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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Preparatory study for 'Nothing's as precious as a hole in the ground'
Preparatory study for 'Nothing's as precious as a hole in the ground'
Preparatory study for 'Nothing's as precious as a hole in the ground'

Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour, gouache, mangrove bark dye with alum on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove reduced bark dye (no alum) on unsanded vellum

Commissioned with funds from the Basil Bressler Bequest 2001

'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'

'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove bark pigment and pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove bark pigment on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'

M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour, gouache and pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Creatures of Leisure
Creatures of Leisure
Creatures of Leisure

Creatures of Leisure, 1982

Paul Worstead
Portrait, 5 screenprints on paper

Get Wet Series
Get Wet Series
Get Wet Series

Get Wet Series, 1979

Paul Worstead
Portrait, five screenprints on paper

Purchased with funds provided by the Basil Bressler Bequest 2001

Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins)
Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins)
Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins)

Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins), 1807-1817

Barthélemy Roger after Nicolas-Martin Petit
Portrait, engraving on paper

Purchased 2009

Voyage de Découvertes aux Terres Australes folio atlas (second edition)
Voyage de Découvertes aux Terres Australes folio atlas (second edition)
Voyage de Découvertes aux Terres Australes folio atlas (second edition)

Voyage de Découvertes aux Terres Australes folio atlas (second edition), 1824

Francois Peron, Louis de Freycinet, Nicolas-Martin Petit
Portrait, leather bound volume containing a double-page map of Australia, seven full-page charts, two double-page views, 27 hand-coloured engraving plates and 31 uncoloured engraving plates

Purchased 2017

John Mitchel with John Martin and Father John Kenyon [the three Johns]
John Mitchel with John Martin and Father John Kenyon [the three Johns]
John Mitchel with John Martin and Father John Kenyon [the three Johns]

John Mitchel with John Martin and Father John Kenyon [the three Johns], 1866

Edouard Gatel
Portrait, carte de visite photograph

Collection: National Portrait Gallery
Purchased 2016

Martin Grant
Martin Grant
Martin Grant

Martin Grant, 2004

Julian Kingma
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2006

Martin, 2006 by Gregory McBean

Martin, 2006

by Gregory McBean
Image
Matthew Martin, 2013 by Andrew Cowen

Matthew Martin, 2013

by Andrew Cowen
Image

Portrait 23

March - May 2007
Magazine

This issue of Portrait Magazine features the Reveries: On Photography and Mortality exhibition, Peter Cosgrove, Martin Sharp, Terence Tao and more.
Martin Mishkulnig, 2006 by Ingvar Kenne

Martin Mishkulnig, 2006

by Ingvar Kenne
Image
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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