22:21,182 --> 00:22:22,515 It is hard. 534 00:22:22,515 --> 00:22:23,348 - [Cheryl] It is hard. 535 00:22:23,348 --> 00:22:24,842 - [Kate] I think I'm a bit of a perfectionist. 536 00:22:24,842 --> 00:22:26,808 - [Cheryl] Yeah, it's one of those things though, 537 00:22:26,808 --> 00:22:29,808 that if you let the mistakes happen, 538 00:22:31,297 --> 00:22:35,218 you might find that something you weren't expecting 539 00:22:35,218 --> 00:22:36,718 comes out of that, 540 00:22:39,029 --> 00:22:40,646 and I'll show you something about that in a minute, 541 00:22:40,646 --> 00:22:43,313 but I'll do the cups real quick. 542 00:22:52,350 --> 00:22:54,767 - [Kate] With stick and then, 543 00:22:55,610 --> 00:22:57,126 what else will I do? 544 00:22:57,126 --> 00:22:58,144 - [Cheryl] How are we going for time, Sally? 545 00:22:58,144 --> 00:22:59,416 - [Sally] 30 seconds. 546 00:22:59,416 --> 00:23:00,509 How many? - [Sally] 30. 547 00:23:00,509 --> 00:23:01,426 - Oh, gosh. 548 00:23:17,100 --> 00:23:17,933 How we going? 549 00:23:17,933 --> 00:23:18,959 - [Kate] We need some of that music like, yeah. 550 00:23:18,959 --> 00:23:22,190 (Kate faintly speaking) 551 00:23:22,190 --> 00:23:23,032 - Music. 552 00:23:23,032 --> 00:23:25,032 Oh, gosh. - [Sally] Time. 553 00:23:28,062 --> 00:23:28,987 - How are we going? 554 00:23:28,987 --> 00:23:30,916 Done, okay. (timer beeps) 555 00:23:30,916 --> 00:23:32,059 Okay. 556 00:23:32,059 --> 00:23:33,234 (Kate laughs) 557 00:23:33,234 --> 00:23:34,775 Sorry, cheating. - [Kate] There we go. 558 00:23:34,775 --> 00:23:35,608 - [Cheryl] Cheating a little bit, 559 00:23:35,608 --> 00:23:36,883 then going a little bit over time. 560 00:23:36,883 --> 00:23:39,416 All right, so I haven't done an excellent example of that, 561 00:23:39,416 --> 00:23:41,331 but let's have a look first here. 562 00:23:41,331 --> 00:23:42,479 Oh, 563 00:23:42,479 --> 00:23:46,729 I love what you've done with this crazy perspective 564 00:23:48,334 --> 00:23:49,276 on your log there. 565 00:23:49,276 --> 00:23:50,869 - [Kate] No, they're not all the same. 566 00:23:50,869 --> 00:23:51,702 - Yes. 567 00:23:51,702 --> 00:23:54,935 - I thought that I did the pencil from the front. 568 00:23:54,935 --> 00:23:57,837 I did this little log from the side. 569 00:23:57,837 --> 00:23:58,670 - Yeah. 570 00:23:58,670 --> 00:24:01,146 - The shoes from the top. - Yeah, 571 00:24:01,146 --> 00:24:02,572 and you've done a house and you've done, 572 00:24:02,572 --> 00:24:04,823 you've done quite a lot going on there. 573 00:24:04,823 --> 00:24:06,983 All this needs is your signature 574 00:24:06,983 --> 00:24:08,398 and it is a completed pace. 575 00:24:08,398 --> 00:24:09,444 Perhaps a tiny- 576 00:24:09,444 --> 00:24:10,684 - Should I get it framed? 577 00:24:10,684 --> 00:24:11,517 - Yes, please do. 578 00:24:11,517 --> 00:24:13,532 Yes, that's so great. (Cheryl and Kate laughs) 579 00:24:13,532 --> 00:24:14,365 I love that. 580 00:24:14,365 --> 00:24:15,820 Lucie, how did you feel this time? 581 00:24:15,820 --> 00:24:19,486 Oh, so you've worked on what we were already doing, 582 00:24:19,486 --> 00:24:20,547 which is great. 583 00:24:20,547 --> 00:24:23,156 And almost like using, 584 00:24:23,156 --> 00:24:26,612 using the next layer as the way that I would do 585 00:24:26,612 --> 00:24:28,262 with a light box 586 00:24:28,262 --> 00:24:30,344 to add to it where which is great. 587 00:24:30,344 --> 00:24:32,335 That's so fantastic. 588 00:24:32,335 --> 00:24:33,168 And that? 589 00:24:33,168 --> 00:24:34,704 Was at the same pen that you've used there? 590 00:24:34,704 --> 00:24:36,604 - [Lucie] It's slightly different than your pen. 591 00:24:36,604 --> 00:24:38,091 - [Cheryl] Yeah, yeah, yes, yeah. 592 00:24:38,091 --> 00:24:40,171 So it's given us a little bit more there. 593 00:24:40,171 --> 00:24:42,273 So there's just one, I love both of these. 594 00:24:42,273 --> 00:24:43,356 Thank you so much. 595 00:24:43,356 --> 00:24:45,416 Does anybody want to show me their work at home? 596 00:24:45,416 --> 00:24:47,083 Would that be a nice thing to see 597 00:24:47,083 --> 00:24:50,717 if people wanna flick it up and let's have a look? 598 00:24:50,717 --> 00:24:52,518 Oh, goodness, everybody does, 599 00:24:52,518 --> 00:24:53,351 look at that. 600 00:24:53,351 --> 00:24:54,765 Is that okay if I just want to move forward, 601 00:24:54,765 --> 00:24:55,981 to have a look? 602 00:24:55,981 --> 00:24:58,131 Oh, my goodness, I can't see all your names, 603 00:24:58,131 --> 00:25:02,714 but I can see some extreme illustration going on there. 604 00:25:03,847 --> 00:25:04,824 Wow, that's great. 605 00:25:04,824 --> 00:25:05,657 I'm just gonna go- 606 00:25:05,657 --> 00:25:06,803 - It's very full page that I can see. 607 00:25:06,803 --> 00:25:07,903 - Yeah, 608 00:25:07,903 --> 00:25:08,738 yes, exactly. 609 00:25:08,738 --> 00:25:09,626 That's exactly what, 610 00:25:09,626 --> 00:25:12,723 so you're using this as your vocabulary things 611 00:25:12,723 --> 00:25:16,533 to remember in case you forget really. 612 00:25:16,533 --> 00:25:18,728 - I think everybody can give them some as a pat on the back. 613 00:25:18,728 --> 00:25:20,827 - Yeah, I love that. (Cheryl applauding) 614 00:25:20,827 --> 00:25:22,033 That's fantastic. 615 00:25:22,033 --> 00:25:25,238 So I'm gonna tell you a couple of tips here. 616 00:25:25,238 --> 00:25:28,278 So when you're drawing objects 617 00:25:28,278 --> 00:25:31,695 and you add a tiny bit of shadow, 618 00:25:31,695 --> 00:25:33,723 all of a sudden 619 00:25:33,723 --> 00:25:35,053 it gives it a little bit more shape, 620 00:25:35,053 --> 00:25:36,604 a little bit more life. 621 00:25:36,604 --> 00:25:38,521 And if you stack things 622 00:25:39,661 --> 00:25:42,699 and give a little shadow in here, 623 00:25:42,699 --> 00:25:45,873 it also helps to give the trick that things 624 00:25:45,873 --> 00:25:48,373 are tucked inside one another, 625 00:25:49,259 --> 00:25:51,509 doing this kind of drawing, 626 00:25:52,785 --> 00:25:56,848 even if it's not correct to let things sit behind. 627 00:25:56,848 --> 00:25:57,748 So for instance, 628 00:25:57,748 --> 00:26:01,380 I'm gonna try and draw one of the little houses 629 00:26:01,380 --> 00:26:02,924 in the background here. 630 00:26:02,924 --> 00:26:04,591 If I make it smaller 631 00:26:08,041 --> 00:26:11,958 and just give it a tiny little bit of a shadow, 632 00:26:13,541 --> 00:26:16,833 I'm all of a sudden feeling like I'm going, 633 00:26:16,833 --> 00:26:18,448 I've got a distance shot, 634 00:26:18,448 --> 00:26:20,134 and I start to feel 635 00:26:20,134 --> 00:26:22,641 like I have a bit of a pathway through here. 636 00:26:22,641 --> 00:26:26,674 My pathway could go around here, around the back 637 00:26:26,674 --> 00:26:29,081 and come forward and then off the page there. 638 00:26:29,081 --> 00:26:33,481 So I start to feel quite happy with this layout 639 00:26:33,481 --> 00:26:37,280 and I would be very pleased to have this in one of my books. 640 00:26:37,280 --> 00:26:40,528 So yeah, thank you so much for both of your drawings there 641 00:26:40,528 --> 00:26:41,766 and thank you so much for all of your home. 642 00:26:41,766 --> 00:26:44,256 - [Kate] No worries. 643 00:26:44,256 --> 00:26:45,634 - We might continue with this 644 00:26:45,634 --> 00:26:47,882 'cause I'm gonna try and use as much paper as I can, 645 00:26:47,882 --> 00:26:50,415 if this is okay to draw down here 646 00:26:50,415 --> 00:26:52,682 so that you can see. 647 00:26:52,682 --> 00:26:53,572 I'm going to show you, 648 00:26:53,572 --> 00:26:55,775 well, I reckon, we're finished with us still live. 649 00:26:55,775 --> 00:26:56,944 - [Kate] Yeah. 650 00:26:56,944 --> 00:27:00,630 - I'm gonna show you some of the easy ways 651 00:27:00,630 --> 00:27:02,737 to create a face. 652 00:27:02,737 --> 00:27:04,637 And we can use that a little bit later 653 00:27:04,637 --> 00:27:06,704 and in some of our other drawings as well. 654 00:27:06,704 --> 00:27:11,373 So here we are at the most beautiful portrait gallery 655 00:27:11,373 --> 00:27:15,102 and I am not a very good portrait artist, 656 00:27:15,102 --> 00:27:17,026 but I do paint a lot of portraits. 