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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Prison photograph of Ned Kelly c.1873, image courtesy National Museum of Australia.

The outlaws coolly disported themselves

Ned Kelly & co at Euroa, 9 and 10 December 1878

About Face article

'Each man arrayed himself in a new rig from head to foot, and even such luxuries as soaps and perfumery were not despised'

At the Pantechnetheca, Exhibition, Eastern Arcade, Dominick Sonsee, the smallest man in the world

The Freak Show

General content

Many performers availed themselves of the services of photographic studios, posing for carte de visite portraits that served as souvenirs and as instruments in the making of renown and notoriety.

Olga Radalyski prison records, on loan from the Public Record Office of Victoria.

The sensational denouement of the case

The Yarra Boot Trunk Tragedy, 12 January 1899

About Face article

The 'Yarra Boot Trunk Tragedy' unfolded a week before Christmas 1898, when some neighbourhood boys noticed a wooden box floating in the river at Richmond.

Waterfall in Australia, c. 1830 by Augustus Earle

Augustus serendipitous

Magazine article by Joanna Gilmour, 2016

The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.

The Rajah quilt, 1841 by Kezia Hayter

Material culture

Magazine article by Joanna Gilmour, 2018

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.

The artist and her family, c. 1854 by Martha Berkeley

Presence and absence

Magazine article by Joanna Gilmour, 2018

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

The Memoirs of George Barrington

The Library

General content

By the end of the eighteenth century, crime, criminals and punishment were standard subjects for those engaged in the English print trade.

Percy, Reginald, Monty and George Faithfull, undated by Henry Dorner. Image courtesy the National Museum of Australia.

An affray which deserves particular mention

Ben Hall and his gang outdone, 6 February 1865

About Face article

Bushranger Ben Hall and his cronies held around 40 people hostage in a pub north-west of Goulburn, telling their captives ‘don’t be alarmed; we only came here for a bit of fun’.

Robert OHara Burke, 1860

The Parlour

General content

The Victorian era has been described as one wherein death was a part of everyday experience. People died at home having been nursed in their final illnesses by family members.

Tom Wills, c. 1870 by William Handcock

Secure the shadow ere the substance fade

Magazine article by Joanna Gilmour, 2015

The tragic tale of Tom Wills, the ‘inventor’ of Australian Rules Football.

Henry Louis Bertrand, ca. 1865 photographed by the Milligan Brothers. Collection of the State Library of NSW

A passion eating into your vitals

The ‘Mad Dentist of Wynyard Square’ in court, 18 December 1865

About Face article

The salacious and sordid details of Henry Kinder’s death transfixed Sydneysiders with a case combining murder with seduction, mesmerism, blackmail and poisoning.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

A surface against which we can move, 2014 by Sam Leach

No small wonder

Magazine article by Joanna Gilmour, 2015

Joanna Gilmour describes how artist Sam Leach works on a small scale to grand effect.

Jack Charles

National Photographic Portrait Prize 2012

Previous exhibition, 2012

The National Photographic Portrait Prize exhibition is selected from a national field of entries that reflect the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

George and Jemima Billet with family

Costantini's convictions

Magazine article by Joanna Gilmour, 2017

Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.

Richard Morecroft & Alison Mackay

National Photographic Portrait Prize 2017

Previous exhibition, 2017

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency