WEBVTT 1 00:00:00.360 --> 00:00:02.943 (mellow music) 2 00:00:03.890 --> 00:00:04.750 Hi, I'm Maria. 3 00:00:04.750 --> 00:00:06.010 I'm the Collection Manager 4 00:00:06.010 --> 00:00:08.210 at the National Portrait Gallery of Australia. 5 00:00:08.210 --> 00:00:09.940 And I'm Renée, I'm the Collection Administrator 6 00:00:09.940 --> 00:00:11.920 at the National Portrait Gallery. 7 00:00:11.920 --> 00:00:14.080 First, we'd like to say a big thank you to our friends 8 00:00:14.080 --> 00:00:15.810 at International Art Services 9 00:00:15.810 --> 00:00:17.990 for making this award possible. 10 00:00:17.990 --> 00:00:19.630 And the work that you see behind us 11 00:00:19.630 --> 00:00:21.720 is the inaugural winner of the 12 00:00:21.720 --> 00:00:25.860 Darling Portrait Prize Art Handlers' Award 2022. 13 00:00:25.860 --> 00:00:27.310 And the title of the work is 14 00:00:27.310 --> 00:00:28.860 'Weight of the Mind's Periapt.' 15 00:00:28.860 --> 00:00:30.473 And the artist is Jane Allan. 16 00:00:31.910 --> 00:00:35.030 There's so many beautiful works for this particular prize, 17 00:00:35.030 --> 00:00:36.210 the Darling Portrait Prize, 18 00:00:36.210 --> 00:00:40.370 but we made our decision for a couple of top runners 19 00:00:40.370 --> 00:00:43.420 from our perspective based purely on aesthetics. 20 00:00:43.420 --> 00:00:45.190 So we had only just looked at the works 21 00:00:45.190 --> 00:00:46.980 and we hadn't looked at any of the artist statements 22 00:00:46.980 --> 00:00:47.880 or anything like that. 23 00:00:47.880 --> 00:00:50.870 And we had our top two and we decided on this one 24 00:00:50.870 --> 00:00:52.710 and then we went in to read the artist statement. 25 00:00:52.710 --> 00:00:55.990 And we couldn't believe how kind of poignant 26 00:00:55.990 --> 00:00:56.990 the artist statement was 27 00:00:56.990 --> 00:00:59.980 and how much more richness that we got about the painting 28 00:00:59.980 --> 00:01:02.350 of things that we were really curious about, 29 00:01:02.350 --> 00:01:03.970 about all of those details. 30 00:01:03.970 --> 00:01:06.850 And suddenly, you know, it just seems like 31 00:01:06.850 --> 00:01:08.420 absolutely the right decision 32 00:01:08.420 --> 00:01:10.310 for both of us to have made, so. 33 00:01:10.310 --> 00:01:13.447 It is, and there's such a lot of heart, a lot of warmth. 34 00:01:13.447 --> 00:01:15.370 (women laugh) 35 00:01:15.370 --> 00:01:17.600 There's so much warmth in this portrait. 36 00:01:17.600 --> 00:01:19.450 It is, yeah. It is absolutely beautiful. 37 00:01:19.450 --> 00:01:21.650 And it's got animals in it, which for Maria and I, 38 00:01:21.650 --> 00:01:22.610 Yes, big tick. I think is, 39 00:01:22.610 --> 00:01:23.450 for us, a big tick. (women laugh) 40 00:01:23.450 --> 00:01:25.947 It's got a little black cat, so very happy about that. 41 00:01:25.947 --> 00:01:27.700 And the cat's quite elderly, isn't he? 42 00:01:27.700 --> 00:01:28.620 I think so, yeah. 43 00:01:28.620 --> 00:01:32.430 Mendelssohn is the name of the cat of the artist's carer. 44 00:01:32.430 --> 00:01:35.650 So yeah, I think that's such a fantastic element. 45 00:01:35.650 --> 00:01:36.953 And I love the fish at the bottom. 46 00:01:36.953 --> 00:01:38.200 The fish are beautiful. There's one that's fishing. 