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Joanna Gilmour, National Photographic Portrait Prize judge and curator, introduces the 2013 Prize.
Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
All that fall: Sacrifice, life and loss in the First World War exhibition co-curators Dr Anne Sanders and Dr Christopher Chapman reflect on the evolution of the Gallery’s Anzac Centenary exhibition.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.
Biographies of participants in the Writing lives, revealing lives forum.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.