657 00:27:17,026 --> 00:27:19,587 And I also paint a lot of peg dolls, 658 00:27:19,587 --> 00:27:22,619 which I'll show you down here. 659 00:27:22,619 --> 00:27:23,452 And 660 00:27:24,384 --> 00:27:26,551 my people are very simple. 661 00:27:27,915 --> 00:27:31,837 They are, if you have a look in any of my illustrations, 662 00:27:31,837 --> 00:27:34,131 we've got them in "Dancing with Memories" 663 00:27:34,131 --> 00:27:36,984 I might just grab that in a second. 664 00:27:36,984 --> 00:27:38,702 They have dot eyes. 665 00:27:38,702 --> 00:27:42,719 They have either a vertical or a horizontal nose 666 00:27:42,719 --> 00:27:44,644 and a really simple mouth, 667 00:27:44,644 --> 00:27:48,256 either just a slight curve or an open mouth, 668 00:27:48,256 --> 00:27:52,199 and it's the eyebrows that do a lot of the work. 669 00:27:52,199 --> 00:27:53,548 Depending on the angle of the eyebrow, 670 00:27:53,548 --> 00:27:57,798 a person can be angry, happy, ecstatic, hysterical, 671 00:27:59,244 --> 00:28:00,084 very flat. 672 00:28:00,084 --> 00:28:03,168 So it really is quite easy to do 673 00:28:03,168 --> 00:28:05,529 and really achievable. 674 00:28:05,529 --> 00:28:09,031 The thing that makes a person look like themselves. 675 00:28:09,031 --> 00:28:11,015 If you guys wanna draw along as well, 676 00:28:11,015 --> 00:28:12,984 the thing that makes a person look like themselves, 677 00:28:12,984 --> 00:28:15,217 if is if you include something about them, 678 00:28:15,217 --> 00:28:16,371 that's recognisable. 679 00:28:16,371 --> 00:28:19,017 So perhaps if I'll get Lucie to come in 680 00:28:19,017 --> 00:28:20,197 just real quick into the shot. 681 00:28:20,197 --> 00:28:21,516 So with Lucie, 682 00:28:21,516 --> 00:28:24,183 if I was drawing Lucie as a peg, 683 00:28:26,217 --> 00:28:27,050 or as a- 684 00:28:28,903 --> 00:28:29,736 - [Kate] I hold that 685 00:28:29,736 --> 00:28:31,721 one of your peg people. - Sure yeah, 686 00:28:31,721 --> 00:28:35,804 as a peg or as a portrait of watercolour portrait, 687 00:28:37,804 --> 00:28:40,069 Lucie would have absolutely the dot eyes. 688 00:28:40,069 --> 00:28:42,771 She would have the long dark hair 689 00:28:42,771 --> 00:28:45,048 and this particularly recognisable you know, 690 00:28:45,048 --> 00:28:46,298 bright blue dress. 691 00:28:46,298 --> 00:28:49,246 And what do you like to do, Lucie? 692 00:28:49,246 --> 00:28:50,329 - Ugh, golly. 693 00:28:52,204 --> 00:28:53,250 - With. - Play with animals, 694 00:28:53,250 --> 00:28:55,417 - Play with animals, okay. 695 00:28:56,408 --> 00:28:59,740 Lucie might have a cat or a dog in her arm. 696 00:28:59,740 --> 00:29:02,190 Something like that, that's yes. 697 00:29:02,190 --> 00:29:03,622 So that when Lucie looks at it, 698 00:29:03,622 --> 00:29:05,266 she can say, yeah, that's me. 699 00:29:05,266 --> 00:29:06,998 I feel like I'm being represented here. 700 00:29:06,998 --> 00:29:08,433 It's the same with a peg doll. 701 00:29:08,433 --> 00:29:10,290 I don't know if you can see really close, 702 00:29:10,290 --> 00:29:14,126 but this little person is just playing a ukulele. 703 00:29:14,126 --> 00:29:16,053 And this is a person that I know 704 00:29:16,053 --> 00:29:17,995 who he loves to play the ukulele. 705 00:29:17,995 --> 00:29:20,667 Something feels like it's about to come off my head here. 706 00:29:20,667 --> 00:29:21,946 Hang on a sec. 707 00:29:21,946 --> 00:29:23,113 That's better. 708 00:29:24,195 --> 00:29:25,658 Yeah, so I'm gonna keep it really simple, 709 00:29:25,658 --> 00:29:26,715 and I'm gonna show you that. 710 00:29:26,715 --> 00:29:29,161 Is that all good, I think. 711 00:29:29,161 --> 00:29:32,078 All right, so the first thing I do, 712 00:29:33,103 --> 00:29:34,270 put that away, 713 00:29:36,919 --> 00:29:37,752 when I draw faces, 714 00:29:37,752 --> 00:29:39,944 I start with just the curve underneath. 715 00:29:39,944 --> 00:29:41,001 - [Kate] Should we draw along with you? 716 00:29:41,001 --> 00:29:42,674 - Please, if you don't mind, that would be great. 717 00:29:42,674 --> 00:29:45,375 So you can do this just on A4 paper, 718 00:29:45,375 --> 00:29:49,003 so starting with the curve underneath. 719 00:29:49,003 --> 00:29:50,916 We might draw Lucie actually, 720 00:29:50,916 --> 00:29:53,011 I'll draw her from what I've seen, 721 00:29:53,011 --> 00:29:54,697 - [Kate] Like a big U. 722 00:29:54,697 --> 00:29:55,839 - That's right, exactly. 723 00:29:55,839 --> 00:29:58,089 If you have a drawing eyes, 724 00:29:59,716 --> 00:30:01,051 when you're drawing the dot eyes, 725 00:30:01,051 --> 00:30:03,709 the lower down in the face they are, 726 00:30:03,709 --> 00:30:05,677 the younger the face will look. 727 00:30:05,677 --> 00:30:07,617 So the higher the fold, 728 00:30:07,617 --> 00:30:09,250 the younger the face will look. 729 00:30:09,250 --> 00:30:10,917 So in Lucie's case, 730 00:30:14,331 --> 00:30:15,316 Lucie is very young. 731 00:30:15,316 --> 00:30:17,207 Lucy is very young, (Cheryl laughs) 732 00:30:17,207 --> 00:30:18,957 but she's not a baby. 733 00:30:20,445 --> 00:30:21,700 I'm gonna draw a Lucie's hair. 734 00:30:21,700 --> 00:30:25,416 So I'm gonna give it a little sweep up like that. 735 00:30:25,416 --> 00:30:28,103 And I'm going to give it a sweep down like that. 736 00:30:28,103 --> 00:30:30,353 If I wanna include an ear, 737 00:30:31,228 --> 00:30:33,424 it's useful to put this in now 738 00:30:33,424 --> 00:30:36,433 so that you can kind of align the eyes with that. 739 00:30:36,433 --> 00:30:38,317 Otherwise you can do it without an ear, 740 00:30:38,317 --> 00:30:39,753 and I'm just gonna do it without, 741 00:30:39,753 --> 00:30:43,057 I'm just going to go straight down there, 742 00:30:43,057 --> 00:30:45,953 and the other side straight down there. 743 00:30:45,953 --> 00:30:48,246 In fact, I might put a little ear in here, 744 00:30:48,246 --> 00:30:50,440 just real quick with an extra line, 745 00:30:50,440 --> 00:30:51,357 so one ear. 746 00:30:52,675 --> 00:30:54,233 The eyes, they might get a bit wonky 747 00:30:54,233 --> 00:30:55,512 because I'm doing this on the side, 748 00:30:55,512 --> 00:30:56,626 but there we go. 749 00:30:56,626 --> 00:30:57,833 There's the dot eyes. 750 00:30:57,833 --> 00:31:02,477 And if you make the dots just slight little vertical lines, 751 00:31:02,477 --> 00:31:04,571 rather than doing that, 752 00:31:04,571 --> 00:31:06,462 a slight vertical line, 753 00:31:06,462 --> 00:31:10,935 it seems to give it more character in my experience. 754 00:31:10,935 --> 00:31:12,426 So we'll do the nose. 755 00:31:12,426 --> 00:31:16,041 It's either a vertical line or a horizontal line 756 00:31:16,041 --> 00:31:17,262 or an upside down, 757 00:31:17,262 --> 00:31:18,712 upside down seven. 758 00:31:18,712 --> 00:31:21,752 And I'm gonna do mine as an upside down seven. 759 00:31:21,752 --> 00:31:22,585 What now? 760 00:31:23,465 --> 00:31:26,181 And Lucie are you feeling happy, sad? 761 00:31:26,181 --> 00:31:27,981 - Delighted. - She's delighted, okay. 762 00:31:27,981 --> 00:31:28,913 Here we go. 763 00:31:28,913 --> 00:31:32,006 So delighted, that's gonna be an open mouth, 764 00:31:32,006 --> 00:31:33,839 which starts like that 765 00:31:35,384 --> 00:31:37,279 and then ends like that. 766 00:31:37,279 --> 00:31:40,233 And are you hysterically delighted? 