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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Noel Fraser Hickey

Noel Fraser Hickey (1921–2010) was born in Kensington, in Sydney, New South Wales, a stone's throw from the Royal Randwick Racecourse.

1 portrait in the collection

Sir Thomas Makdougall Brisbane

Sir Thomas Makdougall Brisbane

Sir Thomas Makdougall Brisbane

Sir Thomas Makdougall Brisbane, 1842

Frederick Bromley after Robert Frain

Portrait, mezzotint on paper

Purchased with funds provided by Ross A Field 2008

Matthew Burnett

Matthew Burnett

Matthew Burnett

Matthew Burnett, c. 1865

Henry Samuel Sadd

Portrait, steel engraving on paper

Collection: National Portrait Gallery
Purchased 2015

Ada Evans

Ada E. Evans

Ada Emily Evans (1872–1947) was the first Australian woman to attain a law degree and the first woman admitted to the Bar in New South Wales.

1 portrait in the collection

William Johnson (1873—1948) by Percy Leason

Recognition

Percy Leason's Aboriginal Portraits

Previous exhibition, 1999

Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture

Sarah and Ann Jacob

Sarah and Ann Jacob

Sarah and Ann Jacob

Sarah and Ann Jacob, c. 1866

Townsend Duryea

Portrait, carte de visite photograph

Purchased 2018

image not online

Neilma B. Gantner

Neilma Baillieu Gantner (1922–2015), writer and philanthropist, was the second child of Melbourne retailer Sidney Myer and his wife Merlyn (née Baillieu).

1 portrait in the collection

Marcia Langton

Powerful energy

Magazine article by Dr Christopher Chapman, 2010

Dr Christopher Chapman explores the symbolism in the portrait commission of Marcia Langton by Brook Andrew.

Thomas Woolner

The 1850s to the 1880s

Mo and beard timeline

The restrained and cultivated facial hair fashions evident through the first decades of the 1800s were on the wane by the middle of the century, when hirsute faces became mainstream.

Brown form with stripes, 1961

Figurative foundation

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.

Pat Mackie

Blue Collar Icon

Magazine article by Dr Sarah Engledow, 2005

Dr Sarah Engledow delves into the life of union leader Pat Mackie who is depicted in a portrait by Nancy Borlase AM.

Johnny O'Keefe

Making Portraits

Five Years of National Portrait Gallery Commissions

Previous exhibition, 2004

The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery

Thomas Sutcliffe Mort and his wife Theresa

Tiny Trace of a Colonial Giant

Magazine article by Dr Sarah Engledow, 2004

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Mark McManus as Will by Mark Strizic

In and out of focus

Magazine article by Gael Newton, 2017

Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.

Self portrait

Profile of a marriage

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
Fax +61 2 6102 7001
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency