WEBVTT
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(mellow music)
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Hi, I'm Maria.
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I'm the Collection Manager
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at the National Portrait Gallery of Australia.
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And I'm Renée, I'm the Collection Administrator
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at the National Portrait Gallery.
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First, we'd like to say a big thank you to our friends
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at International Art Services
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for making this award possible.
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And the work that you see behind us
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is the inaugural winner of the
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Darling Portrait Prize Art Handlers' Award 2022.
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And the title of the work is
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'Weight of the Mind's Periapt.'
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And the artist is Jane Allan.
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There's so many beautiful works for this particular prize,
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the Darling Portrait Prize,
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but we made our decision for a couple of top runners
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from our perspective based purely on aesthetics.
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So we had only just looked at the works
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and we hadn't looked at any of the artist statements
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or anything like that.
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And we had our top two and we decided on this one
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and then we went in to read the artist statement.
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And we couldn't believe how kind of poignant
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the artist statement was
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and how much more richness that we got about the painting
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of things that we were really curious about,
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about all of those details.
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And suddenly, you know, it just seems like
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absolutely the right decision
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for both of us to have made, so.
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It is, and there's such a lot of heart, a lot of warmth.
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(women laugh)
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There's so much warmth in this portrait.
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It is, yeah.
It is absolutely beautiful.
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And it's got animals in it, which for Maria and I,
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Yes, big tick.
I think is,
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for us, a big tick.
(women laugh)
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It's got a little black cat, so very happy about that.
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And the cat's quite elderly, isn't he?
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I think so, yeah.
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Mendelssohn is the name of the cat of the artist's carer.
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So yeah, I think that's such a fantastic element.
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And I love the fish at the bottom.
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The fish are beautiful.
There's one that's fishing.
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Yeah.
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So there's all these little kind of moments that, you know,
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are so enjoyable about it.
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And there's ones, as you kind of get closer to the work,
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that you don't see from a distance,
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like sections that have been painted over
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with kind of text underneath it.
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There's a little section on the left adjacent to the cat
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that looks either kind of like a railway map
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or maybe a constellation.
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You know, we both talked about the fact
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it kind of has elements of like the American artist Basquiat
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and also the Australian artist Imants Tillers,
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and that kind of semi-industrial
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kind of colour palette and tonality.
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And it was just something that, you know,
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really captured us.
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And the more we looked at it,
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the more excited we became about the content
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and all the little signifiers kind of in the,
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you know, individuals' names and the robin
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and the heart and the fish on the bottom so yeah.
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And I think it tells us so much about the subject, Warren.
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Yeah.
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I really want to meet him.
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He sounds quite fascinating...
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Yeah.
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...just from looking at the little clues
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that the artist has left
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about Warren and his life, and then you know,
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it draws you in in a slightly different way.
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Absolutely.
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I think you find out so much, but apart from that,
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it is a beautiful work that I would very much like
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on my wall.
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(women laugh)
Yes.
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And it would really help people enjoy.
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We both, yeah.
Yeah.
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We both really.
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Oh, so happy, and it was a really easy decision to make.
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Yeah.
And we worked...
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...closely together.
Yeah.
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And our taste sometimes comes together.
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Yes.
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Sometimes miles apart.
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Yeah. (woman laughs)
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But on this one,
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it was a very much...
Yeah.
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...there was no fighting.
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No, there was no fighting.
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(woman laughs)
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No, we immediately knew.
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I think it's one of those ones,
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Yeah.
like Maria said,
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where we, even though sometimes our styles
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are very, very different.
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This one, we definitely found that common ground on,
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so yeah, I think it's a lovely work.
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Yeah, I think so too.
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(mellow music)