767 00:31:40,233 --> 00:31:41,543 - Yes, absolutely. - Okay, great. 768 00:31:41,543 --> 00:31:42,979 Okay, excellent. 769 00:31:42,979 --> 00:31:44,768 So we're gonna include eyebrows 770 00:31:44,768 --> 00:31:48,268 and we're going to turn our dot eyes into, 771 00:31:49,108 --> 00:31:51,441 into laugh eyes, laugh eyes, 772 00:31:52,586 --> 00:31:54,625 and we might even add some teeth in here. 773 00:31:54,625 --> 00:31:57,156 That's looking a little bit maniacal now. 774 00:31:57,156 --> 00:32:00,377 - [Kate] Now Cheryl, I usually wear glasses. 775 00:32:00,377 --> 00:32:01,756 - Yes, okay, great. 776 00:32:01,756 --> 00:32:02,969 - [Kate] How do you draw glass? 777 00:32:02,969 --> 00:32:05,966 - So definitely get the face down first 778 00:32:05,966 --> 00:32:08,035 and then glasses, go for it. 779 00:32:08,035 --> 00:32:09,047 Absolutely go for it. 780 00:32:09,047 --> 00:32:10,327 Nice strong line. 781 00:32:10,327 --> 00:32:13,813 Make the glasses as big or as square as you like. 782 00:32:13,813 --> 00:32:15,347 And we're gonna go over the top. 783 00:32:15,347 --> 00:32:19,073 Yeah, Lucie is quite hysterical in this drawing. 784 00:32:19,073 --> 00:32:22,479 Okay, and I'm gonna go for a massive glass here, 785 00:32:22,479 --> 00:32:24,267 massive glass. 786 00:32:24,267 --> 00:32:25,769 Don't worry about the arms on it 787 00:32:25,769 --> 00:32:27,499 because the arms are disappearing 788 00:32:27,499 --> 00:32:29,117 into the hairline there somewhere. 789 00:32:29,117 --> 00:32:30,930 - [Kate] You said that just as I've put it with this. 790 00:32:30,930 --> 00:32:32,813 - Oh great. (Kate laughs) 791 00:32:32,813 --> 00:32:35,093 All the questions. 792 00:32:35,093 --> 00:32:37,118 But one of the things that I always like to include 793 00:32:37,118 --> 00:32:38,100 is shading. 794 00:32:38,100 --> 00:32:40,673 So a little bit of shading or shadow always helps. 795 00:32:40,673 --> 00:32:43,910 So really quickly on the side of your pencil brush, 796 00:32:43,910 --> 00:32:45,204 whatever you've got there, 797 00:32:45,204 --> 00:32:47,385 just really lightly 798 00:32:47,385 --> 00:32:49,052 shade on the cheeks. 799 00:32:50,280 --> 00:32:54,697 And I like to shade a little bit on the nose as well. 800 00:32:56,087 --> 00:32:59,380 And there we go, maniacal Lucie. 801 00:32:59,380 --> 00:33:01,568 (Cheryl and Lucie laughs) 802 00:33:01,568 --> 00:33:03,646 She's looking great. 803 00:33:03,646 --> 00:33:05,066 I'm gonna see everybody's in a minute, 804 00:33:05,066 --> 00:33:06,793 if you're happy to show me. 805 00:33:06,793 --> 00:33:07,710 But before we do that, 806 00:33:07,710 --> 00:33:08,543 I'm gonna just show you, 807 00:33:08,543 --> 00:33:10,480 it does sort of feel like it floats a little bit. 808 00:33:10,480 --> 00:33:14,306 So I quite liked to include a neck and just the shoulders, 809 00:33:14,306 --> 00:33:16,583 and there's a couple of reasons for that. 810 00:33:16,583 --> 00:33:18,973 It grounds the illustration. 811 00:33:18,973 --> 00:33:21,628 So just a couple of lines there. 812 00:33:21,628 --> 00:33:22,798 What's your neck line? 813 00:33:22,798 --> 00:33:24,201 Like that, okay, okay. 814 00:33:24,201 --> 00:33:28,421 And then we're just going to slope away that shoulders 815 00:33:28,421 --> 00:33:30,004 and at a neck line. 816 00:33:32,501 --> 00:33:33,894 So it just helps to ground it. 817 00:33:33,894 --> 00:33:35,355 It also helps, 818 00:33:35,355 --> 00:33:37,661 so if we were in our colour stage now, 819 00:33:37,661 --> 00:33:38,647 or our pattern stage, 820 00:33:38,647 --> 00:33:40,601 this is the point where we're adding pattern 821 00:33:40,601 --> 00:33:42,739 into the clothing there. 822 00:33:42,739 --> 00:33:45,101 So shadow under the chin, helps there 823 00:33:45,101 --> 00:33:48,684 and I'll do a very simple pattern of stars. 824 00:33:50,375 --> 00:33:51,208 Okay. 825 00:33:53,848 --> 00:33:57,688 It's tricky when you're doing it on this side, 826 00:33:57,688 --> 00:34:00,521 you can do whatever you like here. 827 00:34:02,455 --> 00:34:05,435 But if Lucie happened to be wearing a starry top, 828 00:34:05,435 --> 00:34:08,602 we'd know immediately that it was her. 829 00:34:09,699 --> 00:34:11,259 So it's a simple little things 830 00:34:11,259 --> 00:34:14,117 that all of a sudden become Lucie, 831 00:34:14,117 --> 00:34:17,284 and adding colour to this, even better. 832 00:34:19,842 --> 00:34:23,180 If you guys wanna just do some more drawing on that, 833 00:34:23,180 --> 00:34:26,930 we might not, just choose randomly two colours 834 00:34:28,298 --> 00:34:29,381 to work with, 835 00:34:30,714 --> 00:34:32,459 and it makes it a lot more fun, I think. 836 00:34:32,459 --> 00:34:33,292 Oh, wow. 837 00:34:33,292 --> 00:34:34,125 Oh, hang on. 838 00:34:34,125 --> 00:34:37,107 I wanna have a look at what people's work is looking like. 839 00:34:37,107 --> 00:34:39,663 - There's some a mania happening here. 840 00:34:39,663 --> 00:34:41,794 - I want you to take a guess at who I drew. 841 00:34:41,794 --> 00:34:43,096 (Cheryl and Kate laughs) 842 00:34:43,096 --> 00:34:44,222 - Fantastic. (Cheryl and Kate laughs) 843 00:34:44,222 --> 00:34:45,256 - I love that. 844 00:34:45,256 --> 00:34:49,669 Adding that gives me another thing to show. 845 00:34:49,669 --> 00:34:52,717 So adding in the texture in the hair is bright. 846 00:34:52,717 --> 00:34:55,634 - When my hair is done, very curly. 847 00:34:56,587 --> 00:34:58,801 - Yes, and a lovely short fringe there. 848 00:34:58,801 --> 00:35:00,388 And you've got that wavy line. 849 00:35:00,388 --> 00:35:03,955 And so adding a bit of shade on the underside of the ear 850 00:35:03,955 --> 00:35:06,868 on that side also shows that the ear, 851 00:35:06,868 --> 00:35:09,929 the hair might be tucked behind the ear there. 852 00:35:09,929 --> 00:35:11,447 So yeah, that's really great. 853 00:35:11,447 --> 00:35:12,729 Oh, let's have a look here. 854 00:35:12,729 --> 00:35:14,542 So you've drawn yourself. 855 00:35:14,542 --> 00:35:16,996 Yeah, and it's like looking in the mirror. 856 00:35:16,996 --> 00:35:17,829 (Cheryl and Lucie laughs) 857 00:35:17,829 --> 00:35:19,873 It is, right? (Cheryl and Kate laughs) 858 00:35:19,873 --> 00:35:21,371 - The mask. (Cheryl laughs) 859 00:35:21,371 --> 00:35:22,246 - That's right. 860 00:35:22,246 --> 00:35:25,354 We're just assuming what's happening under the mask there. 861 00:35:25,354 --> 00:35:27,937 But yeah, that looks fantastic. 862 00:35:29,377 --> 00:35:31,808 Okay, we might do one in two colours now. 863 00:35:31,808 --> 00:35:34,977 So do we have somebody else that we'd like to draw? 864 00:35:34,977 --> 00:35:36,081 Perhaps we'll draw Sally. 865 00:35:36,081 --> 00:35:38,164 Would Sally like to come? 866 00:35:39,213 --> 00:35:40,414 Be our face model, 867 00:35:40,414 --> 00:35:42,169 and perhaps our pattern model as well 868 00:35:42,169 --> 00:35:44,398 because she's wearing a lovely, a lovely top here. 869 00:35:44,398 --> 00:35:47,198 And she's also another item to include 870 00:35:47,198 --> 00:35:49,811 is to include special jewellery that the person is wearing, 871 00:35:49,811 --> 00:35:52,681 so it starts to look like them. 872 00:35:52,681 --> 00:35:54,339 In this case, 873 00:35:54,339 --> 00:35:56,910 I'm gonna use green and pink, 874 00:35:56,910 --> 00:35:58,324 which look fetching together, 875 00:35:58,324 --> 00:36:00,655 really, really lovely, 876 00:36:00,655 --> 00:36:05,010 but you girls and people at home can do whatever, 877 00:36:05,010 --> 00:36:07,674 and then we'll have a look at everybody's drawing. 