47 00:01:38.200 --> 00:01:39.150 Yeah. 48 00:01:39.150 --> 00:01:42.440 So there's all these little kind of moments that, you know, 49 00:01:42.440 --> 00:01:43.640 are so enjoyable about it. 50 00:01:43.640 --> 00:01:47.250 And there's ones, as you kind of get closer to the work, 51 00:01:47.250 --> 00:01:48.450 that you don't see from a distance, 52 00:01:48.450 --> 00:01:50.370 like sections that have been painted over 53 00:01:50.370 --> 00:01:52.310 with kind of text underneath it. 54 00:01:52.310 --> 00:01:55.600 There's a little section on the left adjacent to the cat 55 00:01:55.600 --> 00:01:57.390 that looks either kind of like a railway map 56 00:01:57.390 --> 00:01:59.850 or maybe a constellation. 57 00:01:59.850 --> 00:02:01.280 You know, we both talked about the fact 58 00:02:01.280 --> 00:02:06.140 it kind of has elements of like the American artist Basquiat 59 00:02:06.140 --> 00:02:08.610 and also the Australian artist Imants Tillers, 60 00:02:08.610 --> 00:02:11.100 and that kind of semi-industrial 61 00:02:11.100 --> 00:02:13.490 kind of colour palette and tonality. 62 00:02:13.490 --> 00:02:15.470 And it was just something that, you know, 63 00:02:15.470 --> 00:02:16.330 really captured us. 64 00:02:16.330 --> 00:02:17.250 And the more we looked at it, 65 00:02:17.250 --> 00:02:20.700 the more excited we became about the content 66 00:02:20.700 --> 00:02:23.340 and all the little signifiers kind of in the, 67 00:02:23.340 --> 00:02:25.670 you know, individuals' names and the robin 68 00:02:25.670 --> 00:02:28.777 and the heart and the fish on the bottom so yeah. 69 00:02:28.777 --> 00:02:32.370 And I think it tells us so much about the subject, Warren. 70 00:02:32.370 --> 00:02:33.203 Yeah. 71 00:02:33.203 --> 00:02:34.130 I really want to meet him. 72 00:02:34.130 --> 00:02:35.581 He sounds quite fascinating... 73 00:02:35.581 --> 00:02:36.414 Yeah. 74 00:02:36.414 --> 00:02:38.580 ...just from looking at the little clues 75 00:02:38.580 --> 00:02:39.980 that the artist has left 76 00:02:39.980 --> 00:02:43.210 about Warren and his life, and then you know, 77 00:02:43.210 --> 00:02:45.250 it draws you in in a slightly different way. 78 00:02:45.250 --> 00:02:46.083 Absolutely. 79 00:02:46.083 --> 00:02:48.850 I think you find out so much, but apart from that, 80 00:02:48.850 --> 00:02:51.130 it is a beautiful work that I would very much like 81 00:02:51.130 --> 00:02:52.456 on my wall. 82 00:02:52.456 --> 00:02:53.405 (women laugh) Yes. 83 00:02:53.405 --> 00:02:54.380 And it would really help people enjoy. 84 00:02:54.380 --> 00:02:55.560 We both, yeah. Yeah. 85 00:02:55.560 --> 00:02:56.393 We both really. 86 00:02:56.393 --> 00:02:59.430 Oh, so happy, and it was a really easy decision to make. 87 00:02:59.430 --> 00:03:00.263 Yeah. And we worked... 88 00:03:00.263 --> 00:03:01.170 ...closely together. Yeah. 89 00:03:01.170 --> 00:03:04.060 And our taste sometimes comes together. 90 00:03:04.060 --> 00:03:04.893 Yes. 91 00:03:04.893 --> 00:03:06.400 Sometimes miles apart. 92 00:03:06.400 --> 00:03:07.233 Yeah. (woman laughs) 93 00:03:07.233 --> 00:03:08.066 But on this one, 94 00:03:08.066 --> 00:03:09.900 it was a very much... Yeah. 95 00:03:09.900 --> 00:03:11.210 ...there was no fighting. 96 00:03:11.210 --> 00:03:12.056 No, there was no fighting. 97 00:03:12.056 --> 00:03:12.889 (woman laughs) 98 00:03:12.889 --> 00:03:14.120 No, we immediately knew. 99 00:03:14.120 --> 00:03:14.953 I think it's one of those ones, 100 00:03:14.953 --> 00:03:16.110 Yeah. like Maria said, 101 00:03:16.110 --> 00:03:18.440 where we, even though sometimes our styles 102 00:03:18.440 --> 00:03:19.290 are very, very different. 103 00:03:19.290 --> 00:03:21.910 This one, we definitely found that common ground on, 104 00:03:21.910 --> 00:03:23.920 so yeah, I think it's a lovely work. 105 00:03:23.920 --> 00:03:26.077 Yeah, I think so too. 106 00:03:26.077 --> 00:03:28.744 (mellow music)