878 00:36:07,674 --> 00:36:10,026 - It's very hard to decide just two. 879 00:36:10,026 --> 00:36:12,309 - Just two, and I think, 880 00:36:12,309 --> 00:36:14,881 as I say, one of the things that's really lovely about it 881 00:36:14,881 --> 00:36:19,061 is that you're surprised and amused by it. 882 00:36:19,061 --> 00:36:22,231 I find it's really fun to just have a bit of fun with colour 883 00:36:22,231 --> 00:36:25,146 and I do have fun with colour. 884 00:36:25,146 --> 00:36:29,195 And it also, if you limit your illustrations to two colours, 885 00:36:29,195 --> 00:36:30,523 maybe three, 886 00:36:30,523 --> 00:36:35,523 it can give a really cohesive feel to a whole illustration. 887 00:36:35,595 --> 00:36:38,139 So imagine a whole landscape that a couple of people 888 00:36:38,139 --> 00:36:42,505 frolicking in it and animals all done in two colours, 889 00:36:42,505 --> 00:36:45,092 even if it's all wonky and weird. 890 00:36:45,092 --> 00:36:46,735 It looks really great. 891 00:36:46,735 --> 00:36:50,926 It really comes together as a nice thing, 892 00:36:50,926 --> 00:36:55,174 and as with everything doing more of something, 893 00:36:55,174 --> 00:36:56,261 you get better at it. 894 00:36:56,261 --> 00:36:58,101 So yeah, so all right. 895 00:36:58,101 --> 00:37:00,438 So we are going to do this. 896 00:37:00,438 --> 00:37:01,810 We're going to draw Sally, 897 00:37:01,810 --> 00:37:02,957 do you want to have a look at Sally? 898 00:37:02,957 --> 00:37:03,915 - [Lucie] I can see Sally. 899 00:37:03,915 --> 00:37:05,145 - You can see Sally, okay, great. 900 00:37:05,145 --> 00:37:07,332 All right, and just choose one colour as your outline 901 00:37:07,332 --> 00:37:10,392 and perhaps one colour as your, 902 00:37:10,392 --> 00:37:11,315 as your shading. 903 00:37:11,315 --> 00:37:13,899 So I'm gonna do pink as my outline. 904 00:37:13,899 --> 00:37:14,732 Yeah. 905 00:37:16,002 --> 00:37:17,731 - Do you want me to feel happy or sad? 906 00:37:17,731 --> 00:37:20,816 - I think we're gonna have, perhaps angry. 907 00:37:20,816 --> 00:37:21,814 - Ooh. - [Kate] I like. 908 00:37:21,814 --> 00:37:22,737 - Yeah. 909 00:37:22,737 --> 00:37:24,564 (Cheryl faintly speaking) 910 00:37:24,564 --> 00:37:25,444 - Okay. 911 00:37:25,444 --> 00:37:27,125 We should have given up on that 912 00:37:27,125 --> 00:37:29,355 because that was diabolical. 913 00:37:29,355 --> 00:37:32,301 Yeah. (Cheryl laughs) 914 00:37:32,301 --> 00:37:34,212 - That's great, fantastic. 915 00:37:34,212 --> 00:37:35,653 Oh, hang on, this is not working. 916 00:37:35,653 --> 00:37:38,070 Pink is, I'm mixing the pink. 917 00:37:39,910 --> 00:37:42,597 Let's take a look here. 918 00:37:42,597 --> 00:37:43,430 All right. 919 00:37:44,971 --> 00:37:46,443 - [Kate] I'm imagining the angry, 920 00:37:46,443 --> 00:37:48,809 a lot like Mr. Potato Head, 921 00:37:48,809 --> 00:37:50,809 how he's got his angry eyes 922 00:37:50,809 --> 00:37:52,803 and he put them on. - Yes, 923 00:37:52,803 --> 00:37:55,949 yes, have you got pink over on yours? 924 00:37:55,949 --> 00:37:56,782 One of those. 925 00:37:56,782 --> 00:37:57,615 - [Lucie] That's okay. - [Cheryl] That's it? 926 00:37:57,615 --> 00:37:59,664 - [Kate] I do, Cheryl. - [Cheryl] Yes. 927 00:37:59,664 --> 00:38:00,789 - [Kate] Do you want some pink? 928 00:38:00,789 --> 00:38:02,049 - [Cheryl] Oh, this is good, yeah. 929 00:38:02,049 --> 00:38:03,549 - Yeah, wonderful. 930 00:38:04,769 --> 00:38:07,629 - [Cheryl] Let me have a quick look at your earrings. 931 00:38:07,629 --> 00:38:10,212 We just gonna keep them simple. 932 00:38:14,449 --> 00:38:15,742 I'm breaking my own rules 933 00:38:15,742 --> 00:38:17,230 and I didn't start with the chin. 934 00:38:17,230 --> 00:38:18,063 - [Kate] Oh, no. 935 00:38:18,063 --> 00:38:20,377 - [Cheryl] Which I should have. 936 00:38:20,377 --> 00:38:22,097 There really isn't any rules. 937 00:38:22,097 --> 00:38:26,751 It's just the things that I've learned along the way. 938 00:38:26,751 --> 00:38:29,090 I'm not a trained illustrator. 939 00:38:29,090 --> 00:38:32,360 I'm just a very persistent person. 940 00:38:32,360 --> 00:38:35,110 (Cheryl laughs) 941 00:38:37,490 --> 00:38:39,876 - [Kate] You're very angry. (Cheryl laughs) 942 00:38:39,876 --> 00:38:41,209 - [Cheryl] Yeah. 943 00:38:45,923 --> 00:38:46,840 Okay, okay. 944 00:38:50,283 --> 00:38:51,265 (Sally laughs) 945 00:38:51,265 --> 00:38:53,932 (Cheryl laughs) 946 00:39:00,635 --> 00:39:01,468 - [Kate] Okay. 947 00:39:01,468 --> 00:39:06,468 - [Cheryl] Don't forget to include the neck line if you can. 948 00:39:07,191 --> 00:39:10,305 I'm gonna use the other colour to do 949 00:39:10,305 --> 00:39:11,305 the shading. 950 00:39:17,545 --> 00:39:19,795 Oh, I do love green cheeks. 951 00:39:21,032 --> 00:39:23,023 There's something kind of, 952 00:39:23,023 --> 00:39:26,627 ooh, and don't forget the eyebrows. 953 00:39:26,627 --> 00:39:27,460 - [Kate] I think the angry, 954 00:39:27,460 --> 00:39:28,893 that may be the most important part. 955 00:39:28,893 --> 00:39:32,726 - [Cheryl] They are really the most important. 956 00:39:34,144 --> 00:39:35,472 I go down. 957 00:39:35,472 --> 00:39:36,564 Look, you can do a few things. 958 00:39:36,564 --> 00:39:38,842 They can do whatever you like really. 959 00:39:38,842 --> 00:39:39,675 - [Sally] Oh, yeah. 960 00:39:39,675 --> 00:39:42,046 - [Cheryl] This is not a happy person. 961 00:39:42,046 --> 00:39:44,147 I can barely look at it, 962 00:39:44,147 --> 00:39:46,564 but it is not a happy person. 963 00:39:47,477 --> 00:39:48,448 - [Sally] She is very angry. 964 00:39:48,448 --> 00:39:49,781 - [Cheryl] Yeah. 965 00:39:51,667 --> 00:39:53,275 And just using that little bit of shade, 966 00:39:53,275 --> 00:39:54,309 just on an angle, 967 00:39:54,309 --> 00:39:57,137 when you're shading, when you're doing any shade, 968 00:39:57,137 --> 00:39:58,295 just make sure it's all coming from 969 00:39:58,295 --> 00:39:59,612 the one direction always. 970 00:39:59,612 --> 00:40:02,929 So it feels like the light is consistent. 971 00:40:02,929 --> 00:40:06,150 There's some kind of little tip on that. 972 00:40:06,150 --> 00:40:07,825 Let's have a look here, 973 00:40:07,825 --> 00:40:09,637 and I'm gonna use, 974 00:40:09,637 --> 00:40:14,137 there's lots of details and patterns in Sally's dress. 975 00:40:15,109 --> 00:40:17,109 I'm just gonna simplify. 976 00:40:28,299 --> 00:40:32,202 Repetition is in patterning seems to be like 977 00:40:32,202 --> 00:40:35,259 one of the most important things to make everything 978 00:40:35,259 --> 00:40:37,009 look really cohesive. 979 00:40:38,200 --> 00:40:40,589 Yeah, keeping it as simple as possible 980 00:40:40,589 --> 00:40:42,256 is my rule of thumb, 981 00:40:45,113 --> 00:40:46,495 and letting pattern kind of fall 982 00:40:46,495 --> 00:40:48,477 off the panels. 983 00:40:48,477 --> 00:40:50,501 So if during a flower on the edge there, 984 00:40:50,501 --> 00:40:52,717 just let it fall off a little bit. 985 00:40:52,717 --> 00:40:57,219 So it looks kind of natural the way fabric might be cut. 986 00:40:57,219 --> 00:40:58,410 - [Sally] How's the angry, Cheryl? 987 00:40:58,410 --> 00:40:59,563 - [Cheryl] You don't have to. (Kate laughs) 988 00:40:59,563 --> 00:41:01,155 You don't have to. (Sally faintly speaking) 989 00:41:01,155 --> 00:41:02,591 - [Cheryl] I mean we get the picture. 990 00:41:02,591 --> 00:41:03,424 (Sally laughs) Yeah, 991 00:41:03,424 --> 00:41:04,257 yeah, we get a picture. 992 00:41:04,257 --> 00:41:05,257 That's fine. 993 00:41:07,613 --> 00:41:09,780 The little necklace there. 994 00:41:11,481 --> 00:41:12,404 There we go. 995 00:41:12,404 --> 00:41:13,660 I don't know about you, but I'm done. 996 00:41:13,660 --> 00:41:14,493 How are you? 997 00:41:14,493 --> 00:41:15,515 Oh. (Kate laughs) 998 00:41:15,515 --> 00:41:16,648 - We didn't time it. 999 00:41:16,648 --> 00:41:17,481 - [Cheryl] Oh, we didn't time on this one. 1000 00:41:17,481 --> 00:41:18,314 That's okay. 1001 00:41:18,314 --> 00:41:19,147 We're not gonna time on this one. 1002 00:41:19,147 --> 00:41:20,905 We are in a minute. 1003 00:41:20,905 --> 00:41:21,860 Wow, how are you? 1004 00:41:21,860 --> 00:41:23,226 Oh, goodness. 1005 00:41:23,226 --> 00:41:25,100 See, there's a whole lot of shadow going on here. 1006 00:41:25,100 --> 00:41:26,315 That's fantastic. 1007 00:41:26,315 --> 00:41:27,404 And that's beauty. 1008 00:41:27,404 --> 00:41:29,131 - [Lucie] I'm using the two colours. 1009 00:41:29,131 --> 00:41:30,881 - I feel it's really, 1010 00:41:32,031 --> 00:41:34,781 it's something that really works. 1011 00:41:35,704 --> 00:41:38,436 Would you agree that you feel more confident when you. 1012 00:41:38,436 --> 00:41:40,349 - Yeah, the two colour, it really add to it. 1013 00:41:40,349 --> 00:41:41,257 - [Cheryl] Yeah. 1014 00:41:41,257 --> 00:41:42,090 - [Lucie] That's a little highlights. 1015 00:41:42,090 --> 00:41:45,830 - [Cheryl] I highly recommend doing whole things into colours 1016 00:41:45,830 --> 00:41:48,552 and perhaps totally eliminating pencil, 1017 00:41:48,552 --> 00:41:50,589 like lead pencil at all. 1018 00:41:50,589 --> 00:41:54,290 It just feels really like a finished product in the end. 1019 00:41:54,290 --> 00:41:58,142 Let's have a look at Kate's is over here. 1020 00:41:58,142 --> 00:41:58,975 - Different again. 1021 00:41:58,975 --> 00:41:59,808 - [Cheryl] It is, (Kate laughs) 1022 00:41:59,808 --> 00:42:00,757 it's different again. 1023 00:42:00,757 --> 00:42:01,590 It's different again. 1024 00:42:01,590 --> 00:42:03,411 And she's chosen light from the other direction 1025 00:42:03,411 --> 00:42:04,660 and she's added heat. 1026 00:42:04,660 --> 00:42:05,570 Look at that heat going on. 1027 00:42:05,570 --> 00:42:07,765 - [Kate] Yes, she's so angry. 1028 00:42:07,765 --> 00:42:10,117 It's radiating on her. 1029 00:42:10,117 --> 00:42:12,110 - [Cheryl] I feel the heat. - Coming at here. 1030 00:42:12,110 --> 00:42:12,943 - [Cheryl] Yeah. 1031 00:42:12,943 --> 00:42:13,978 - Maybe I could even put, 1032 00:42:13,978 --> 00:42:16,746 sometimes there's exclamation points. 1033 00:42:16,746 --> 00:42:17,621 - [Cheryl] Yes, definitely. 1034 00:42:17,621 --> 00:42:18,454 - Above as well. 1035 00:42:18,454 --> 00:42:19,805 - [Cheryl] Yes, my little trick, 1036 00:42:19,805 --> 00:42:22,834 if you want something to stand out 1037 00:42:22,834 --> 00:42:24,744 is to add radiating points for sure. 1038 00:42:24,744 --> 00:42:25,577 - Yeah. 1039 00:42:25,577 --> 00:42:29,704 - I do it on nearly everything and nobody ever stops me. 1040 00:42:29,704 --> 00:42:30,537 So I keep doing it. 1041 00:42:30,537 --> 00:42:32,164 (everybody laughs) 1042 00:42:32,164 --> 00:42:33,143 - [Kate] That's great. 1043 00:42:33,143 --> 00:42:34,359 - It really works. 1044 00:42:34,359 --> 00:42:35,327 Perhaps we could have a look 1045 00:42:35,327 --> 00:42:36,676 at what people are doing at home. 1046 00:42:36,676 --> 00:42:39,331 Should we just check that out? 1047 00:42:39,331 --> 00:42:40,669 Oh, hello. 1048 00:42:40,669 --> 00:42:41,502 Ooh. 1049 00:42:43,933 --> 00:42:44,766 Wow. 1050 00:42:44,766 --> 00:42:46,690 You guys are amazing. 1051 00:42:46,690 --> 00:42:47,950 Fantastic. 1052 00:42:47,950 --> 00:42:48,783 - Aren't they great? 1053 00:42:48,783 --> 00:42:49,942 - Yes, I'm seeing Sally. 1054 00:42:49,942 --> 00:42:51,831 It is incredible. 1055 00:42:51,831 --> 00:42:52,664 - That's beautiful. - Yeah. 1056 00:42:52,664 --> 00:42:55,363 - I'm seeing some lovely texture in the hair. 1057 00:42:55,363 --> 00:42:57,176 - Yes, yes, yes. 1058 00:42:57,176 --> 00:43:00,438 I think perhaps you should permanently dye your hair blue. 1059 00:43:00,438 --> 00:43:01,271 - Yeah. 1060 00:43:01,271 --> 00:43:02,104 - I think I should. - Yeah. 1061 00:43:02,104 --> 00:43:04,024 - I think blue would be a very good colour for you. 1062 00:43:04,024 --> 00:43:04,857 - Yes. (Sally laughs) 1063 00:43:04,857 --> 00:43:06,265 - Yes, that's the one, I'm looking out you. 1064 00:43:06,265 --> 00:43:08,065 (Kate laughs) 1065 00:43:08,065 --> 00:43:09,527 - You know I'm looking at there, 1066 00:43:09,527 --> 00:43:12,024 with the blue on the neck, well, that's great, 1067 00:43:12,024 --> 00:43:12,857 - That's Page. 1068 00:43:12,857 --> 00:43:15,037 Thank you, Page. (Cheryl laughs) 1069 00:43:15,037 --> 00:43:16,117 - That's great. 1070 00:43:16,117 --> 00:43:17,012 Fantastic. 1071 00:43:17,012 --> 00:43:18,427 Oh, and I love the pattern. 1072 00:43:18,427 --> 00:43:20,192 The pattern is great. 1073 00:43:20,192 --> 00:43:22,090 - We got somebody in the chat saying, 1074 00:43:22,090 --> 00:43:23,319 that I can't draw, 1075 00:43:23,319 --> 00:43:25,555 but that's absolutely not true. 1076 00:43:25,555 --> 00:43:28,584 - Yeah, that's absolutely not true. 1077 00:43:28,584 --> 00:43:30,473 Like I said, I was not the best drawer 1078 00:43:30,473 --> 00:43:31,802 when I was at school. 1079 00:43:31,802 --> 00:43:33,156 - Won't you? - No, no, no. 1080 00:43:33,156 --> 00:43:35,406 My twin sister was a much better drawer than me 1081 00:43:35,406 --> 00:43:38,038 and she will tell you that, 1082 00:43:38,038 --> 00:43:40,517 but she wasn't persistent with it. 1083 00:43:40,517 --> 00:43:43,451 So I think anything that you do, rule of thumb, 1084 00:43:43,451 --> 00:43:45,737 just stick with it and do it, 1085 00:43:45,737 --> 00:43:46,945 do it regularly. 1086 00:43:46,945 --> 00:43:48,461 It's like exercising. - Yeah. 1087 00:43:48,461 --> 00:43:51,640 - If you do it regularly, you get maybe muscles each day. 1088 00:43:51,640 --> 00:43:52,899 - Did you do it each day? 1089 00:43:52,899 --> 00:43:54,733 - I do so much each day. 1090 00:43:54,733 --> 00:43:55,836 - When you are little did you draw everyday? 1091 00:43:55,836 --> 00:43:57,139 - Well, yes, yes, yes, yes, yeah. 1092 00:43:57,139 --> 00:43:57,998 - Just get better and better. 1093 00:43:57,998 --> 00:43:59,705 - Just better and better as you go. 1094 00:43:59,705 --> 00:44:01,246 Yeah, for sure. 1095 00:44:01,246 --> 00:44:02,937 So thank you so much for showing me that, 1096 00:44:02,937 --> 00:44:03,905 that's fantastic. 1097 00:44:03,905 --> 00:44:06,075 - We've got about 15 minutes left. 1098 00:44:06,075 --> 00:44:06,908 - Is that it? 1099 00:44:06,908 --> 00:44:07,741 Gosh, oh gosh. 1100 00:44:07,741 --> 00:44:09,677 Okay, well, we're gonna do our dress up. 1101 00:44:09,677 --> 00:44:11,003 I think we're gonna have to do that. 1102 00:44:11,003 --> 00:44:13,863 So one of the things that I do when I'm drawing characters 1103 00:44:13,863 --> 00:44:17,265 is I need to be able to see them move. 1104 00:44:17,265 --> 00:44:20,352 We've got Sally here is going to be our model. 1105 00:44:20,352 --> 00:44:23,072 We're going to quickly dress her up 1106 00:44:23,072 --> 00:44:25,659 and you guys can help us choose some hats for that. 1107 00:44:25,659 --> 00:44:27,426 So do you wanna come over here, Sally? 1108 00:44:27,426 --> 00:44:30,577 We're gonna get some fresh paper. 1109 00:44:30,577 --> 00:44:32,300 - All right, does everybody watching? 1110 00:44:32,300 --> 00:44:34,373 We're going to need your help at home 1111 00:44:34,373 --> 00:44:38,158 to decide what hats Sally is going to wear. 1112 00:44:38,158 --> 00:44:39,606 - [Cheryl] Yeah. 1113 00:44:39,606 --> 00:44:41,440 - [Kate] So do you wanna choose two hats? 1114 00:44:41,440 --> 00:44:43,062 I'm gonna choose to hat and a wig? 1115 00:44:43,062 --> 00:44:44,299 (Sally faintly speaking) 1116 00:44:44,299 --> 00:44:45,132 All right. 1117 00:44:45,132 --> 00:44:46,313 Option one. 1118 00:44:46,313 --> 00:44:47,699 Do you wanna put it on? 1119 00:44:47,699 --> 00:44:49,199 - The wig. - Yeah. 1120 00:44:52,940 --> 00:44:53,781 - It's not blue. 1121 00:44:53,781 --> 00:44:54,993 (Cheryl and Kate laughs) 1122 00:44:54,993 --> 00:44:56,150 - It's far from blue. 1123 00:44:56,150 --> 00:44:58,791 - So this is option one. 1124 00:44:58,791 --> 00:45:00,124 - [Cheryl] Yeah. 1125 00:45:00,962 --> 00:45:01,795 Okay. 1126 00:45:01,795 --> 00:45:03,439 And. 1127 00:45:03,439 --> 00:45:04,335 - [Cheryl] Yeah. 1128 00:45:04,335 --> 00:45:05,168 Yeah, that's nice. 1129 00:45:05,168 --> 00:45:06,323 - That is style. - [Cheryl] That is stylish. 1130 00:45:06,323 --> 00:45:07,156 I like that. 1131 00:45:07,156 --> 00:45:09,015 - [Kate] And it says option two. 1132 00:45:09,015 --> 00:45:09,848 - [Cheryl] Yeah. 1133 00:45:09,848 --> 00:45:12,893 - [Kate] So in the chat type number one or number two. 1134 00:45:12,893 --> 00:45:14,773 - [Cheryl] And in the meantime, we'll do some dressing. 1135 00:45:14,773 --> 00:45:16,515 - And in the meantime, we'll do the rest. 1136 00:45:16,515 --> 00:45:17,967 So get typing everybody. 1137 00:45:17,967 --> 00:45:21,775 - [Cheryl] Yeah. - [Kate] All right. 1138 00:45:21,775 --> 00:45:22,661 Because we don't have a huge amount of time, 1139 00:45:22,661 --> 00:45:24,745 we're going to do some character drawing, 1140 00:45:24,745 --> 00:45:27,025 and I just wanna show you how 1141 00:45:27,025 --> 00:45:29,972 some of the tricks to getting a character, 1142 00:45:29,972 --> 00:45:33,183 to move without doing very much. 1143 00:45:33,183 --> 00:45:34,575 And I don't know if we're gonna be able to see 1144 00:45:34,575 --> 00:45:35,408 the full length. 1145 00:45:35,408 --> 00:45:36,745 - [Kate] I think she should put the cape on. 1146 00:45:36,745 --> 00:45:37,728 - So we could see her feet. - [Kate] No, no, 1147 00:45:37,728 --> 00:45:39,061 I think the cape. 1148 00:45:39,061 --> 00:45:40,896 - But if we can, that would be great, 1149 00:45:40,896 --> 00:45:44,238 because I just wanna show this, 1150 00:45:44,238 --> 00:45:46,214 by covering up her legs, (Sally laughs) 1151 00:45:46,214 --> 00:45:48,132 we don't have to show very much at all. 1152 00:45:48,132 --> 00:45:50,026 We showed just a wide skirt, 1153 00:45:50,026 --> 00:45:51,700 the feet placed a certain way 1154 00:45:51,700 --> 00:45:53,412 and all of a sudden she's walking. 1155 00:45:53,412 --> 00:45:56,303 So it's a really easy way. 1156 00:45:56,303 --> 00:45:58,586 Oh, and Sally's looking great. 1157 00:45:58,586 --> 00:46:00,152 She looks fantastic, 1158 00:46:00,152 --> 00:46:01,119 yeah. - [Lucie] It's beautiful. 1159 00:46:01,119 --> 00:46:01,952 - Yeah, excellent. 1160 00:46:01,952 --> 00:46:02,785 I think that'll do it. 1161 00:46:02,785 --> 00:46:04,035 So maybe a fan. 1162 00:46:04,928 --> 00:46:06,096 - [Sally] And which hat am I wearing? 1163 00:46:06,096 --> 00:46:07,354 - Oh. 1164 00:46:07,354 --> 00:46:10,289 - [Kate] The hat option number two, 1165 00:46:10,289 --> 00:46:12,052 is the most popular option. 1166 00:46:12,052 --> 00:46:12,885 - Two is the winner. 1167 00:46:12,885 --> 00:46:13,718 - [Sally] Very fine, thank you. 1168 00:46:13,718 --> 00:46:14,551 (Kate laughs) 1169 00:46:14,551 --> 00:46:17,376 - [Kate] Is that because a hat was easier to draw? 1170 00:46:17,376 --> 00:46:19,101 (Sally faintly speaking) - [Cheryl] Yeah. 1171 00:46:19,101 --> 00:46:19,934 - [Kate] Beautiful. 1172 00:46:19,934 --> 00:46:20,767 - I think we need, 1173 00:46:20,767 --> 00:46:23,182 I think we need just a feather boa real quick. 1174 00:46:23,182 --> 00:46:24,927 And then yeah. 1175 00:46:24,927 --> 00:46:26,909 - [Sally] Right. - All right, so Lucie, 1176 00:46:26,909 --> 00:46:28,192 we'll get this one down for you, 1177 00:46:28,192 --> 00:46:29,775 so you've got some. 1178 00:46:30,891 --> 00:46:31,915 There we go. 1179 00:46:31,915 --> 00:46:34,046 Give me a second, I lost it. 1180 00:46:34,046 --> 00:46:34,962 - [Kate] Sally. - [Lucie] I could do that. 1181 00:46:34,962 --> 00:46:37,922 - All right, so Sally can come in the middle here. 1182 00:46:37,922 --> 00:46:40,499 We are gonna choose again, our two colours, 1183 00:46:40,499 --> 00:46:45,340 because yeah, even though Sally is full of colour, 1184 00:46:45,340 --> 00:46:46,544 what our objective is, 1185 00:46:46,544 --> 00:46:49,296 is to try and capture that movement. 1186 00:46:49,296 --> 00:46:52,872 So we wanna get away from just drawing head and shoulders. 1187 00:46:52,872 --> 00:46:54,976 We wanna see some actions. 1188 00:46:54,976 --> 00:46:55,976 So this one, 1189 00:46:58,887 --> 00:47:00,195 we don't need a timer. 1190 00:47:00,195 --> 00:47:03,267 We can kind of do it quite sort of quickly anyway. 1191 00:47:03,267 --> 00:47:05,399 So if you're all already, you have A4 paper, 1192 00:47:05,399 --> 00:47:06,877 I don't think we're gonna get to the stage 1193 00:47:06,877 --> 00:47:07,796 of doing our final, 1194 00:47:07,796 --> 00:47:09,193 but I'll give you some tips on that. 1195 00:47:09,193 --> 00:47:10,860 - [Kate] Two colours or? - [Cheryl] Two colours. 1196 00:47:10,860 --> 00:47:11,693 - [Kate] Two colours. - [Cheryl] Please. 1197 00:47:11,693 --> 00:47:13,112 And it doesn't have to be red. 1198 00:47:13,112 --> 00:47:13,969 - [Cheryl] What I wanna see 1199 00:47:13,969 --> 00:47:15,853 is I wanna be able to see your feet moving. 1200 00:47:15,853 --> 00:47:18,090 So if you wouldn't mind, 1201 00:47:18,090 --> 00:47:20,999 which direction does that show you moving in? 1202 00:47:20,999 --> 00:47:22,647 Yeah, okay, that is great. 1203 00:47:22,647 --> 00:47:25,773 I don't know if you can see that Lucie or you'd be okay. 1204 00:47:25,773 --> 00:47:26,997 Yeah. - Sideways? 1205 00:47:26,997 --> 00:47:27,830 - Either way. 1206 00:47:27,830 --> 00:47:29,789 We just wanna be able to see Sally's feet 1207 00:47:29,789 --> 00:47:31,378 and how far apart, and look out, 1208 00:47:31,378 --> 00:47:33,364 she's just about flying out of the room. 1209 00:47:33,364 --> 00:47:34,382 All right, let's go. 1210 00:47:34,382 --> 00:47:35,714 Let's let's draw this. 1211 00:47:35,714 --> 00:47:36,563 - [Kate] All right. 1212 00:47:36,563 --> 00:47:37,896 - [Cheryl] Yeah. 1213 00:47:46,141 --> 00:47:49,574 And a tip for drawing faces on the side. 1214 00:47:49,574 --> 00:47:52,910 It's basically just the same you, 1215 00:47:52,910 --> 00:47:55,469 but just tilted on the side, 1216 00:47:55,469 --> 00:47:57,647 add that seven nose. 1217 00:47:57,647 --> 00:47:59,015 There we go. 1218 00:47:59,015 --> 00:48:01,124 Drawing glasses. 1219 00:48:01,124 --> 00:48:03,404 Don't draw them over here, 1220 00:48:03,404 --> 00:48:05,821 because over here is her eye. 1221 00:48:06,712 --> 00:48:08,129 Here is the glass 1222 00:48:09,650 --> 00:48:11,317 and here is her ear. 1223 00:48:12,329 --> 00:48:14,683 There's the other side of the glass there. 1224 00:48:14,683 --> 00:48:16,756 What's her hair doing? 1225 00:48:16,756 --> 00:48:17,589 Okay. 1226 00:48:21,800 --> 00:48:22,633 Fantastic. 1227 00:48:22,633 --> 00:48:23,793 - [Kate] Oh yeah, this is tricky. 1228 00:48:23,793 --> 00:48:25,829 - [Cheryl] It's really tricky doing it like this huh? 1229 00:48:25,829 --> 00:48:27,311 - [Sally] You like me to turn? 1230 00:48:27,311 --> 00:48:28,489 - [Cheryl] I think just stay where you are 1231 00:48:28,489 --> 00:48:32,906 because we need to make sure our viewers can see you. 1232 00:48:35,772 --> 00:48:37,248 - [Kate] There's a little ball on the hat, 1233 00:48:37,248 --> 00:48:38,593 isn't it? - [Cheryl] Yeah. 1234 00:48:38,593 --> 00:48:39,426 - [Kate] I can see it. 1235 00:48:39,426 --> 00:48:42,472 Maybe Lucie, you can't. - [Cheryl] Yeah. 1236 00:48:42,472 --> 00:48:45,454 When you've got really loose things like this, 1237 00:48:45,454 --> 00:48:48,459 you can be so loose with the way that you do that line. 1238 00:48:48,459 --> 00:48:50,863 If you wanna add movement, 1239 00:48:50,863 --> 00:48:51,696 at it, oh gosh. 1240 00:48:51,696 --> 00:48:54,363 I'd need to change my pen there. 1241 00:48:55,839 --> 00:48:57,339 I don't like that. 1242 00:48:58,396 --> 00:49:02,037 And I'm going to pretend that it's flying in the wind. 1243 00:49:02,037 --> 00:49:03,343 There we go. 1244 00:49:03,343 --> 00:49:05,176 What's happening here? 1245 00:49:14,740 --> 00:49:16,163 - [Kate] That's good, but don't have a timer. 1246 00:49:16,163 --> 00:49:17,913 - [Cheryl] Yeah. 1247 00:49:17,913 --> 00:49:20,151 I do love working with the timer. 1248 00:49:20,151 --> 00:49:24,068 It's amazing what you can get achieved in that. 1249 00:49:32,133 --> 00:49:36,219 Uh-oh, I've run out of space on my thing. 1250 00:49:36,219 --> 00:49:38,407 I'm keeping it really loose because I just wanna try 1251 00:49:38,407 --> 00:49:41,407 and get down the main elements here. 1252 00:49:43,370 --> 00:49:45,842 - [Kate] I think it's safe to say mine's an abstract 1253 00:49:45,842 --> 00:49:50,715 (Cheryl and Kate laughs) drawing. 1254 00:49:50,715 --> 00:49:51,548 But that's okay. (Kate laughs) 1255 00:49:51,548 --> 00:49:52,686 - [Sally] That's right. 1256 00:49:52,686 --> 00:49:55,186 - [Cheryl] Yeah, that's right. 1257 00:50:02,376 --> 00:50:03,932 Fantastic, all right. 1258 00:50:03,932 --> 00:50:05,655 So the trick here when you're doing, 1259 00:50:05,655 --> 00:50:08,200 well, I'm at where doing the bottom part here. 1260 00:50:08,200 --> 00:50:09,571 Keep it nice and long. 1261 00:50:09,571 --> 00:50:12,209 Cover up the legs with something long, 1262 00:50:12,209 --> 00:50:13,568 and then you don't need to worry 1263 00:50:13,568 --> 00:50:15,410 about what the legs are doing. 1264 00:50:15,410 --> 00:50:18,577 So all the action happens in the feet. 1265 00:50:24,334 --> 00:50:26,751 And if you tilt the back foot 1266 00:50:28,347 --> 00:50:29,347 on an angle, 1267 00:50:33,444 --> 00:50:34,611 we're running. 1268 00:50:36,321 --> 00:50:38,219 Wow, mine looks great. 1269 00:50:38,219 --> 00:50:39,091 I don't know about yours. 1270 00:50:39,091 --> 00:50:40,581 (everybody laughs) 1271 00:50:40,581 --> 00:50:41,414 - [Kate] Coming from the expert. 1272 00:50:41,414 --> 00:50:44,081 (Cheryl laughs) 1273 00:50:46,065 --> 00:50:48,963 - [Kate] Oh, dear. (Cheryl laughs) 1274 00:50:48,963 --> 00:50:50,921 - [Cheryl] I think just another few seconds, guys, 1275 00:50:50,921 --> 00:50:54,097 and then I think we might call that. 1276 00:50:54,097 --> 00:50:55,137 - [Sally] Happy going at home. 1277 00:50:55,137 --> 00:50:57,137 - [Cheryl] Yeah, happy going at home. 1278 00:50:57,137 --> 00:50:58,530 I'm adding some pattern in here. 1279 00:50:58,530 --> 00:51:00,090 - [Kate] I've set a loafer. 1280 00:51:00,090 --> 00:51:01,057 - [Cheryl] Yeah. 1281 00:51:01,057 --> 00:51:03,807 (Cheryl laughs) 1282 00:51:05,699 --> 00:51:07,362 Adding shadow. 1283 00:51:07,362 --> 00:51:08,499 Oh, I'm going show, 1284 00:51:08,499 --> 00:51:12,351 adding a little bit of a horizon line in the back, 1285 00:51:12,351 --> 00:51:13,434 adding those. 1286 00:51:14,946 --> 00:51:15,779 - [Kate] Oh yeah, 1287 00:51:15,779 --> 00:51:18,117 that's a good idea. - Yeah. 1288 00:51:18,117 --> 00:51:19,169 Oh, a pathway. 1289 00:51:19,169 --> 00:51:20,934 Oh, there we go. 1290 00:51:20,934 --> 00:51:22,767 How does this happen? 1291 00:51:34,424 --> 00:51:35,805 - [Kate] I have last minute done with it. 1292 00:51:35,805 --> 00:51:37,358 - [Cheryl] Yeah, okay, I'm done. 1293 00:51:37,358 --> 00:51:38,646 I'm done, 1294 00:51:38,646 --> 00:51:39,998 how are you guys going? 1295 00:51:39,998 --> 00:51:40,831 Yes, yes. 1296 00:51:40,831 --> 00:51:42,545 Oh gosh, that was a long one for you to hold. 1297 00:51:42,545 --> 00:51:43,684 That's great. 1298 00:51:43,684 --> 00:51:44,946 - [Kate] Nice. 1299 00:51:44,946 --> 00:51:46,735 - Feel the wind. 1300 00:51:46,735 --> 00:51:47,696 - Oh, Lucie, that's fantastic. 1301 00:51:47,696 --> 00:51:48,798 - Feel the wind. 1302 00:51:48,798 --> 00:51:50,041 That's so great. 1303 00:51:50,041 --> 00:51:52,584 Fantastic, yeah. (Kate laughs) 1304 00:51:52,584 --> 00:51:56,917 So yeah, on the side curve for the side of the face, 1305 00:51:57,770 --> 00:51:59,224 the seven for a nose. 1306 00:51:59,224 --> 00:52:02,974 Oh, I forgot to add in my shading on the nose 1307 00:52:03,986 --> 00:52:05,921 using the two colours, 1308 00:52:05,921 --> 00:52:09,411 some of those objects that we did before 1309 00:52:09,411 --> 00:52:11,824 from the still life coming through, 1310 00:52:11,824 --> 00:52:13,584 informing us there, 1311 00:52:13,584 --> 00:52:14,943 girls have done a great job. 1312 00:52:14,943 --> 00:52:16,786 I wanna just see what people are doing at home 1313 00:52:16,786 --> 00:52:19,431 to see how they went with it. 1314 00:52:19,431 --> 00:52:20,514 How'd you go? 1315 00:52:21,688 --> 00:52:22,771 Unbelievable. 1316 00:52:23,792 --> 00:52:24,709 Wow. - Wow. 1317 00:52:25,938 --> 00:52:27,086 - That is good. 1318 00:52:27,086 --> 00:52:28,469 - That is really great. 1319 00:52:28,469 --> 00:52:29,638 - Nice. 1320 00:52:29,638 --> 00:52:32,992 - I'm totally impressed with that. 1321 00:52:32,992 --> 00:52:36,409 So yeah, keeping it simple is my top tip. 1322 00:52:37,732 --> 00:52:38,565 (Cheryl laughs) 1323 00:52:38,565 --> 00:52:41,163 Yeah, and don't worry too much if it's scribbly. 1324 00:52:41,163 --> 00:52:43,515 I'm more than impressed 1325 00:52:43,515 --> 00:52:45,621 with everything that I've seen today, 1326 00:52:45,621 --> 00:52:47,330 and I hope you've learned something. 1327 00:52:47,330 --> 00:52:48,277 How are we going for time? 1328 00:52:48,277 --> 00:52:49,496 - [Kate] We've got seven minutes. 1329 00:52:49,496 --> 00:52:50,856 - Oh, seven minutes. 1330 00:52:50,856 --> 00:52:53,580 Well, do we have any questions? 1331 00:52:53,580 --> 00:52:56,964 Any chats or anything that you guys wanna ask? 1332 00:52:56,964 --> 00:52:57,936 - [Kate] Should we give them some time 1333 00:52:57,936 --> 00:52:59,168 to type out a question? 1334 00:52:59,168 --> 00:53:00,001 - Sure. 1335 00:53:00,001 --> 00:53:01,746 - And we do one minute pose. 1336 00:53:01,746 --> 00:53:02,961 - Yeah, yeah, okay. 1337 00:53:02,961 --> 00:53:03,794 Let's do it. 1338 00:53:03,794 --> 00:53:04,755 - [Kate] One minute pose, yeah. 1339 00:53:04,755 --> 00:53:05,941 - One minute pose. 1340 00:53:05,941 --> 00:53:07,054 - [Kate] I'm going to flip this over. 1341 00:53:07,054 --> 00:53:08,439 - [Cheryl] Yeah, yeah. 1342 00:53:08,439 --> 00:53:09,440 - [Lucie] Kate. 1343 00:53:09,440 --> 00:53:12,940 (Lucie faintly speaking) 1344 00:53:14,096 --> 00:53:15,452 - Oh, okay. 1345 00:53:15,452 --> 00:53:16,823 So I don't use an eraser 1346 00:53:16,823 --> 00:53:21,823 because every thing that you draw along the way is valuable. 1347 00:53:24,203 --> 00:53:26,092 So it's somewhere me to go back to. 1348 00:53:26,092 --> 00:53:28,114 Sometimes you don't realise that something's valuable 1349 00:53:28,114 --> 00:53:31,160 until you're some way along in the process 1350 00:53:31,160 --> 00:53:32,722 and you think, oh goodness, 1351 00:53:32,722 --> 00:53:36,585 there's a really great little bird that I drew earlier on, 1352 00:53:36,585 --> 00:53:39,246 and I know it's from this stack of papers here, 1353 00:53:39,246 --> 00:53:41,368 so I'll have a bit of a rifle through 1354 00:53:41,368 --> 00:53:42,785 and I can use it. 1355 00:53:44,193 --> 00:53:46,193 Nothing gets thrown out. 1356 00:53:49,085 --> 00:53:50,899 It's easy, I like the way you did before, 1357 00:53:50,899 --> 00:53:53,038 rather than starting that drawing again, 1358 00:53:53,038 --> 00:53:55,660 going over the top of it, it improved it. 1359 00:53:55,660 --> 00:53:57,362 Yeah, it really did. 1360 00:53:57,362 --> 00:53:58,411 - [Kate] And Cheryl. - Yeah. 1361 00:53:58,411 --> 00:54:00,172 - [Kate] Do you ever illustrate digitally? 1362 00:54:00,172 --> 00:54:03,008 Would you ever put down the texta? 1363 00:54:03,008 --> 00:54:03,841 - Never. 1364 00:54:04,732 --> 00:54:06,912 Oh, never say never, (Kate laughs) 1365 00:54:06,912 --> 00:54:08,418 but I don't know. 1366 00:54:08,418 --> 00:54:10,991 I really am a little bit addicted to paper- 1367 00:54:10,991 --> 00:54:12,376 - [Kate] Yes. - And to watercolours. 1368 00:54:12,376 --> 00:54:15,043 So there's a magic that happens, 1369 00:54:18,756 --> 00:54:20,736 it kind of exists outside of yourself, 1370 00:54:20,736 --> 00:54:23,658 when you put down colour and it sort of moves 1371 00:54:23,658 --> 00:54:25,303 and seems to, 1372 00:54:25,303 --> 00:54:26,136 bam, 1373 00:54:26,136 --> 00:54:28,219 it's magical, yeah. 1374 00:54:28,219 --> 00:54:29,555 I definitely do a little bit on the computer, 1375 00:54:29,555 --> 00:54:31,143 but I don't start with that. 1376 00:54:31,143 --> 00:54:34,073 So I use that as my jigsaw puzzle- 1377 00:54:34,073 --> 00:54:36,394 - [Kate] Yeah. - To a bit fuzzy felty. 1378 00:54:36,394 --> 00:54:37,421 - [Kate] Yeah. - That's what I, 1379 00:54:37,421 --> 00:54:38,254 the way I'd describe it. 1380 00:54:38,254 --> 00:54:39,087 - [Kate] That's a good analogy. 1381 00:54:39,087 --> 00:54:39,920 - Yeah, yeah. 1382 00:54:39,920 --> 00:54:40,965 - [Kate] I saw another question is, 1383 00:54:40,965 --> 00:54:43,101 how long have you been illustrating books for? 1384 00:54:43,101 --> 00:54:44,340 - Extremely old? 1385 00:54:44,340 --> 00:54:47,578 So I've been illustrating for 30 years. 1386 00:54:47,578 --> 00:54:49,019 - [Kate] 30 years. 1387 00:54:49,019 --> 00:54:49,852 - Yeah. 1388 00:54:49,852 --> 00:54:50,685 - [Kate] Oh, thank you. - Yeah. 1389 00:54:50,685 --> 00:54:53,089 - [Kate] So what else have we got? 1390 00:54:53,089 --> 00:54:55,523 Freya wants to know if you've ever written a book 1391 00:54:55,523 --> 00:54:57,025 as well as illustrating? 1392 00:54:57,025 --> 00:54:58,640 - Oh, well, thank you so much for asking for it. 1393 00:54:58,640 --> 00:55:00,723 I have, I've got one here 1394 00:55:02,140 --> 00:55:03,973 called "Caravan Fran." 1395 00:55:06,721 --> 00:55:09,203 I really enjoyed doing that. 1396 00:55:09,203 --> 00:55:10,532 The reason 1397 00:55:10,532 --> 00:55:13,498 I wrote this is because I'd never been on a caravan holiday, 1398 00:55:13,498 --> 00:55:15,751 so I had to invent my own. 1399 00:55:15,751 --> 00:55:17,877 (Cheryl laughs) 1400 00:55:17,877 --> 00:55:19,335 Yeah. 1401 00:55:19,335 --> 00:55:20,168 - [Kate] And somebody wants to know 1402 00:55:20,168 --> 00:55:23,753 how long it took you to learn how to draw. 1403 00:55:23,753 --> 00:55:24,586 - How long? 1404 00:55:24,586 --> 00:55:26,286 - [Kate] Are you still learning? 1405 00:55:26,286 --> 00:55:30,096 - Oh, still learning, absolutely still learning. 1406 00:55:30,096 --> 00:55:33,620 Just learning through the process of trying. 1407 00:55:33,620 --> 00:55:36,278 So yeah, always, always trying, 1408 00:55:36,278 --> 00:55:38,145 and there is definitely things I can't do, 1409 00:55:38,145 --> 00:55:42,550 but I will always give it a red hot go, yeah. 1410 00:55:42,550 --> 00:55:43,672 My best advice there. 1411 00:55:43,672 --> 00:55:45,161 Keep going, yeah. 1412 00:55:45,161 --> 00:55:46,417 - [Kate] Great. - Yeah. 1413 00:55:46,417 --> 00:55:48,181 - [Kate] So should we end on the one minute drawing? 1414 00:55:48,181 --> 00:55:49,502 - Sure, we should, absolutely. 1415 00:55:49,502 --> 00:55:53,411 Do want to strike a pose for us, Sally? 1416 00:55:53,411 --> 00:55:55,786 - Would you like with my arms in the air, for example? 1417 00:55:55,786 --> 00:55:56,804 - Yeah, that'd be great. 1418 00:55:56,804 --> 00:55:59,286 One minute, so we're gonna need a timer. 1419 00:55:59,286 --> 00:56:00,189 - [Kate] Oh, I can time it. 1420 00:56:00,189 --> 00:56:01,022 - Okay. 1421 00:56:03,502 --> 00:56:04,335 Great. 1422 00:56:04,335 --> 00:56:05,665 So this is a power pose. 1423 00:56:05,665 --> 00:56:06,576 (Kate laughs) 1424 00:56:06,576 --> 00:56:07,922 (Cheryl laughs) - Is this okay? 1425 00:56:07,922 --> 00:56:09,040 - [Kate] Ready, everyone? 1426 00:56:09,040 --> 00:56:12,531 - Every good book should end in a power pose or a tea party. 1427 00:56:12,531 --> 00:56:14,481 (Cheryl laughs) 1428 00:56:14,481 --> 00:56:15,869 - [Kate] All right. - All right. 1429 00:56:15,869 --> 00:56:16,702 Ready? - [Kate] Ready. 1430 00:56:16,702 --> 00:56:19,869 - [Kate] Two, one, go. - Two, one, go. 1431 00:56:24,230 --> 00:56:25,525 - Quick tip, make somebody taller, 1432 00:56:25,525 --> 00:56:27,194 draw them higher up on the page. 1433 00:56:27,194 --> 00:56:30,694 (Cheryl and Kate laughs) 1434 00:56:35,253 --> 00:56:36,920 That's hard to hold. 1435 00:56:38,036 --> 00:56:38,869 - [Kate] I've drawn your eyes, 1436 00:56:38,869 --> 00:56:40,227 but I've just realised I can't see. 1437 00:56:40,227 --> 00:56:43,481 (Cheryl and Kate laughs) 1438 00:56:43,481 --> 00:56:45,013 - [Cheryl] That's great. 1439 00:56:45,013 --> 00:56:48,761 If you're drawing shadows underneath the hat, 1440 00:56:48,761 --> 00:56:50,650 you just need the shadows all the way across. 1441 00:56:50,650 --> 00:56:52,504 Be really confident with going like 1442 00:56:52,504 --> 00:56:54,921 all the way across from that, 1443 00:56:55,884 --> 00:56:59,301 because that's how the shadow would work. 1444 00:57:05,724 --> 00:57:07,164 - [Kate] About halfway there. 1445 00:57:07,164 --> 00:57:08,856 - [Cheryl] Oh, gosh. 1446 00:57:08,856 --> 00:57:10,939 - [Kate] Super quick one. 1447 00:57:16,042 --> 00:57:17,791 You've got 10 fingers, on there. 1448 00:57:17,791 --> 00:57:19,458 - [Cheryl] Oh, gosh. 1449 00:57:39,441 --> 00:57:40,742 - [Kate] 10, 1450 00:57:40,742 --> 00:57:41,673 9, 1451 00:57:41,673 --> 00:57:42,793 8, 1452 00:57:42,793 --> 00:57:43,626 7, 1453 00:57:43,626 --> 00:57:45,250 6. - [Cheryl] Oh, gosh. 1454 00:57:45,250 --> 00:57:46,387 - [Kate] Five, 1455 00:57:46,387 --> 00:57:47,247 four, 1456 00:57:47,247 --> 00:57:48,272 three, 1457 00:57:48,272 --> 00:57:49,213 two, 1458 00:57:49,213 --> 00:57:50,046 one. 1459 00:57:50,046 --> 00:57:51,212 - [Cheryl] Ye-hey. 1460 00:57:51,212 --> 00:57:52,903 Thank you so much for watching 1461 00:57:52,903 --> 00:57:54,646 and being part of this today. 1462 00:57:54,646 --> 00:57:56,842 I've really enjoyed myself. 1463 00:57:56,842 --> 00:57:58,627 - Excellent, and thank you very much. 1464 00:57:58,627 --> 00:58:01,192 We're very happy to have you here today with us. 1465 00:58:01,192 --> 00:58:03,631 I'm here in the portrait gallery. 1466 00:58:03,631 --> 00:58:05,714 If the fun is continuing. 1467 00:58:07,168 --> 00:58:08,775 Oh, can you see me here? 1468 00:58:08,775 --> 00:58:11,139 Yeah, if the fun's continuing tomorrow, 1469 00:58:11,139 --> 00:58:14,644 because Sally here is actually the author 1470 00:58:14,644 --> 00:58:16,724 of "Dancing With Memories," 1471 00:58:16,724 --> 00:58:19,131 and Sally is going to be reading, 1472 00:58:19,131 --> 00:58:20,280 "Dancing With Memories," 1473 00:58:20,280 --> 00:58:23,363 and we're going to be doing some movement 1474 00:58:23,363 --> 00:58:26,863 and craft activities tomorrow at 11:30 AM. 1475 00:58:28,180 --> 00:58:29,763 So sign up online, 1476 00:58:29,763 --> 00:58:31,787 but you signed up for this workshop 1477 00:58:31,787 --> 00:58:35,103 and we'd love to see you again tomorrow. 1478 00:58:35,103 --> 00:58:39,650 Thank you for joining us at the National Portrait Gallery 1479 00:58:39,650 --> 00:58:40,983 craft day. 1480 00:58:40,983 --> 00:58:43,004 And we'll hope to see you all soon. 1481 00:58:43,004 --> 00:58:43,837 Bye. 1482 00:58:43,837 --> 00:58:44,837 - Bye. - Bye.